Democratic Socialists Rising: A View from My Atlanta

Posted on June 19, 2026 by Leslye Joy Allen (Ayọ)

(Mathewos Samson, Georgia House District 58 Representative-elect with his parents.)

Before I do another happy dance over the victory of Democratic Socialist Mathewos Samson who, as of this writing, is the state of Georgia’s House Representative-elect of District 58, let me quickly share a few things about Democratic Socialism’s growing appeal.

The Democratic Socialist Association’s membership is now roughly and only 100,000 members give or take a few. There are now over 250 Democratic Socialists currently holding public office. And roughly 60% of Americans under the age of 30 view socialism favorably. The uptick in interest in Democratic Socialists began in 2016, with over 90% of them elected after 2019.

Just last year in 2025 after my euphoria over Zohran Mamdani’s win as the newly elected Mayor of New York city, the Washington Examiner published an article titled “Democratic Socialists quietly capture city councils across America” giving credence to the old adage that “All Politics is Local.” It is. And you should pay attention to it.

Yet the point of and the work of the United States’ Democratic Socialists is to build from the ground up—local politics and local accountability are where the people can see the work and the attempts to get the work done.

I would be remiss if I didn’t acknowledge Atlanta’s first elected Democratic Socialist Liliana Bakhtiari, a native Atlantan elected to the Atlanta City Council in 2022. A native Atlantan of Iranian descent who was raised in Southeast Atlanta, who was also the first Queer and nonbinary Muslim elected. “She/They” was followed by Kelsea Bond as the second nonbinary Democratic Socialist elected to the Atlanta City Council in November 2025. What does this mean? It means that grassroots activism is back. Mathewos Samson campaigned for her (or I should say “they/them”) back in November 2025 and Bond won.

My first introduction to the concept of Democratic Socialism came when I was in my early teens. Salvador Allende of Chile won the presidency as a socialist devoted to democracy. When he was assassinated the talk ranged from him committing suicide (not at all likely) to his being eliminated in a U.S.-backed military coup (completely likely).

Salvador Allende’s nephew Dr. Juan Allende was my Political Science professor at Agnes Scott College. He never flinched in his moral and ethical convictions. Dr. Allende (who had a Master’s degree in theology) often called himself a “failed preacher.” It was Dr. Allende who not only introduced me to the many African syncretic religions of the Caribbean and Latin America brought here via the Trans-Atlantic Slave Trade, but also to the philosophy and ethics of Afro-American theologian James Cone. Dr. Allende stood firm in his belief in the sanctity of every human being having the right to live the life they saw fit.

As for the old cynics: You have every right to be cynical and to be discouraged. We are living in some very troubling times. Yet, let me remind you what young people are for. They are here to remind you that when we elders put down our batons for the last time that someone else will pick it up.

If you are Afro-American, Afro-Latin, Afro-Caribbean and all others in the great Afro dispersion you have a duty to your ancestors to place your efforts and your faith in the young, to sit down and let them do the work, and to answer the damned telephone when they call and say “I hit a brick wall, what do you think I should do?” Your wisdom, as well as your restraint, should kick in if you have not indulged yourself in your ego and your own victimization to the point where you no longer understand that you were never intended to finish the race, only to hand over the baton.

©️Leslye Joy Allen

I am an Independent Historian, Oral Historian and Dramaturge. Please consider supporting my work and research with a few bucks for Coffee and Eggs via my CashApp or PayPal; or become a paid subscriber to me on Substack to help me sustain my research and commentary.

All blogs written by Leslye Joy Allen are protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to any blog authored by Leslye Joy Allen, or any total or partial excerpt of any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. Postings or blogs placed here by other writers should clearly reference those writers. All Rights Reserved.

Guide My Feet…

Posted on June 22, 2015 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

“Guide My Feet”
(Traditional Negro Spiritual)

I am grateful that my late Mama and Daddy taught me our old African tradition of ancestor worship. That worship was as much a part of my childhood as was the old Western Judeo-Christian tradition…Now, for those who know me well, you know that I can be the most severe critic of ministers and organized religion(s) that too often fail to act in the best interests of the flocks they claim to serve, lead and protect. Yet, that is another blog. Save your breath. I am only responding to the message(s) sent to me…

I occasionally re-read the poem that my friend actor-poet-writer Charles Reese wrote immediately following the death of my nearly 92-year-old mother in early 2013. In homage to her, he referred to my Mama as “a Queen,” but he also referred to her as “our newest ancestor.” — Nothing in “Syble’s Poem” struck me as much as that line about her becoming an ancestor. For people who know my late Mama, they know that certain songs remained in her repertoire right up to the very end of her days here on earth.

I do not need to recount the tragedies that have happened to Black folk in the last few weeks or even over the last year. Yet, for the last couple of days I have been unable to get the old Negro Spiritual “Guide My Feet” out of my head. Composed and sung in the caldron of American chattel slavery and passed down from generation-to-generation by my people, I have been singing it and humming it off-and-on for the last couple of months. At first, I thought I was going crazy. I must confess that I had a similar experience with “You Gotta to Move,” a Gospel/Blues song composed by Mississippi Fred McDowell. A few months earlier in the year, I was singing “You Gotta Move” in an impromptu singing session that followed a gathering of my Sistahs that was a combination of good coffee, prayer, testimony, and truth-talking with each other at Dream Café…A few days after that meeting, I ran into a brother in a wheelchair who was singing the same song on a corner in downtown Atlanta. That had to mean something, I thought…

When I went to my cousin Dexter’s graduation from Morehouse College this past May 2015, the class Valedictorian and Summa Cum Laude graduate Jerek Sharrod Brown burst into “Guide My Feet” before he began his inspirational and spellbinding Valedictory address. His voice in song was an unexpected, but welcome and perfectly poetic pleasure. I felt something inside of me shift and move when Brown sang and when he spoke. I felt something shift again when my cousin Dexter’s name was called as a new graduate of Morehouse College. After all, I remembered when I first held him in my arms when he was still an infant…

Today I decided to see whether the lyrics to “Guide My Feet” would come up in a general search on Google. It did. Now, usually when something comes up in an internet search, I typically download it and then email it to myself just to make sure that I have a couple of copies of my research findings in two different places. Yet, something strange and beautiful happened after I performed my usual ritual…

When I clicked the email button to send my Google search findings to myself, the email did not pull up my personal email address. Instead, it opened my late Mama’s email address which was and remains a secondary email account affiliated with my own primary account…Sometimes the Creator knows that you need a little help. Sometimes the ancestors are talking to you…

There are moments when no matter how bad things are or may seem, you simply do not worry and you no longer expend energy on people who do not work in your and your own people’s best interests. I have reached that moment. More than we know or acknowledge, the ancestors speak to us in small but important ways if WE only listen, if WE only listen…So, Thank You Mama and Daddy and all the known and unknown ancestors and saints…Thank You Goddess…Thank You God…Peace and Blessings. Àṣé…

Guide my Feet,

while I run this race.

Guide my Feet,

while I run this race.

Guide my feet,

while I run this race,

For I don’t want to run this race in vain.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

Ava, Oprah, Moms, Dads, and Cheerleaders!

Posted on January 17, 2015 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

This is not a review of the film SELMA. However, I will say I saw it on Christmas Day when it was in limited release and let me put it this way—I had one of the best Christmas’ ever. Brilliantly acted, superbly directed. I dig Sister Ava DuVernay because she is a Black Woman, but also a young woman director who is unafraid to use all of the nuances that come with being a woman.

I also learned very quickly that she has two great parents and I see “Daddy’s Girl” written all over her face. Oprah Winfrey is another Daddy’s Girl. I know one when I see one—I was a Daddy’s Girl too. I love my late Mama to death because we had a lot of fun, but Dad was my playmate for life. I thought about my parents when I watched SELMA in the dark of that packed movie theatre on Christmas Day. They would have been so proud; and my tell-it-like-it-is Father would have been one of Ava’s biggest supporters. I can hear his loud mouth right now talking about how “Ava is one baaaaaad young sister!!”

For the first time we have a feature film about Martin Luther King, Jr., and the Selma March movement, but also a film where women are highly visible, as are so many other long forgotten foot soldiers. Yet, for a filmmaker to press ahead and make the kind of film that truly honors the Black and White women who made so many sacrifices for civil and human rights takes courage. For a Black woman filmmaker that courage often comes from the fact that in a male-dominated world, when a father approves of his daughter, when he encourages her and believes in her, she never, ever needs another man’s approval.

Mothers are extremely important too, and are always our confidantes and advisors; it is she who helps us navigate in a world full of possibilities and limitations. We watch our mothers make sacrifices and often we later wonder how she managed to make those sacrifices. Yet, our Dads’ support truly matters because sexism is alive and well, no matter how many men that love us try to downplay it. I am a Black woman and because my Dad supported me, I can handle blatant sexism and the occasional lukewarm support I get from some of the men I know and love. Most women know that only a minority of men can be our cheerleaders. Cheerleaders have to perform on the sidelines.

Ava and Oprah know whom their male and female cheerleaders are; an overwhelming majority of those cheerleaders has a pair of ovaries. I have several male cheerleaders, but every once in a while I hear that disinterest in their voices when the subject of the conversation changes from their problems or their work to a discussion about me and what is going on in my life and work. They do not mean me any harm. Yet, when I need to discuss me, I turn to my sister friends. So, in the spirit of that Sisterhood I am going on record as saying I am so very proud of Oprah Winfrey, who never fails to honor all of her people. I am so very proud of Black woman filmmaker and director Ava DuVernay for the exact same reason! My late parents loved Oprah…they did not live long enough to witness Ava…but I suspect they are watching from somewhere in the cosmos! Àṣé!

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

Common Sense

Posted on November 20, 2014 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

I am a Black woman, born and raised

in the American South, but I have

often had to yell or give long lectures

about my circumstances and my

problems and about what has happened to me

or other folk like me

and yelling and lecturing is a bore and a waste of my time, in spite

of the fact that I have met many of my Black folk that I love

and many White folk that I love and who love me,

but I have never seen any mass movement of White folk who

marched in the streets to say that they loved or supported Black women and

I have never seen any mass movement of Black people

who marched in the streets to say that they loved or supported Black women, so

I figured that in spite of that loving handful of

men and women who do or did love me, that

remain in my life or my memory, that I better

depend on myself because Common Sense demands that since I

am a Black American woman I better not make too many assumptions

about who I can count on

besides myself.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

A Thought for the Old and New Year

Posted on December 27, 2013 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

One of the first things that came to mind shortly after Christmas and before the New Year was how much my Mom and Dad would have been thrilled and proud that a great film like 12 Years a Slave received great reviews and had enjoyed large viewing audiences. I would have heard a litany of what they remembered about their childhoods and how far we Black folks have come. And if they were still alive they would surely have warned me not to hyperventilate about whether or not Santa Claus was Black or some of the foolish and racist slips of the tongue that seem to dominate our current news cycles on most days.

Strangely, my mind goes back to that one scene in the film 12 Years a Slave where after a slave has literally dropped dead from exhaustion while laboring in the fields, you see the slaves standing around a gravesite that they have prepared for their fallen comrade. Suddenly, a slave woman begins singing the old Negro spiritual “Roll, Jordan, Roll.” Then all of the slaves joined in and they sang with a joyous abandon. At this moment in the movie theater, I completely lost my composure. I wept so loudly that I had to place my hand over my mouth to muffle the sound. For days, I wondered why that scene—and not one of the other more horrible scenes where someone was beaten or tortured—caused me to cry like a two-year-old toddler. Then it came to me. This was a gift. The gift was not simply my ancestors’ songs, but their decision that they had a right to sing their songs.

Their gift feels as familiar as a book of black poetry or history or the first time my parents took me to a Jazz concert or to see the Alvin Ailey American Dance Theatre or to a Broadway play. Afterwards, they would always inform me that I must never forget that it was my people that had created the artistry and creative offerings that I had just witnessed. The lesson was simple—I could perpetually cry about what white folks had done to my people or I could fight for and celebrate what my people had done for themselves and for me, all of which is a balancing act. Yes, one must call out and fight against racism. Yet, one cannot allow it too much space in one’s head, lest one descend into perpetual victimhood. “How much of your energy are you gonna’ give THEM,” Daddy would ask without blinking?

I wept in the dark of that movie theatre, as the slaves on the screen sang with abandon and rejoicing. It is difficult to count one’s blessings when the world and everyone in it seems to be your enemy. Yet, that is exactly what the slaves did. My slave ancestors did not sing with joy because they were happy and content, but rather because the singing allowed them to reclaim their humanity, to reclaim their right to joy. No degree of inhumane treatment routinely meted out to them by white slave masters could make them surrender their own humanity, or their very human need for joyousness and a belief in the future even when that future was uncertain. Their gift is still a gift that keeps on giving if you are willing to claim it. This is what I hope to remember now, and in the New Year.

Peace.

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

Leslye Joy Allen

Social Commentary, History, Theatre, Jazz, and the Environment

Tag Archives: American South