ALLternative News

By Leslye Joy Allen

Copyright © 2017 by Leslye Joy Allen

(The following blog is something to think about in the aftermath of the recent U. S. presidential election.)

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Today I spoke with a graduate student named Wardah.  She is originally from Karachi, Pakistan.  In the course of our conversation, I told her one of my favorite professors is originally from Lahore, Pakistan.  As I mentioned his activism, she soon mentioned the string of terrorist attacks that have recently rattled Pakistan.  She said, “You know, when I am home, I’m not afraid of these attacks. But when I am a long way from home and I hear about these attacks, I become extremely worried and afraid.”  She was young and energetic and polite, and it rubbed me the wrong way that I missed this news about Pakistan. As our conversation ended, I wished her good luck with her studies and she wished me good luck with finishing my dissertation. I frequently read online foreign newspapers, but this subject slipped passed me.

I bring up my conversation with her so that you—whoever you are—can think about whether you heard anything about these attacks in Pakistan on  any American news outlets. Did these attacks appear in the news feeds that run at the bottom of your television screens?  And if you did see these news stories, how much did the stories resonate with you?  You do not need to answer these questions.  This is not a test or some trick.  I do, however, offer a suggestion.

So many people are either upset about our current president or glad our current president is in the White House or spend much of their time venting about what he will or will not do, that they do not bother to look anywhere else or at anything else.  Like a record player’s needle stuck in a damaged part of a long-playing record album, they repeat the same fears over and over again. Are we being told the truth?  Occasionally, we are told the truth.  Yet, the truth is, the world does not begin and end at the White House; it never has. This unfortunate preoccupation with “fake news” (which too many people are willing to accept as fact) must not make us blind to the fact that there is “alternative news.”  What is my definition of “alternative news”?  Alternative news is simply news from other sources, typically foreign sources, that discuss other matters happening in the rest of the world, but also news outlets that discuss events that happen in the United States that our stateside news sources conveniently and routinely ignore. It is news that affects us ALL whether we see our connections to the rest of the world’s peoples or not.

It is quite easy to rant about a man that many of us believe will do serious harm to human rights, democracy, and the U. S. Constitution.  Yet, if you have been paying attention you should know that he is not going to change any more than a leopard can change its spots.  Worried?  Worry is certain.  Yet, the business of living and being productive citizens requires that we invest in ourselves and our progeny, and in other people in other parts of the world, not in a man who probably does not care about any of this or any of them.  Protest and work—yes.  Paralysis and fear—no.

So, since the new occupant of our White House has described U. S. media as being irreparably biased against the new occupant of the White House, why not do yourself a favor and read some other news sources outside of the United States.  If you have not done so (or, if you do not do it on a regular basis), this might be the time to start.  Reuters, The Guardian, Al Jazeera, The Africa Report, and The Independent are just a few non-U. S. news sources that you might want to read.  ALL of them have something to say about the current state of affairs in the United States and the events happening all around the world.  You will find information you can really use; you will find opinions and analyses that might open your eyes to some other possibilities for resolving problems; and you are certain to discover that you have allies all around the world that you never knew you had. Àṣé!

Copyright © 2017 by Leslye Joy Allen.  All Rights Reserved.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved

 

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Black and Latino Playwrights Conference…

A quick conversation between Artistic Director and Actor Eugene Lee and Leslye Joy Allen

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

Joy:  Hello Eugene.  Tell me how and why you became an actor; and when did you start writing plays?

Eugene:  I chose Theatre and Political Science as my majors in college and began my studies of the craft of acting there.  I started writing plays while in New York in between gigs.

Joy:  Who trained you as an actor, writer, etc.?  Who among your teachers remains the most important and influential to you and why?

Eugene:  My professors at Southwest Texas State.  I’ve studied in professional classes and workshops on both coasts as well.  I’ve learned from a broad spectrum of theatre artists along the way and could never lessen anyone’s impact or contribution to my smorgasbord education.

Joy:  How did you become involved in the Black and Latino Playwrights Conference?  Why is this conference important?

Eugene:  I was approached by my alma mater about taking the helm of this phenomenon.  It’s sort of patterned after the Eugene O’Neill playwrights conference at Yale University for development of new plays.  This conference fills a void in that it provides some much needed resources to help writers find their play and their voice as a writer.  The mission statement for the conference is “To study the Craft.  To nurture the Writer.  To celebrate the work.” Simple.  There is a need to nourish our storytellers, else we end up with more revisionist history.  WE have to tell our stories and to do so we much develop the skill set.  The collaborative aspect of finding a play involves bringing together resources like director, actor, dramaturgical support, stage management, etc.

Joy:  What has changed about writing plays from when you began writing until today?

Eugene:  I don’t know.  All the basic fundamental elements of playwriting are pretty much the same, though some writers find creative ways to tweak and turn those to fit the needs of their storytelling and style etc.

Joy:  What advice would you give to young playwrights of color?

Eugene:  Learn the craft.  Dare to care.  Write.  That’s the secret to writing.  Write.  Writers write.  Great stories in your head don’t have export until they’re on a page. Writers read probably more than they write. These are short responses.  I’m in the throes of tech rehearsals here in Boston.  I can probably elaborate more after my plate empties a bit. Thank you Joy, for all you do.

Joy:  Thanks Eu-genius!  Looking forward to a more extensive conversation, once you have a bit more time, my friend.

 

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

This interview was conducted by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.   Any partial or total reference to this or any interview or blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any interview or blog by Leslye Joy Allen must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings, interviews, or blogs placed here by other writers should clearly reference those writers. All Rights Reserved.

A New Definition of Brother…

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

I had to learn the hard way not to rely solely on

American-born brothers who

talk plenty smack and talk plenty righteousness about

how we Black folk have work to do, but at the same time demand

that I keep my mouth shut about the mess that affects me as a woman and all 

that infects us/we as a people…

I had to learn the hard way that many of my brothers did not

arrive speaking with American accents, but

some had/have foreign accents so thick that I

need(ed) someone to decipher what they were saying, but

what they said mattered less than what they did…

I learned that plenty Josés and Juans and Ahmads and Maliks and

Etiennes and Lúcios and Willies and Sams

 of my world

and my hemisphere

weighed in on matters that affected my life as a Black woman when

so many other so-called brothers assumed that my problems as a Black female

would be handled by someone else or

handled by me by myself…

I had to learn the hard way that my definition of “brother” needed to remain

outside of my typical geographic boundaries of what I/We call the USA

and we either grab hold of each other as kith and kin

or we drown in the waters waiting for

some definition that none of us could live with anyway.

                                  – Leslye Joy Allen, Copyright © 2016. All Rights Reserved.

 

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.   Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings or blogs placed here by other writers should clearly reference those writers.  All Rights Reserved.

 

Sayonara 2015…Changes in 2016

by Leslye Joy Allen

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

I lost a lot and gained a lot in the year 2015. When this happens you reassess what makes sense in your life, and what you need to let go of. So, with that said…

I lost my dissertation advisor Dr. Clifford M. Kuhn, who died of a massive heart attack in November 2015. Yet, I learned that I had the support of the wonderful faculty of the History Department at Georgia State University; and I thank them all. I had to agree to stop teaching for at least a couple of semesters in order to fulfill the requirements of a dissertation fellowship, but that is okay—I won that dissertation fellowship.

I had the love and support of supremely talented actor Margo Moorer—one of many members of my extensive theatre family—who ensured that I witnessed the phenomenal stage play “Uprising.” Margo and that cast were superb in this great play and she generously pressed some money in my hand when I was dead broke.  I should also acknowledge that Margo was one of the first members of Atlanta’s theatre community to show up when my Mama passed in 2013.  Her fellow actor and co-star LaParee Young said it best, “Margo will be there for you.”  LaParee was damn right.  THANK YOU MARGO!  She also insisted that I meet the author of “Uprising” Gabrielle Fulton, who is a brilliant playwright whose literary and artistic maturity are far beyond her years.

As an only child, I naturally have “adopted” brothers and sisters. I could not let this year go by without thanking my long-time “adopted” brother (and fellow only child) Marc Freeman for covering me, praying for me, and for letting me hear some amazing music that no one else has heard.  He is an amazing composer and producer. We have been friends for fifty years and counting.  I must thank Wafa who is my “sister from another mother,” and who has covered my behind more times than I can count.  I also have to thank my cousins Saundi, Yolanda (Yandi), Lorena, and Cynthia for reminding me that I am loved and for showing up to make sure that I knew it.  My cousin Saundi lost her Mom (my Aunt Sara) this year, but I have one of her angel ornaments to remind me of her.  I thank Claude and Don, my “adopted” brothers and favorite couple for always making me laugh and for reminding me that only children often inherit loving siblings late in life.  

I thank Dr. Karcheik Sims-Alvarado—the Historian in Heels—for “talking me back from the ledge” so to speak, as she understood/understands the stress and frustration that comes with being a doctoral candidate; and I must give a special shout to the GSU History Department’s Business Manager Paula Sorrell for getting all that paperwork handled so that I could get paid on time; and I also must thank Paula for always remaining cool when she is dealing with crazy Ph.D. candidates like myself.

I thank all of my former students who are too numerous to mention by name. They remind me that the future is in good hands. I also thank the young men and women who have chosen me as their mentor.  It is an honor to be chosen by such wonderful young people from everywhere around the United States, and from as far away as Nigeria, Ghana, Pakistan, United Arab Emirates, Antigua, and Québec.  All of my students, protégés and protégées will change the world.  

This year I participated as a historical consultant in the directorial debut of Keith Arthur Bolden, a brilliant actor and artistic director of the phenomenal Spriggs Burroughs Ensemble of Spelman College. I thank Keith for inviting me along on his very special journey. Okay, I give up!  Margo, Keith and several other performance artists have called me a dramaturge, and I am finally accepting the label.

I must give super props to my adopted “Baby Sister,” the phenomenally talented actor Nevaina Rhodes (pronounced “Nih-Von-Yah”), who is also a drama coach and founder of Real Actors Workshop (RAW).  She also remains the only person I can honestly call a bona fide prayer warrior. Her midday prayers at 12:00 Noon every weekday are a revelation. I know of no one who prays with as much intensity or belief or talent…and she and I have also laughed at some supreme silliness—that is always a blessing!

I met and befriended talented young Black male doctoral scholars like Jerquil “JC” Campbell and Malcom Devoe (his Malcom does not have that second “L”), and talented young doctoral scholars like Jessica Ramadhin, Cinnamon Mittan, and Corrianne Bazemore-James. Cori was my roommate during “The Compact for Faculty Diversity: Institute on Teaching and Mentoring Conference” for SREB Doctoral Scholars held in Washington, DC.  Meeting these young dedicated scholars of color is/was always a blessing and inspiration…

I recognize and embrace the fact that I am a fierce and brilliant intellectual who owes so much to so many scholars and artists who invested their time and energy in my intellect and abilities. I am also the daughter of two now-deceased parents who knew that my purpose and destination would exceed the limits of their lifetimes. Therefore, some changes for 2016 are in order so that I might fulfill my ancestral legacy and complete my sacred God-ordained mission.

I am saying, “Sayonara,” “Adios,” “O da abọ,” “Kwaheri,” “Au Revoir” and “Goodbye” to that small group of men who narrowly envision me (and women in general) as someone designated to sit and listen to their plans, their projects, and their problems. If any of these men are reading this and need some kind of advice, I suggest that they call a counselor or their Mamas, but they need not call me. Too many of these same men who dialed my phone for all kinds of help and assistance have also routinely compensated other men for doing what they expected me to do free of charge…Therefore…

I will no longer vet projects and/or consult and/or render my academic expertise without some form of compensation. The wonderful people that I have individually thanked above in this blog deserve me as one who operates at full capacity for myself and for them.  Mess over or mistreat or mishandle any one of these phenomenal people and I will take it as a personal insult.  I have only one thing, however, to say to those men who think I am some kind of built-in, automatic, academic workhorse meant for their personal use: Delete my phone number until you recognize my value and until you can pay me what I am worth; and we need not speak unless I consider my association with you to be a plus rather than a liability. And please understand that all of the people I care about know who you are, so do not bother calling them either!

To all those friends and colleagues who have encouraged me in some way this year:  You are too numerous to name in a single blog, and I am sure I have forgotten someone, but charge it to my head and not my heart.  Please know that I appreciate every one of you.  Happy New Year!  Àṣé!

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

 

 

Frank Wittow’s Legacy…Nevaina’s Dream

by Leslye Joy Allen

Copyright © 2015 by Leslye Joy Allen.  All Rights Reserved.

The late great actor-director-educator Frank Wittow remains one of my favorite figures in Atlanta’s rich theatre history.  His work with the late, great Georgia Allen was second to none—He placed this multi-talented Black woman in a non-servant role on an Atlanta stage in the early 1960s when the city and indeed the nation were still grappling with the idea that maybe Black folk were more than just the servants of White folk. Georgia Allen had appeared in numerous films and theatre productions throughout the nation and on the campuses of Spelman and Clark Colleges, and Wittow was wise enough to recognize Allen’s superior gifts.  He was simply a different kind of White man. There were no syrupy and useless White liberal platitudes about race relations spewing out of his mouth—he just did what he wanted to do.

Now, Allen predated Wittow’s arrival in Atlanta and she had a much longer career, and to fully honor her contributions to all of the arts and to education would require writing a tome. So, I will save that project for a later date.  Much like Allen, however, Wittow directed, trained, and mentored some of the best performers on the planet and took theatre performances into Atlanta Public Schools throughout much of his life.  He did this almost to the day he died in 2006.  One of his younger protégées had the benefit of his training…

Her name is Nevaina Rhodes—her first name is pronounced “Nih-Von-yah” like “lasagna.”  The first time I saw her perform, I did not know she had any affiliation with Wittow.  When she told me her basic philosophy about acting there was something refreshingly new about her approach to her craft, but also something rather familiar…Let me explain…

You see, when I was growing up in Atlanta, an actor, a musician, a poet, an academic, an intellectual, was simply part of the community in which we all lived.  Importantly, you had to participate in the arts and the humanities, and it did not matter if you had talent or an exceptional intellect or not.  While I adore and admire many younger performers and scholars—and by younger, I mean anyone born after the Baby Boom—I find an increasing number of them who are quite insular; they have fewer connections to each other or with the folk in the communities where they live.  Unlike the Atlanta of my childhood, in recent years I have attended far too many functions filled with musicians, actors, poets, filmmakers, and historians and I end up being the only person in the room who actually knows everybody in that room…

Well, to make a long story short, Nevaina’s conceptualization of Real Actors Workshop (RAW) makes it open to amateur and professional alike.  Her basic theory is that whether you are a professional actor or not, all of us humans act and perform in certain ways depending on the circumstances.  In other words, she insists that, we all are actors. Although she is a North Carolinian by birth, her approach feels much like the Atlanta of my youth, where the long theatre traditions on the campuses of our Historically Black Colleges and Universities, and people like Georgia Allen and Frank Wittow made certain that theatre reached who it was supposed to reach—the people. We were not a community of strangers…everybody knew everybody, which is the way it should be.

I should add that I am writing this to inform you that Nevaina is not only a dazzling performer and an amazing drama coach, but she is also a real survivor. Native Atlantans, in particular, love people with a strong work ethic and those who bounce back when things do not always go as planned.  Less than five years ago, Nevaina miraculously and fully recovered from a stroke that could have easily killed her; and she remained positive while she also endured some personal losses that probably would have destroyed some weaker souls.

Today her Real Actors Workshop (RAW) is headquartered at Dream Café, Atlanta’s first cafe and empowerment lounge, which is owned by Nevaina and her partners, Jay White and Stevie Baggs.  Dream Café‘s premise is simple.  It is designed to be a place where artists, intellectuals, young and old folk can meet and greet and talk and achieve their dreams, over coffee and healthy food.  This concept and these young owners have my support not only because it feels familiar to me, but because it feels right…and it also feels rather cyclical…

Now, I am aware that my hometown has changed.  Nothing stays the same, nor should it stay the same.  Yet, there are some core elements that we must never lose—namely, the ability to connect with each other and exchange ideas.  Not even a semblance of community can survive if we lose this ability.  So, I am proud to call Nevaina a friend. It has been a great privilege to watch her perform; and I have been encouraged by her intellect, her big smile, and her big spirit…I am also certain that Wittow (and Allen) are watching her from that place where great souls go when they leave this earth…So, in honor of them and in honor of future generations, go visit the Dream Café, and write your dream on the wall. Àṣé!

To learn more about Real Actors Workshop (RAW), and Nevaina’s distinguished career as an actor, drama coach, and public speaker, click here: Nevaina Rhodes Inspirational Speaker and Drama Therapy Specialist.

Copyright © 2015 by Leslye Joy Allen.  All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.