A Word About “A Wrinkle in Time”

 

By Leslye Joy Allen

This is a musing about the film A Wrinkle in Time directed by Ava DuVernay.  This is not exactly a review, but it is a set of thoughts that happened as I read the mixed reviews; and then watched the energy and wanderlust of children I saw in the movie theater watching the film.  I’m not going to spoil it for you, but A Wrinkle in Time is not the same rollercoaster that Black Panther is. These are two different films. Yet, it is ironic (and heartwarming) that Ryan Coogler, the director of Black Panther, has designated Ava DuVernay his “Big Sister.”  Coogler wrote a beautiful public letter to her; and he also noted in an interview that Ava had to go through some mess that she won’t ever talk about publicly.  I know what Coogler—who I plan to adopt as my son if his parents will share him—meant when he said that Ava DuVernay had gone through some stuff…She is the first Black woman to helm a big budget film and she was adapting Madeleine L’Engle’s children’s book that has been in circulation since the early 1960s. And L’Engle herself had to suffer through 26 rejections from publishers and self-righteous Christians that disliked the fact that she aligned Jesus with the Buddha and other “saviors” in the same book.  So go figure?

Now with that said, let me tell you what I got from A Wrinkle in Time.  First, the hero (or heroine) of the story is a little Black girl named “Meg Murray” (played by the incredible Storm Reid).  Meg Murray is the adopted daughter of an interracial couple, both of whom are scientists.  The first thing you notice about her is that her father’s disappearance is weighing her down socially. Both she and her younger brother “Charles Wallace  Murray” (portrayed by the adorable Deric McCabe) are getting into trouble at school.  Meg wears glasses; the kids tease her; and her grades have slipped.  What also shines through is her love for her father and her occasional doubts about whether or not she will ever find him.  Eventually, she heads out with the help of “Mrs Which,” “Mrs Who,” and “Mrs Whatsit”**, with her little brother “Charles Wallace” and friend “Calvin” (played by Levi Z. Miller) along for the ride.

Before the film was over, I watched little girls and boys of all shades and ethnicities in the movie theater watch a little Black girl literally save the world.  WE have never had a Black girl be this kind of hero in a film.  I watched two little girls get up in the theater and dance their own little dance to Sade, who came out of semi-retirement to lend her musical gifts to this film. I watched a young 40-something Black father sit with his 11-year-old daughter; and I watched him glance at her like my own father did when he was watching to see if I was enjoying a movie.  I had my moments of nostalgia and I would be lying if I said you shouldn’t bring along a few tissues.  Yet, what the film delivers most is staunch warnings against uniformity, against not believing in yourself, and against making decisions solely based on fear.  Before it’s over you think about everything from those times when you were jealous, when you were mean to someone or when you underestimated others or yourself. It is, as one person wrote, “A love letter to children.” And in this moment it was a little Black girl that delivered it.

Now, a few reviewers got it right when they said that this film is a family movie where kids are the primary and central audience.  (A reviewer named Mark Hughes wrote an incredibly insightful review of A Wrinkle in Time for Forbes Magazine which honestly surprised me. He thought so much more about the intersections of race and gender than most white or black movie reviewers that I have ever read, so I read what he wrote twice.)  Children need their own space and their own entertainment.  In an increasingly ADULT-centric world of self-absorbed adults, it is mandatory.  But for me, the film meant so much more.

I haven’t been a little Black girl for a long time.  I’m now an AARP Black woman.  But like “Meg Murray,” I know what it means when your father believes in your intellectual abilities.  We still live in a male-dominated world; and with less than 7 percent of CEOs being female and only 14 percent of films in Hollywood directed by women and even fewer directed by women of color, the numbers reinforce this domination, which is why director Ryan Coogler’s support of Ava DuVernay and his acknowledgement of what he knows she and women go through matters tremendously.  WE don’t get this kind of support and acknowledgement too often.  And girls and women get judged all the time based on nothing more than their physical appearance.  In this film we see what that looks like and how it feels. Importantly, Black women and girls who are assertive, who give themselves permission to be righteously angry, and insist on their right to take charge of their lives are often called the typical “Angry Black Woman” or worse; they’re/we’re called “B*tches.”

In A Wrinkle in Time, Meg Murray’s alleged faults become what she uses to change the world she inhabits. Those faults become her strengths. The film, like few others, gives young females the right to have flaws like all other human beings. For a change, and for a couple of hours, little Black girls in particular, and girls in general are not forced into those tragic two-dimensional “either/or” boxes. Instead, it becomes okay, even if only in fantasy, to be exactly who one is rather than some stultifying version of what the world and society expects one to be.  That’s all I’m going to tell you except take a child with you to see this film. If you have forgotten what it feels like to be a kid, I am so very sorry for your tragic loss.  Kids have an uncanny way of seeing things clearly when the adults miss the lessons or avoid the lessons altogether.  That’s why I love children and hang around them every chance I get…Without them, I/we would be amoral and dumb as a box of rocks!

**Author Madeleine L’Engle insisted that the abbreviation “Mrs” have no period in her book A Wrinkle in Time.  That idiosyncracy has been respected in this blog.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved.

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I Celebrate Them

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By Leslye Joy Allen

Copyright © 2017 by Leslye Joy Allen.

People that know me well (and some people that barely know me), know that I am a huge advocate for theatre.  I’m a Historian, an Oral Historian, and at the insistence of actors Margo Moorer and Keith Arthur Bolden, I’m also a dramaturge.

I saw the play “FENCES” that was written by the magnificent and late August Wilson decades ago.  Wilson was that rare African-American playwright that thought the particular culture of ordinary Black Americans was as worthy of a story to tell as any other story on earth…And he was right…He was damned right…

One of the joys of being an Oral Historian is interviewing people, many of who will never see their names in a book or newspaper.  Yet, what they can tell us about any particular period of history is invaluable precisely because they will tell you the truth about how any public policy affected them or did not affect them…which is why I always celebrate them…because they are so very important…and sometimes their stories are told in books and in films when most people least expect to see their stories told…So…

I am celebrating the fact that Denzel Washington and Viola Davis have brought the stage play FENCES to life as a film…and I am not going to lecture about how many people need to go to see this film or to see plays…

And I am positively, deliriously delighted to see Viola Davis win the Golden Globe for FENCES; and I am delighted that the story of the African American FEMALE scientists who helped put a man on the moon is now brilliantly portrayed in the film HIDDEN FIGURES. Now, what I am about to say in the next few lines matters to me and to a lot of women…

It is rare when Black women (or women in general) receive any visible, tangible praise or remuneration for having brains. Women get called on for advice and to listen to people’s problems; and women get praised for their physical beauty and politeness and tact, but we rarely get praised for being smart…and we rarely get paid for being smart…

Now, while I can almost hear all the good men I personally know getting ready to challenge me on this, I want to remind everybody of one important thing…

President Barack Obama actually awarded the Medal of Freedom to Dr. Katherine Coleman Johnson who is the subject of the film HIDDEN FIGURES, a film that traces her and many other Black women’s mathematical and scientific contributions to the race to place a man on the moon.  The Medal of Freedom is the highest award a president can give to a civilian American.  Actor Taraji P. Henson portrayed Dr. Katherine Coleman Johnson in the film HIDDEN FIGURES.  However, Dr. Johnson won this Medal in December of 2015 and it was featured in a news story in the New York Times and in a few other mainstream newspapers…But

this Medal of Freedom award did not particularly resonate and become viral news with too many folks…Hell, even I stumbled on it much later in mid-2016 and I wondered why I did not know much about this Black woman, myself…But I’m not angry with anybody…and I’m not calling any names because…

When I was a little Black girl growing up in Atlanta, a beautiful and regal and talented and supremely intelligent and gloriously Black woman named Diahann Carroll received death threats from White folks via mail because she was a Black woman who portrayed a widowed nurse named “Julia Baker” on a TV show called “JULIA” back in the late 1960s…and there are folks that think I ought to forget about that…but I will not forget it…and

I, and so many other young Black girls from that era, dreamed of a day when young Black women like Ava DuVernay and Taraji P. Henson and Viola Davis and so many other glorious sisters would occupy places in the sun and tell great stories…and I know I am leaving out about three dozen names of some other wonderful sisters, but I am going to ask you all to fill in those extra blanks and go support these young women whenever you can…and I can say that after witnessing my sisters with talent and brains be too often ignored that…

I lived long enough to see enough of them shine without asking anybody’s permission…and I am going to live even longer to see them shine even more and tell some more great stories, and ask no one’s permission to do so…Àṣé.

Copyright © 2017 by Leslye Joy Allen.  All Rights Reserved.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved.

 

 

Ava, Oprah, Moms, Dads, and Cheerleaders!

Leslye Joy Allen @ Spelman College Archives. Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen @ Spelman College Archives. Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

by Leslye Joy Allen

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

This is not a review of the film SELMA. However, I will say I saw it on Christmas Day when it was in limited release and let me put it this way—I had one of the best Christmas’ ever. Brilliantly acted, superbly directed. I dig Sister Ava DuVernay because she is a Black Woman, but also a young woman director who is unafraid to use all of the nuances that come with being a woman.

I also learned very quickly that she has two great parents and I see “Daddy’s Girl” written all over her face. Oprah Winfrey is another Daddy’s Girl. I know one when I see one—I was a Daddy’s Girl too. I love my late Mama to death because we had a lot of fun, but Dad was my playmate for life. I thought about my parents when I watched SELMA in the dark of that packed movie theatre on Christmas Day. They would have been so proud; and my tell-it-like-it-is Father would have been one of Ava’s biggest supporters. I can hear his loud mouth right now talking about how “Ava is one baaaaaad young sister!!”

For the first time we have a feature film about Martin Luther King, Jr., and the Selma March movement, but also a film where women are highly visible, as are so many other long forgotten foot soldiers. Yet, for a filmmaker to press ahead and make the kind of film that truly honors the Black and White women who made so many sacrifices for civil and human rights takes courage.  For a Black woman filmmaker that courage often comes from the fact that in a male-dominated world, when a father approves of his daughter, when he encourages her and believes in her, she never, ever needs another man’s approval.

Mothers are extremely important too, and are always our confidantes and advisors; it is she who helps us navigate in a world full of possibilities and limitations. We watch our mothers make sacrifices and often we later wonder how she managed to make those sacrifices. Yet, our Dads’ support truly matters because sexism is alive and well, no matter how many men that love us try to downplay it. I am a Black woman and because my Dad supported me, I can handle blatant sexism and the occasional lukewarm support I get from some of the men I know and love. Most women know that only a minority of men can be our cheerleaders. Cheerleaders have to perform on the sidelines.

Ava and Oprah know whom their male and female cheerleaders are; an overwhelming majority of those cheerleaders has a pair of ovaries. I have several male cheerleaders, but every once in a while I hear that disinterest in their voices when the subject of the conversation changes from their problems or their work to a discussion about me and what is going on in my life and work.  They do not mean me any harm.   Yet, when I need to discuss me, I turn to my sister friends. So, in the spirit of that Sisterhood I am going on record as saying I am so very proud of Oprah Winfrey, who never fails to honor all of her people.  I am so very proud of Black woman filmmaker and director Ava DuVernay for the exact same reason!  My late parents loved Oprah…they did not live long enough to witness Ava…but I suspect they are watching from somewhere in the cosmos! Àṣé!

 

Copyright © 2015 by Leslye Joy Allen.  All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.