Guide My Feet…

Posted on June 22, 2015 by Leslye Joy Allen (Ayọ)

“Guide My Feet”
(Traditional Negro Spiritual)

I am grateful that my late Mama and Daddy taught me our old African tradition of ancestor worship. That worship was as much a part of my childhood as was the old Western Judeo-Christian tradition…Now, for those who know me well, you know that I can be the most severe critic of ministers and organized religion(s) that too often fail to act in the best interests of the flocks they claim to serve, lead and protect. Yet, that is another blog. Save your breath. I am only responding to the message(s) sent to me…

I occasionally re-read the poem that my friend actor-poet-writer Charles Reese wrote immediately following the death of my nearly 92-year-old mother in early 2013. In homage to her, he referred to my Mama as “a Queen,” but he also referred to her as “our newest ancestor.” — Nothing in “Syble’s Poem” struck me as much as that line about her becoming an ancestor. For people who know my late Mama, they know that certain songs remained in her repertoire right up to the very end of her days here on earth.

I do not need to recount the tragedies that have happened to Black folk in the last few weeks or even over the last year. Yet, for the last couple of days I have been unable to get the old Negro Spiritual “Guide My Feet” out of my head. Composed and sung in the caldron of American chattel slavery and passed down from generation-to-generation by my people, I have been singing it and humming it off-and-on for the last couple of months. At first, I thought I was going crazy. I must confess that I had a similar experience with “You Gotta to Move,” a Gospel/Blues song composed by Mississippi Fred McDowell. A few months earlier in the year, I was singing “You Gotta Move” in an impromptu singing session that followed a gathering of my Sistahs that was a combination of good coffee, prayer, testimony, and truth-talking with each other at Dream Café…A few days after that meeting, I ran into a brother in a wheelchair who was singing the same song on a corner in downtown Atlanta. That had to mean something, I thought…

When I went to my cousin Dexter’s graduation from Morehouse College this past May 2015, the class Valedictorian and Summa Cum Laude graduate Jerek Sharrod Brown burst into “Guide My Feet” before he began his inspirational and spellbinding Valedictory address. His voice in song was an unexpected, but welcome and perfectly poetic pleasure. I felt something inside of me shift and move when Brown sang and when he spoke. I felt something shift again when my cousin Dexter’s name was called as a new graduate of Morehouse College. After all, I remembered when I first held him in my arms when he was still an infant…

Today I decided to see whether the lyrics to “Guide My Feet” would come up in a general search on Google. It did. Now, usually when something comes up in an internet search, I typically download it and then email it to myself just to make sure that I have a couple of copies of my research findings in two different places. Yet, something strange and beautiful happened after I performed my usual ritual…

When I clicked the email button to send my Google search findings to myself, the email did not pull up my personal email address. Instead, it opened my late Mama’s email address which was and remains a secondary email account affiliated with my own primary account…Sometimes the Creator knows that you need a little help. Sometimes the ancestors are talking to you…

There are moments when no matter how bad things are or may seem, you simply do not worry and you no longer expend energy on people who do not work in your and your own people’s best interests. I have reached that moment. More than we know or acknowledge, the ancestors speak to us in small but important ways if WE only listen, if WE only listen…So, Thank You Mama and Daddy and all the known and unknown ancestors and saints…Thank You Goddess…Thank You God…Peace and Blessings. Àṣé…

Guide my Feet,

while I run this race.

Guide my Feet,

while I run this race.

Guide my feet,

while I run this race,

For I don’t want to run this race in vain.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

One of My Mama’s Friends

Posted on May 9, 2015 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

I have lived over fifty years and I have never really met and never really dealt with a Black woman who was passive. My experience may not be the same as everyone else’s, but as a young Black girl growing up in Atlanta, Georgia, there simply was no such thing as an uneducated, passive and do-nothing Black woman; and my late Mama and her friends have been that example. Mama’s friends have been a blessing to me while she was alive and a boon to me in her absence…

I will only share a little bit about one of them here…

Her full name is Mrs. Bendolyn Handspike Ricks. Her nickname is “Peaches.” The house she has shared with her husband of more than forty years has always been one of the homes in the neighborhood where all the kids went to just hang out and be kids and clown around. Even though she insisted that I call her “Peaches” well over twenty years ago, I had to reach the age of fifty before I could call her anything other than “Mrs. Ricks.” Being raised to be extra respectful to adults, I simply could not call her by her nickname until after I passed the half century mark. But here is what I learned from “Peaches.”

Make your voice heard! Everyone at City Hall, the Mayor’s Office, and the local police department knows her. She will call them all day long if need be to get what she needs and what our community needs. I know….

because when a pipe from the street collapsed and created a plumbing problem for me, the City’s water department claimed that they could not arrive at my house for the next three weeks. So, I called Peaches…

and she told me the city council person I should call. So, I called them and the water department and crew arrived the next morning rather than the next three weeks…

When she is travelling out of town, she asks that our police department send extra police officers to cruise by and look after her house…

and this past week, while she and her husband were vacationing, I watched as one police car after another sat near her house…

I say this to make a point…

One need not be wealthy to get something done. One need only be persistent enough to demand what one needs and to fight for what one needs…

and one needs only to have the kind of Black women I know and grew up with…

On those occasions when I worry, I simply pause and remember my Mama and her cronies—some Baaaad Sisters who I can only hope to someday emulate…Àṣé!

Frank Wittow’s Legacy…Nevaina’s Dream

Posted on February 26, 2015 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

The late great actor-director-educator Frank Wittow remains one of my favorite figures in Atlanta’s rich theatre history. His work with the late, great Georgia Allen was second to none—He placed this multi-talented Black woman in a non-servant role on an Atlanta stage in the early 1960s when the city and indeed the nation were still grappling with the idea that maybe Black folk were more than just the servants of White folk. Georgia Allen had appeared in numerous films and theatre productions throughout the nation and on the campuses of Spelman and Clark Colleges, and Wittow was wise enough to recognize Allen’s superior gifts. He was simply a different kind of White man. There were no syrupy and useless White liberal platitudes about race relations spewing out of his mouth—he just did what he wanted to do.

Now, Allen predated Wittow’s arrival in Atlanta and she had a much longer career, and to fully honor her contributions to all of the arts and to education would require writing a tome. So, I will save that project for a later date. Much like Allen, however, Wittow directed, trained, and mentored some of the best performers on the planet and took theatre performances into Atlanta Public Schools throughout much of his life. He did this almost to the day he died in 2006. One of his younger protégées had the benefit of his training…

Her name is Nevaina Rhodes—her first name is pronounced “Nih-Von-yah” like “lasagna.” The first time I saw her perform, I did not know she had any affiliation with Wittow. When she told me her basic philosophy about acting there was something refreshingly new about her approach to her craft, but also something rather familiar…Let me explain…

You see, when I was growing up in Atlanta, an actor, a musician, a poet, an academic, an intellectual, was simply part of the community in which we all lived. Importantly, you had to participate in the arts and the humanities, and it did not matter if you had talent or an exceptional intellect or not. While I adore and admire many younger performers and scholars—and by younger, I mean anyone born after the Baby Boom—I find an increasing number of them who are quite insular; they have fewer connections to each other or with the folk in the communities where they live. Unlike the Atlanta of my childhood, in recent years I have attended far too many functions filled with musicians, actors, poets, filmmakers, and historians and I end up being the only person in the room who actually knows everybody in that room…

Well, to make a long story short, Nevaina’s conceptualization of Real Actors Workshop (RAW) makes it open to amateur and professional alike. Her basic theory is that whether you are a professional actor or not, all of us humans act and perform in certain ways depending on the circumstances. In other words, she insists that, we all are actors. Although she is a North Carolinian by birth, her approach feels much like the Atlanta of my youth, where the long theatre traditions on the campuses of our Historically Black Colleges and Universities, and people like Georgia Allen and Frank Wittow made certain that theatre reached who it was supposed to reach—the people. We were not a community of strangers…everybody knew everybody, which is the way it should be.

I should add that I am writing this to inform you that Nevaina is not only a dazzling performer and an amazing drama coach, but she is also a real survivor. Native Atlantans, in particular, love people with a strong work ethic and those who bounce back when things do not always go as planned. Less than five years ago, Nevaina miraculously and fully recovered from a stroke that could have easily killed her; and she remained positive while she also endured some personal losses that probably would have destroyed some weaker souls.

Today her Real Actors Workshop (RAW) is headquartered at Dream Café, Atlanta’s first cafe and empowerment lounge, which is owned by Nevaina and her partners, Jay White and Stevie Baggs. Dream Café‘s premise is simple. It is designed to be a place where artists, intellectuals, young and old folk can meet and greet and talk and achieve their dreams, over coffee and healthy food. This concept and these young owners have my support not only because it feels familiar to me, but because it feels right…and it also feels rather cyclical…

Now, I am aware that my hometown has changed. Nothing stays the same, nor should it stay the same. Yet, there are some core elements that we must never lose—namely, the ability to connect with each other and exchange ideas. Not even a semblance of community can survive if we lose this ability. So, I am proud to call Nevaina a friend. It has been a great privilege to watch her perform; and I have been encouraged by her intellect, her big smile, and her big spirit…I am also certain that Wittow (and Allen) are watching her from that place where great souls go when they leave this earth…So, in honor of them and in honor of future generations, go visit the Dream Café, and write your dream on the wall. Àṣé!

To learn more about Real Actors Workshop (RAW), and Nevaina’s distinguished career as an actor, drama coach, and public speaker, click here: Nevaina Rhodes Inspirational Speaker and Drama Therapy Specialist.

Ava, Oprah, Moms, Dads, and Cheerleaders!

Posted on January 17, 2015 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

This is not a review of the film SELMA. However, I will say I saw it on Christmas Day when it was in limited release and let me put it this way—I had one of the best Christmas’ ever. Brilliantly acted, superbly directed. I dig Sister Ava DuVernay because she is a Black Woman, but also a young woman director who is unafraid to use all of the nuances that come with being a woman.

I also learned very quickly that she has two great parents and I see “Daddy’s Girl” written all over her face. Oprah Winfrey is another Daddy’s Girl. I know one when I see one—I was a Daddy’s Girl too. I love my late Mama to death because we had a lot of fun, but Dad was my playmate for life. I thought about my parents when I watched SELMA in the dark of that packed movie theatre on Christmas Day. They would have been so proud; and my tell-it-like-it-is Father would have been one of Ava’s biggest supporters. I can hear his loud mouth right now talking about how “Ava is one baaaaaad young sister!!”

For the first time we have a feature film about Martin Luther King, Jr., and the Selma March movement, but also a film where women are highly visible, as are so many other long forgotten foot soldiers. Yet, for a filmmaker to press ahead and make the kind of film that truly honors the Black and White women who made so many sacrifices for civil and human rights takes courage. For a Black woman filmmaker that courage often comes from the fact that in a male-dominated world, when a father approves of his daughter, when he encourages her and believes in her, she never, ever needs another man’s approval.

Mothers are extremely important too, and are always our confidantes and advisors; it is she who helps us navigate in a world full of possibilities and limitations. We watch our mothers make sacrifices and often we later wonder how she managed to make those sacrifices. Yet, our Dads’ support truly matters because sexism is alive and well, no matter how many men that love us try to downplay it. I am a Black woman and because my Dad supported me, I can handle blatant sexism and the occasional lukewarm support I get from some of the men I know and love. Most women know that only a minority of men can be our cheerleaders. Cheerleaders have to perform on the sidelines.

Ava and Oprah know whom their male and female cheerleaders are; an overwhelming majority of those cheerleaders has a pair of ovaries. I have several male cheerleaders, but every once in a while I hear that disinterest in their voices when the subject of the conversation changes from their problems or their work to a discussion about me and what is going on in my life and work. They do not mean me any harm. Yet, when I need to discuss me, I turn to my sister friends. So, in the spirit of that Sisterhood I am going on record as saying I am so very proud of Oprah Winfrey, who never fails to honor all of her people. I am so very proud of Black woman filmmaker and director Ava DuVernay for the exact same reason! My late parents loved Oprah…they did not live long enough to witness Ava…but I suspect they are watching from somewhere in the cosmos! Àṣé!

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

A Turk Talks Atlanta: Another Perspective of Race and America

Posted on September 10, 2014 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen

On Wednesday, September 10, 2014, I boarded the MARTA train here in Atlanta heading home from teaching a morning class and having a brief meeting with a professor. When I entered the train station, the humidity was overpowering. A man in a business suit that appeared to me to be either Arab or Turkish, pulled off his jacket. He looked at me and smiled and said in a thick accent, “HOT-LANTA is not just a nickname, eh?”

We laughed and began to exchange pleasantries about the weather and the city. He informed me that he has to travel all around the United States quite a bit, but he said something that struck me.

He said rather seriously, “Your young people, the students and the school children, are so much more polite and friendly. They are nowhere near as noisy or ill mannered as I have seen in so many other cities around the country. I like Atlanta, except for these humid days.”

We laughed as we both boarded the southbound train. I asked him where he was from. He was originally from Turkey. Then I asked him why he thought Atlanta students were so much quieter. He said that in some places around the world, people consider Americans to be rather loud or at least that is the general stereotype. “In fact,” he said, “I saw a restaurant once with a sign that said, No Loud Americans, please.”

He saw a look on my face that suggested to him that I had another question. He said, “I am always flying in to the Atlanta airport and taking your train to downtown, and almost all the kids and young people I see are Black and polite. Some of them dress funny, but all have been friendly and rather quiet compared to what I have seen elsewhere.”

I had to scratch my head. For while I deal with large numbers of respectable, hard-working young Black students all the time, the perception from many quarters of Atlanta and throughout the United States is that to be in the company of young Black people means you will be constantly annoyed by loud music and loud conversation. Truthfully, I have encountered loud and rude behavior from young folks of all races and ethnicities right here in Atlanta, but it has not been nearly as severe or as often as some people might think.

This Turkish man taught me something about perspective and why I am glad I now strongly insist that my students and friends read foreign news reports as often as possible. The view from some place else is not the same as when you routinely see the same folks all the time, even when those folks are your own people.

Importantly, this Turkish man decided to look at Atlanta and Black people with eyes and ears that have not been trained to only focus on the disasters that are regularly reported on the six o’clock news. He has been observant enough to notice that when people encountered Americans overseas who were loud, that the loud American—stereotype or not—was not a racial stereotype, but a national one.

In the weeks and months ahead as we Black folk all process so much of the bad news about domestic abuse, gender discrimination, racial profiling, violence and war, I hope that we remember that perspectives about who and what we are as a people are not always as negative as the pundits would have us believe. I hope we also realize that the constant worry about our image is unnecessary. People here and around the globe are either intelligent enough and informed enough to form a reasonable opinion or they are not. No degree of sugar-coating or covering up anything will change perspectives in the United States or abroad.

Yet, I also hope we remember that the perspectives of people who are on the outside looking in, who do not live with us constantly, have much to tell us if we bother to listen to and look for those perspectives. Yet, the only way to listen to those perspectives and look for those other opinions abroad is to make sure we are not the loud and brass Americans that only think our perspectives matter. Peace.

This Blog was written by Leslye Joy Allen & is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

Leslye Joy Allen

Social Commentary, History, Theatre, Jazz, and the Environment

Category Archives: U. S. History