Ms. Allen’s U. S. History 2110: Songs of Social Consciousness and Protest, 1960s to 1980

Posted on November 20, 2013 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

One of the fun things about teaching history is not only helping young people discover new ideas, but also having them help you, the instructor, re-discover some of those ideas. One of the things we did as a class this semester was revisit some of the music of the early 1960s up to 1980 that had socially conscious and/or protest lyrics. Many of the songs on the following list were songs that I personally remembered and contributed. Yet, many of the songs were discovered by several of my students, along with a few suggestions by a few friends. My students and I had a good laugh about how some people upload music to YouTube in violation of copyright law. Yet, we all agreed that when one video or recording of a song was removed, another video would take its place. So, if any of the hyperlinks below have become inactive, I can only encourage you to do a quick search for the title of the song and/or artist.

My musical repertoire dates back to before Ragtime, thanks to my late birth to parents who were much older than the average age for first-time parents, and who were late born babies themselves. I was tempted to create a mammoth song list that touched on every possible social or political concern for the last hundred years. This list is hardly comprehensive or even representative of all the music that I know of that can be counted as having lyrical content that speaks about some social or political issue. Yet, it remains a great list when one considers that the music represented here is much, much older than the majority of my history students and that these songs still have relevance and meaning. Also, a comprehensive list would be too long to be useful. The idea of this assignment was to get students to look up and listen to music and access other art forms and discover that all of these art forms are important cultural markers which help tell so many stories and contribute to the history of any given era.

Many of my students have commented that too much of the music today seems empty of meaningful content. I agree. So, below is the list in date, rather than alphabetical, order. I hope you enjoy what my students discovered; and I hope you will make your own lists of songs of social consciousness and protest and then introduce those songs, musicians, songwriters, and messages to some young person that you know. You may even learn something new in the process. Peace.

(1962) “The Death of Emmitt Till” by Bob Dylan: http://www.youtube.com/watch?v=RVKTx9YlKls

(1963) “Masters of War” by Bob Dylan: http://www.youtube.com/watch?v=Mvr72uTd7kc

(early 1960s**) “Ain’t Gonna Let Nobody Turn Me Round” by Sweet Honey in the Rock: http://www.youtube.com/watch?v=c5Z1trynEHs (**Many singers have sung “Ain’t Gonna Let Nobody Turn Me Round.” It remains a Traditional Negro Folk Song, adapted by the SNCC Freedom Singers, who began singing it at rallies in the early 1960s. Dr. Bernice Johnson Reagon, who founded the vocal group “Sweet Honey in the Rock” was an original member of the Freedom Singers. The version above is a more recent version that she and the members of Sweet Honey in the Rock recorded for a PBS Series titled “Soundtrack for a Revolution.”)

(1963**) “Cotton Fields” by Odetta: http://www.youtube.com/watch?v=tXQDgqXnaT8 (**Odetta recorded this song live with Lawrence Mohr in 1954. Yet, she released this studio-recorded version in 1963)

(1964) “Mississippi, Goddamn” by Nina Simone: http://www.youtube.com/watch?v=fVQjGGJVSXc

(1965) “I Ain’t Marching Anymore” by Phil Ochs: http://www.youtube.com/watch?v=gv1KEF8Uw2k

(1965) “Draft Dodger Rag” by Phil Ochs: http://www.youtube.com/watch?v=tFFOUkipI4U (This song has some very humorous lyrics. It quickly became one of the anthems of the Anti-Vietnam Movement).

(1965) “People Get Ready” by The Impressions (featuring Curtis Mayﬁeld): http://www.youtube.com/watch?v=l04yM7-BWbg

(1966) “Love Me, I’m A Liberal” by Phil Ochs: http://www.youtube.com/watch?v=u52Oz-54VYw

(1967) “We’re a Winner (Movin’ on Up)” by The Impressions (featuring Curtis Mayﬁeld): http://www.youtube.com/watch?v=uLMRzDFMvEo

(1968) “Say It Loud, I’m Black and I’m Proud” by James Brown: https://www.youtube.com/watch?v=j0A_N-wmiMo

(1968) “Why? (The King of Love is Dead)” by Nina Simone: http://www.youtube.com/watch?v=Wh6R0BRzjW4

(1968) “Revolution” by The Beatles: http://www.youtube.com/watch?v=u2LKMogdjm8

(1969) “Freedom” by Richie Havens: http://www.youtube.com/watch?v=rynxqdNMry4

(1969) “Choice of Colors” by The Impressions (featuring Curtis Mayﬁeld): http://www.youtube.com/watch?v=SNV1Y01xNk8

(1970) “Young, Gifted and Black” by Nina Simone: http://www.youtube.com/watch?v=PEMOxRxcJpo

(1970) “War” by Edwin Starr: http://www.youtube.com/watch?v=dQHUAJTZqF0

(1970) “Ball of Confusion” by The Temptations: http://www.youtube.com/watch?v=JWtIvoub6XU

(1970) “If There’s Hell Below, We’re All Gonna Go” by Curtis Mayfield: http://www.youtube.com/watch?v=l2cTc7DofrA&list=PL1AE86EA721372D55

(1970) “Heaven Help Us All” by Stevie Wonder : http://www.youtube.com/watch?v=_gOLnLz9KjY

(1971) “Bring the Boys Home” by Freda Payne: http://www.youtube.com/watch?v=–fFhunuUJM

(1971) “People Make the World Go Round” by The Stylistics: http://www.youtube.com/watch?v=8EDUBOGTVv0 (One of my students was amazed by the remarkably high falsetto voice of the lead singer. His name is Russell Thompkins.)

(1971) “Inner City Blues (Make Me Wanna Hollar)” by Marvin Gaye: http://www.youtube.com/watch?v=X1uelY2SGmw

(1971) “What’s Going On?” by Marvin Gaye: http://www.youtube.com/watch?v=H-kA3UtBj4M

(1971) “Mercy, Mercy Me (The Ecology)” by Marvin Gaye: http://www.youtube.com/watch?v=EMuWmU1iNJo

(1972) “King Heroin” by James Brown: http://www.youtube.com/watch?v=NoLrrnXiRCk

(1972) “I’m Just Another Soldier” by The Staple Singers: http://www.youtube.com/watch?v=BdoPI3fjwMI

(1972) “I’ll Take You There” by The Staple Singers: http://www.youtube.com/watch?v=xO0Q3192Jrs

(1973) “We Were all Wounded at Wounded Knee” by Redbone: http://www.youtube.com/watch?v=2VB2LdOU6vo (This song was only released in Europe in 1973. It was released much later in the USA on a compilation. Redbone was the only Native American Soul/Pop group to have a hit record during the 1970s. That hit song was released in 1974 and titled “Come and Get Your Love.”)

(1973) “I Can’t Write Left-Handed” by Bill Withers: http://www.youtube.com/watch?v=l6qhfY-aLnk (This song was recorded live at Carnegie Hall in 1972 and released in 1973 on the album Bill Withers at Carnegie Hall.)

(1973) “Someday We’ll All Be Free” by Donny Hathaway: http://www.youtube.com/watch?v=mDHmhBjl70o

(1973) “Fish Ain’t Bitin’” Lamont Dozier: http://www.youtube.com/watch?v=DXnv71BRXU0

(1973) “If You’re Ready” by The Staple Singers: http://www.youtube.com/watch?v=HanwLunJau0

(1975) “I Am Woman” by Helen Reddy: http://www.youtube.com/watch?v=Zu4xpDuf84A

(1975) “Wake Up Everybody” by Harold Melvin & the Bluenotes (featuring Teddy Pendergrass on lead vocals): http://www.youtube.com/watch?v=-TDfPgd3Kyc

(1977) “A Real Mother For Ya'” by Johnny Guitar Watson: http://www.youtube.com/watch?v=IdTgyyUcAYQ

(1980) “At Peace With Woman” by The Jones Girls: http://www.youtube.com/watch?v=hGa8dK9GILk

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

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18 Days Earlier We Marched and then We Lost…

Posted on August 27, 2013 by Leslye Joy Allen (Ayọ)

A staged reading of the play “Four Little Girls” streaming live online from the Kennedy Center on September 15, 2013 at 6:00 PM EST.

…FOUR LITTLE GIRLS

By Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, and Doctoral Student

There were four little Black girls whose lives were snuffed out on Sunday morning, September 15, 1963 when a bomb planted by racist White terrorists exploded in the Sixteenth Street Baptist Church in Birmingham, Alabama. They were, Denise McNair who was the youngest at age 11, Carol Robertson aged 14, Cynthia Wesley** aged 14 (**Real and Birth name is “CYNTHIA MORRIS”), and Addie Mae Collins was aged 14. When that bomb went off, most Black Birmingham citizens and most Black Americans forgot about the “March on Washington,” held a mere eighteen days earlier on August 28. Not long after the blast, all hell broke loose. The New York Times headline on the following day read (click here for article): “Birmingham Bomb Kills 4 Negro Girls in Church; Riots Flare; 2 Boys Slain.“

Birmingham, then nicknamed “Bombingham,” had an ugly history it would take decades to live down. A middle class neighborhood in the city had suffered so many bombings that it was nicknamed “Dynamite Hill,” because angry Whites bombed homes to stop Black people from moving into the area. Dynamite Hill was the neighborhood that honed and developed future Phi Beta Kappa scholar, radical activist, and author Angela Davis. Yet, that is a story for another essay. There are those of us, however, who think the story of what and who we lost on that fateful Sunday morning deserves its place in all the national narratives of American history. I am one of those people; so is actor and activist Erich McMillan-McCall.

My friend, Erich is the founder of Project1Voice, an organization devoted to preserving Black theatre companies and our important historical legacies. I should add that not only is he a multitalented performance artist with credits on Broadway, national stages, and television, he is also a visionary. I say he is a visionary, however, with a very important acknowledgement of the type of communities that both of us grew up in as children. Black women, he emphasizes, were at the center of these communities. Yet, in several of our usual marathon-long telephone conversations, he has lamented that he is bothered by how Black women’s voices are not only muted or unacknowledged in the historical narratives, but also on the stage, and in the arts.

Erich and I are products of a time when to be young and Black and living in the American South did not necessarily mean that everywhere you went there was danger; what it tended to mean was the Black community in which you grew up was supportive, filled with a great deal of love and encouragement. There were threats to our wellbeing, to be sure. Yet, those threats largely came from outside the neighborhoods where we lived. As much as some very sympathetic White liberal folks and some younger Black Americans have erroneously assumed otherwise, our Black parents and elders made sure we had normal childhoods with school, church, piano lessons, baseball games, concerts, plays, parties, and family picnics. They did all of this for us in spite of the racism and the perpetual threat of (and often real) racial violence that characterized much of life for us during the 1960s and 1970s. Erich understands this type of upbringing.

His proactive approach, that provides greater visibility to financially struggling Black theatre companies while engaging educational, civic, and political organizations in this collective struggle for artistic, political, educational, economic, and historical viability is not exactly a new way of doing things. The Black community that I grew up in was filled with folks who could sing, dance, act, organize, who taught school, practiced medicine, ran businesses, and helped elect Black people to political office—This is what we were/are. I loved this Black community, and the activism and the theatre it produced. I still live in the neighborhood my family moved to when I was around the age of eleven. It has not entirely lost those same qualities that it had during my childhood. However, I fear that these types of communities become more rare with each passing decade. At the same time, I am gratified and encouraged by Erich’s embrace of the old collaborative efforts of our neighborhoods and organizations that we remember about our childhoods; and his insistence that those qualities can be modified and used to great affect in the information age. I hope this is the beginning of a new trend.

Sunday, September 15, 2013, is the 50th anniversary of one of our worst tragedies. On this date, Project1Voice, in collaboration with Howard University, African Continuum Theatre Company, the Duke Ellington School of the Arts, and the John F. Kennedy Center for the Performing Arts will present a reading of the play “Four Little Girls,” written by Christina Ham, directed by Phylicia Rashad. It will stream live online at 6:00 PM EST via the Kennedy Center’s website.

Targeted toward young audiences, this will be one of those wonderful opportunities to sit down in front of your computer screens with your children and your friends to watch this important piece of theatre and history—Free of Charge. You should also check for viewing parties around the country. Additionally, over thirty Black theatre companies around this nation will be presenting “Four Little Girls” simultaneously on the fiftieth anniversary of this national tragedy.

Erich and I both remember neighborhoods where middle class and working class Black families looked out for each other and each other’s children. These facts, however, are precisely why the slaughter of Denise McNair, Carol Robertson, Cynthia Wesley** (**born as “Cynthia Morris,” but cited in the historiography and in most news reports as “Cynthia Wesley“) and Addie Mae Collins was so devastating to Birmingham’s Black community and other Black communities throughout the nation. The reading of this play is not only a way to honor these dead children, but to also recall and remember the kind of stable and warm neighborhoods where all of them and us grew up. Let us honor these little girls by going home again. Peace.

Please visit: Project1Voice and the Kennedy Center for the Performing Arts for more information about this play; how to access the play via the internet on Sept. 15, 2013 at 6 PM EST; and for information about other great performances and programs.

Leslye Joy Allen is also a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

** Shortly after this blog was published, I, Leslye Joy Allen, was contacted by Fate Morris, the brother of the young girl commonly known in historical and news records as “Cynthia Wesley.” Fate Morris insisted that his sister’s real name is “CYNTHIA DIANE MORRIS,” and that authorities recorded her name incorrectly the day of the explosion. Mr. Morris also informed me that he has decided to accept the Congressional Medal for his sister. Originally he and Sarah Collins Rudolph (sister of Addie Mae Collins) had declined this medal. Please read the following article about the survivors of this tragedy: “Survivor of ’63 Bombing Seeks Funds”**

Please join Project1Voice‘s commemoration of the lives of these four little girls:

A Dred Scott Moment About Trayvon Martin

Posted on June 8, 2013 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate, Doctoral Student

For even the worst student of American History, the case of Dred Scott v. Sanford remains one of the easiest to remember. Many historians believe that this legal drama led to the American Civil War in 1860. In fact, the name “Dred Scott” conjures up that infamous statement by U. S. Supreme Court Chief Justice Roger B. Taney (pronounced “Tawney”)*, who ruled that, Black people “had no rights which the white man was bound to respect.” Anyone can use the name “Dred Scott” as a search term on the Internet and find hundreds, if not thousands, of accounts, including reproductions of the legal documents used in this tragic and pivotal court case. If you need to read a quick summary of it, click here: Dred Scott v. Sanford (1857).

Visit any online bookstore, public or university library and you will find dozens of books on the subject. There have even been a few fictionalized accounts of his life. Yet, in the main, the textbook story about him is largely about the case he and his wife ultimately lost when the United States Supreme Court ruled against them in 1857 after this couple had trudged through eleven long years of litigation. Yet, in spite of the notoriety of this Supreme Court ruling, information about Dred and Harriet Scott as individuals remains largely and primarily the interest of the serious historian or legal scholar.

Some extensive book accounts about the Scott family note certain characteristics of Dred Scott’s personality and his limitations (e.g. Like most slaves in the mid-nineteenth century, he was illiterate). The textbook and encyclopedia accounts, however, stick to the main facts in the legal case. Most people forget (or never knew) that after the Supreme Court ruled against him, Taylor Blow (a member of a family that once owned Scott) purchased him and set him free. Yet, Scott only lived another year and four months—dead by May of 1858. Even worse, his grave only received an “official marker” some ninety-nine years later when Blow’s granddaughter purchased one for his grave in 1957.**

I bring up these lesser known facts about Scott to make a point about this issue of “individuals,” and to highlight some real limitations often found in history, social commentary, and performance and visual arts—namely, that the human beings at the center of a storm often become transformed into causes, into ideas, into legends. As much as we all need causes, great ideas and legends, there is the risk of losing the individual. This is particularly true of the late Trayvon Martin, the unarmed teenager shot and killed in Sanford, Florida by George Zimmerman who is, at the time of this writing, about to stand trial for his murder. I need not retell the details about the death of Martin here. You can read my early commentary about this tragedy by reading the blogs in my Blog Archive. I only ask you to remember a few things.

For the public, particularly the African-American public, Trayvon Martin is another painful reminder of this nation’s history of judicial and social obstruction and neglect; and a long and painful history of racially motivated violence. With his face emblazoned on T-Shirts, special photos, and artwork, we do not really know who Trayvon Martin was as an individual save for what he now symbolizes to us in death. We also do not really know Zimmerman, but he too is also now a symbol—Depending on which side you are on he is either the personification of the horrors that acute racist profiling can produce or he is a symbol of every person who ever shot someone in self-defense who was unjustly accused of murder. Yet, neither Trayvon Martin (nor Zimmerman, for that matter) exists in their parents, extended family and friends’ memories in this manner.

Martin’s Mom and Dad remember his first baby steps, his first words, and yes, even the first time they scolded him. They will remember birthdays and Christmases. They will remember his favorite foods, TV shows, toys and gadgets. They will recall his smiles and his mischief; and they will inevitably remember the first time he got into some potentially serious trouble—he was, after all, an adolescent at the time of his death. Anyone with a teenager knows that those years are difficult precisely because the child is making that awkward transition from child into adult. Martin might symbolize a lot to all of us, but he ultimately belonged to his mother and father.

I will not make any predictions about the trial of George Zimmerman. I can only say that for Trayvon Martin’s parents in particular, this case is not just about fighting for the noble cause of ending racially motivated violence. It is also and primarily about finding some sense of justice and closure for the loss of their son. Yet, we must admit that with the passage of time, how most of us will eventually remember Trayvon Martin could easily mirror the way most of us remember Dred Scott. Those of us who read about him in history classes know that we studied more about the political and social significance of the court case than we ever studied or knew about Dred Scott as a man, a husband and father. We know even less about his wife Harriet Scott, an often forgotten and overlooked actor in this pivotal litigation. Years after Zimmerman’s murder trial is over, no matter the outcome, Trayvon Martin’s parents WILL NOT see him as “that case about the Black boy who was wearing a hoodie, who got killed in Sanford, Florida,” but rather as their son who they lost too soon—It is this fact that we, the public, will too soon forget. Yet, it is this fact that I hope we will somehow struggle to always remember.

Trayvon Martin’s Father Remembers

* Daniel Walker Howe, What God Hath Wrought: The Transformation of America, (New York: Oxford University Press, 2009), p. 379.

** New York Times, “Honor For Dred Scott: Granddaughter of Man Who Freed Slave Places Marker,” 26 July 1957.

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

What I Learned About Creativity from My Worst Subject

Posted on June 27, 2012 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

I do not typically write about Education per se. Two of my favorite bloggers ModernDayChris and Matt Wilson of Everything Needs to Change do the best writing about the subject, particularly the education of children in our public school systems from Kindergarten to 12^th Grade. This essay is not so much a critique as it is a reminder about something often forgotten when conversations and analyses take place about what is wrong or right or that needs fixing in American education overall.

First, let us be honest. Not all American public education is flawed; it is often unequal based on race and/or socioeconomic factors. It can also suffer from certain regional economic problems, which are beyond the scope of this essay. The quality of American higher education runs the gamut from mediocre to the best in the world. Yet, there are certain actions and habits that can help any student regardless of the quality of that education. Of course, the best education nurtures these habits. So here goes…

For the record, I was possibly the world’s worst Biology student. After routinely making grades of “A” in subjects like History and English, I nearly flunked Biology in high school. I will not bore you with the stories about my nausea and headaches when I had to dissect some dead animal preserved in formaldehyde—That is a whole other essay by itself. When I had to take Biology in college, I determined that I needed to not only study, but also come up with some creative ways to study. After getting a lousy two out of twenty identifications correct on a Biology Lab Practical Exam, I arranged a meeting with my professor. (For those of you who have forgotten what a lab practical is, it is simply a test where you identify bacteria, amoebas, and other items physically located in a biology lab, many of which are under a microscope.)

My professor informed me that he typically set up everything in the lab on Saturdays. I asked if I could come by on Saturdays. He said that I could, and that I could stay as long as I wished so that I could examine and take notes about all of the items in the lab. Off to campus on Saturday I went carrying my notebooks and an assortment of colored markers so that I could literally draw what I was examining so that I could study it at home, over and over again. On nearly ten consecutive Saturdays, I also got a chance to talk at length with my Biology professor.

I joked with him that a historian’s brain dealt with a lot, and it did not have much room for Biology. My professor admitted that he had never been a good student of History. We both took note of the fact that History typically tells a story; and it also typically argues a thesis, which is why you can find so many different History books about the same event that argue entirely different positions about why that event happened. This is why Law students typically have to have some academic background in History—History teaches you to see more than one side of an argument. Biology, however, is another matter. That amoeba cell that you just examined under that microscope is going to remain an amoeba cell. You can either recognize it or you cannot!

During these Saturday sessions, I had the opportunity to ask my professor numerous questions about everything in that lab. I swiftly took notes of everything he said. When both he and I were taking breaks from the subject matter, we discussed History, Politics, Performance Arts, and whatever was happening in the news. He quickly discovered that while I would never be a great biologist, I was a good student in History, and a burgeoning intellectual. So, what is my point?

The point here is I listen to students and some educators talk about subjects they describe as not preparing students for the kind of work they will be doing as adults. “Why do I have to take Biology if I am never going to use it?” That is a fair question. Yet, my experience with taking a subject I might not have to use or need to use taught me several important lessons about the intrinsic value of a good education beyond the mere mastery of any particular subject matter.

First, when I made a solid “B” as my final grade for Biology, I knew I had earned it. No one—and I certainly did not—really wants to go back to school on Saturdays. I went back and stayed long hours and it paid off. Second, because I was often the only student in the lab on those Saturdays I was free to speak with my professor without interruption. Technically, I got free tutoring lessons simply by showing up and availing myself of his expertise. Third, my professor witnessed me making an extra effort in a difficult subject. While professors do not grade for “effort” (nor should they), it does not hurt for an instructor to see a student put in extra time in order to master a difficult subject. Fourth, I learned that I could conquer that which was difficult.

I also finally understood lessons that my mom and my uncle, both educators, often emphasized throughout my childhood and adolescence: Education is as much about endurance as it is anything else. And as my mom often stated: You cannot expect a student to become the next Einstein if he or she cannot get along with other students (teamwork) and also willingly and creatively work on difficult subject matter. Importantly, both Mom and my uncle insisted that one of the keys to a good education was the “social” skill of learning how to navigate difficulties and put in extra time without resorting to short cuts or cheating or other forms of skulduggery. Tackling a subject that one is not good at forces a certain level of creativity—that is creativity often born of unorthodox or unconventional ways to retain and master the subject matter, and pass the class.

It is right about now that the folks that know me well would assume that I would go into one of my soapbox sessions about the necessity of arts education in schools, and how the arts make students more creative and help with spatial reasoning and a host of other skills, including enhanced skills in Mathematics and Sciences. Well, I am not going to do that, exactly.

Exposure to the arts certainly enriches and develops creativity; and I have never met an artist that was not creative at something. Yet, creativity is not the exclusive domain of the arts or artists. I have met many individuals who did not have an artistic bone in their bodies, but who were highly creative people. If students are to develop into productive individuals who can think their way through and out of complex problems, regardless of academic discipline, then education needs to not only expose students to the arts, but it should also advocate that creativity—artistic or otherwise—is an essential skill for all academic disciplines. Furthermore, arts education advocacy need not exist on, nor should it lay sole claim to, some creative island minus its other academic counterparts. Perhaps, this is where the real debate about education needs to begin. More to come later…

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

Six Historical Facts You Probably Did Not Know About Jesus and Christianity that You Should Know

Posted on May 21, 2012 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

The name “Jesus” is a transliteration of a more common Hebrew name, “Yeshu’a.” The proper name of the central person in Christianity is “Yeshu’a ben Yosef,” which technically translates as “Joshua, son of Joseph.” For a long period of time, the letter “J” in the Western world was pronounced with a “Y” sound. There is no letter “J” in the Hebrew or Aramaic languages that Yeshu’a ben Yosef spoke.
Historians and other biblical scholars have noted that the FOUR Gospels included in the Christian Bible that detail the life of Yeshu’a ben Yosef cover only FIFTY days of his life. There are no known written records that give details of his life in its entirety.
There were/are over THIRTY Gospels written about the life of Yeshu’a. In circa 180 CE, a scholar named Irenaeus wrote his Adversus Haereses (Against Heresies) where he determined that only FOUR of these Gospels should be included in the Bible. These FOUR Gospels were the Gospels according to Matthew, Mark, Luke, and John. At the time, Irenaeus and his followers were vehemently against and competing for adherents with Christian Gnostics. Do not confuse Christian Gnostics with “agnostics.” Christian Gnostics were a group of Christians who performed different rituals and who held several different interpretations of the life of Christ and the practice of Christianity.
The Lord’s Prayer was originally recited by Yeshu’a in Aramaic, one of a few languages that Jesus spoke. There are many different translations of “The Lord’s Prayer,” from the original Aramaic. The Lord’s Prayer that most modern Christians recite is actually a version edited and re-written by England’s King Henry VIII, which is why it (and the King James Bible, edited by England’s King James) sounds so much like English poetry from the 16th century. Read some Shakespeare and then read some passages of an Old King James version of the Bible and you will notice the similarities.
The standard practice for punishing a woman who had committed adultery or who became pregnant outside of wedlock, was to take her to her father’s door, bury her up to her neck, and then have the men of the town throw rocks at her head until she was dead. Yeshu’a stopped the men from killing the alleged biblical adulterous woman, daring them to cast the first stone if they too were not guilty of some offense; by so doing, he was stopping this common and accepted practice of death by stoning. Many scholars believe that Yeshu’a was applying the rules of adultery to men. Up until that time, only women were charged with committing adultery. Men had customarily been allowed concubines, particularly if their wives were barren or had passed childbearing age. Yeshu’a surely understood the implications of sanctioning the act of stoning women to death. After all, his stepfather Yosef (Joseph) disobeyed the Mosaic practice of stoning when he learned that the woman, Mary, to whom he was betrothed, was “with child,” a child that Yosef/Joseph was certain he did not sire.
Yeshua ben Yosef was sentenced to death by crucifixion, Rome’s standard death penalty for slaves convicted of crimes. The charges against Yeshu’a were HERESY (going against church teachings) and SEDITION (which is plotting to overthrow the government). Yeshu’a was first tried, convicted, and sentenced to death for HERESY by Jewish Church authorities before he was turned over to Pontius Pilate, the Procurator of Judaea from roughly 26 – 36 CE, for further prosecution by the Roman state.

While the Internet can certainly help you read more about this information and other related topics, the information included here can be found in the Dictionary of Roman Religion, see Lesley and Roy A. Adkins article “Jesus of Nazareth.”; another good source of information is a book called Jesus by A. N. Wilson (London: Sinclair-Stevenson, 1992).

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

Leslye Joy Allen

Social Commentary, History, Theatre, Jazz, and the Environment

Tag Archives: history

Six Historical Facts You Probably Did Not Know About Jesus and Christianity that You Should Know