Remembering “Dumba Nengue: Run For Your Life”

By Leslye Joy Allen

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.

I remember the first time I had to read a book called Dumba Nengue: Run For Your Life, Peasant Tales of Tragedy in Mozambique.  I was glad that the book was so very short compared to my other readings.  Originally written in Portuguese by Lina Magaia–who held nothing back–and published in Mozambique, it was an instant best seller.  Lina Magaia told the brutal truth.  Published in English by 1988, the title comes from a Mozambican proverb that means, “You have to trust your feet.”  At only 108 pages, I assumed that reading the book would be a breeze.  It was not.  Midway through it I was sick to my stomach at how easily revolutionaries could descend into absolute depravity and madness.  Reading about the actions of South African-backed Mozambican revolutionaries in the mid-to-late 1970s was hard to swallow.

One of my classmates admitted to our professor that she simply could not finish the book.  I understood.  The one thing that struck me in the book was how easy it seemed to be for revolutionaries to take hostage, abuse, torture, and sexually violate females of all ages.  Indeed, one of my classmates, a young White woman studying on a historically Black campus, researched and wrote about rape as an act of war.  Her conclusions were as terrifying as they were valid.  I thought about this book when I learned of the kidnapping of over 200 (or over 300 girls) in Nigeria by some group of thugs known as Boko Haram, whose name translates to “Western education is a sin.”

Now, some folk will argue that this tragic episode in Nigerian history is an example of some of the damage done to the nation’s native population by European imperialism and racism.  Others will argue that Boko Haram’s activity is the result of their adaptation of a radical form of Islam.  This group, they will say, are merely proceeding according to what they believe is an accurate interpretation of Sharia law.  Yet, the very notion of “females as property” has been overwhelmingly universal in most places, give or take a few exceptions; and this notion has created more abuse and oppression of girls and women throughout human history than perhaps any other kind of ideology.  Even further, this kind of oppression and abuse has never been fully addressed by the entire human family.  Sexism is alive and well in every corner of the globe.  It cuts across racial, ethnic, religious and geographic boundaries with a frightening swiftness and regularity.  WE do not get to blame any particular thing or anybody or any particular group for this one.  So I will leave you with this:

I remember once hearing my late Mama promise to rip the lungs out of someone who had physically threatened me.  When I asked her would she do it, she replied, “Yes, only if I did not have a loaded gun that I could empty into them.”  I am also grateful that my Dad was never a hypocrite when it came to females.  I once overheard my late Dad say to a young man, “If you wouldn’t want it done to your daughter or sister or mother, then don’t do it to any other woman.”  Enough said.

I am praying for the safe return of all of the abducted girls in Nigeria to their families.  Yet, as an old African proverb says, “When you pray, move your feet.”

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2014 by Leslye Joy Allen. All Rights Reserved.

CCThis Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

A Thought for the Old and New Year

By Leslye Joy Allen                                                                                                     Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.

One of the first things that came to mind shortly after Christmas and before the New Year was how much my Mom and Dad would have been thrilled and proud that a great film like 12 Years a Slave received great reviews and had enjoyed large viewing audiences.  I would have heard a litany of what they remembered about their childhoods and how far we Black folks have come.  And if they were still alive they would surely have warned me not to hyperventilate about whether or not Santa Claus was Black or some of the foolish and racist slips of the tongue that seem to dominate our current news cycles on most days.

Strangely, my mind goes back to that one scene in the film 12 Years a Slave where after a slave has literally dropped dead from exhaustion while laboring in the fields, you see the slaves standing around a gravesite that they have prepared for their fallen comrade.  Suddenly, a slave woman begins singing the old Negro spiritual “Roll, Jordan, Roll.”  Then all of the slaves joined in and they sang with a joyous abandon.  At this moment in the movie theater, I completely lost my composure.  I wept so loudly that I had to place my hand over my mouth to muffle the sound.  For days, I wondered why that scene—and not one of the other more horrible scenes where someone was beaten or tortured—caused me to cry like a two-year-old toddler.  Then it came to me.  This was a gift.  The gift was not simply my ancestors’ songs, but their decision that they had a right to sing their songs.

Their gift feels as familiar as a book of black poetry or history or the first time my parents took me to a Jazz concert or to see the Alvin Ailey American Dance Theatre or to a Broadway play.  Afterwards, they would always inform me that I must never forget that it was my people that had created the artistry and creative offerings that I had just witnessed.  The lesson was simple—I could perpetually cry about what white folks had done to my people or I could fight for and celebrate what my people had done for themselves and for me, all of which is a balancing act.  Yes, one must call out and fight against racism.  Yet, one cannot allow it too much space in one’s head, lest one descend into perpetual victimhood.  “How much of your energy are you gonna’ give THEM,” Daddy would ask without blinking?

I wept in the dark of that movie theatre, as the slaves on the screen sang with abandon and rejoicing.  It is difficult to count one’s blessings when the world and everyone in it seems to be your enemy.  Yet, that is exactly what the slaves did.  My slave ancestors did not sing with joy because they were happy and content, but rather because the singing allowed them to reclaim their humanity, to reclaim their right to joy.  No degree of inhumane treatment routinely meted out to them by white slave masters could make them surrender their own humanity, or their very human need for joyousness and a belief in the future even when that future was uncertain.  Their gift is still a gift that keeps on giving if you are willing to claim it.  This is what I hope to remember now, and in the New Year.

Peace.

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.
Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

Her Name was Cynthia Diane Morris

By Leslye Joy Allen                                                                                                     Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

Copyright © 2013 by Leslye Joy Allen.  All Rights Reserved.

Back in August of 2013, I spoke with my friend Erich McMillan-McCall whose theatre organization Project1Voice was preparing to do a live streaming of a staged reading of the Christina Ham play “Four Little Girls” from the Kennedy Center.  September 15, 2013 marked the 50th anniversary of that tragic day in 1963 when a bomb planted by White racist terrorists killed four young Black girls at the Sixteenth Street Baptist Church in Birmingham, Alabama.  One of them was a young girl recorded in most articles, essays, and books as “Cynthia Wesley.”  Yet, she was born Cynthia Diane Morris.

After recognizing Cynthia’s academic talents, Cynthia’s mother, Mrs. Estelle Morris, allowed her young daughter to live with a childless and affluent Black couple named Claude and Gertrude Wesley in order to give her daughter access to a better school and, perhaps, a more financially stable future.  The Wesley family was well-known throughout Birmingham’s Black community for their generosity, warmth, and a deep love of children.  Yet, the generous and kind-hearted Wesley family, who could not have biological children, never legally adopted Cynthia.  For more information about this, please revisit my previous blog titled “Thoughts on the Eve of the 50th Anniversary of the Sixteenth Street Church Bombing.”  This blog discussed the wonderful tradition in Black communities where people took in and cared for children when they needed assistance. This particular blog also contains a hyperlink to a copy of Cynthia Diane Morris’ amended death record.

Cynthia’s brother Fate Morris wants to set the historical record straight.  The commemorative statues and the U. S. Congressional Gold Medal of Honor awarded in May 2013 posthumously to the four girls who lost their lives in that church bombing all read with the names: Addie Mae Collins, Carole Robertson, Denise McNair, and Cynthia Wesley.  Federal, state and city officials in Birmingham and elsewhere have tepidly acknowledged Fate Morris as Cynthia Morris’ brother, yet they have done so with little regard for his feelings about how her name appears in public records.  I need not pontificate about this matter.  However, if you will take the time to review my previous blogs from late August to September 2013 you will know that this is a sensitive subject.  I also encourage you to listen (when you have time to sit at length) to the lengthy Blog Talk conversation I had with host Preston Washington on Lesley Gist’s Radio Show “Gist of Freedom” program back in September.  Once you hear our long conversation, along with the testimony of Fate Morris, you will know why getting the historical record straight is important.  (“Related Material – a Blog Talk Radio Interview and an important new CNN article 9-14-2013”)

The state of Alabama amended his sister’s death records to reflect her real birth name.  Yet, there seems to be a genuine reluctance in some quarters to even acknowledge Mr. Fate Morris and other members of his family as the family members of Cynthia Diane Morris (aka Cynthia Wesley).  Fate Morris was a young boy when he lost his sister.  His present mission does not appear to be an attempt to deny what the Wesley family did for his sister or how much they loved her, but rather to get some peace by making sure that historians, scholars, journalists and the general public know his late sister’s real birth name.  What he needs most is closure and a genuine acknowledgement of his feelings and those of his family members.  Yet, it is hard to get closure or peace when the written records barely acknowledge that Cynthia Morris was your sister.

So, please take a moment to read and sign Mr. Fate Morris’ petition at the hyperlink below: Cynthia Morris – NOT Cynthia Wesley – Issue Proclamation.

Peace.

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2013 by Leslye Joy Allen.  All Rights Reserved.
Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

Ms. Allen’s U. S. History 2110: Songs of Social Consciousness and Protest, 1960s to 1980

By Leslye Joy Allen                                                                                                     Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

Copyright © 2013 by Leslye Joy Allen.  All Rights Reserved.

One of the fun things about teaching history is not only helping young people discover new ideas, but also having them help you, the instructor, re-discover some of those ideas.  One of the things we did as a class this semester was revisit some of the music of the early 1960s up to 1980 that had socially conscious and/or protest lyrics.  Many of the songs on the following list were songs that I personally remembered and contributed.  Yet, many of the songs were discovered by several of my students, along with a few suggestions by a few friends.  My students and I had a good laugh about how some people upload music to YouTube in violation of copyright law.  Yet, we all agreed that when one video or recording of a song was removed, another video would take its place.  So, if any of the hyperlinks below have become inactive, I can only encourage you to do a quick search for the title of the song and/or artist.

My musical repertoire dates back to before Ragtime, thanks to my late birth to parents who were much older than the average age for first-time parents, and who were late born babies themselves.  I was tempted to create a mammoth song list that touched on every possible social or political concern for the last hundred years. This list is hardly comprehensive or even representative of all the music that I know of that can be counted as having lyrical content that speaks about some social or political issue.  Yet, it remains a great list when one considers that the music represented here is much, much older than the majority of my history students and that these songs still have relevance and meaning.  Also, a comprehensive list would be too long to be useful.  The idea of this assignment was to get students to look up and listen to music and access other art forms and discover that all of these art forms are important cultural markers which help tell so many stories and contribute to the history of any given era.

Many of my students have commented that too much of the music today seems empty of meaningful content.   I agree.  So, below is the list in date, rather than alphabetical, order. I hope you enjoy what my students discovered; and I hope you will make your own lists of songs of social consciousness and protest and then introduce those songs, musicians, songwriters, and messages to some young person that you know.  You may even learn something new in the process.  Peace.

(1962) “The Death of Emmitt Till” by Bob Dylan: http://www.youtube.com/watch?v=RVKTx9YlKls

(1963) “Masters of War” by Bob Dylan: http://www.youtube.com/watch?v=Mvr72uTd7kc

(early 1960s**) “Ain’t Gonna Let Nobody Turn Me Round” by Sweet Honey in the Rock: http://www.youtube.com/watch?v=c5Z1trynEHs  (**Many singers have sung “Ain’t Gonna Let Nobody Turn Me Round.”  It remains a Traditional Negro Folk Song, adapted by the SNCC Freedom Singers, who began singing it at rallies in the early 1960s.  Dr. Bernice Johnson Reagon, who founded the vocal group “Sweet Honey in the Rock” was an original member of the Freedom Singers.  The version above is a more recent version that she and the members of Sweet Honey in the Rock recorded for a PBS Series titled “Soundtrack for a Revolution.”)

(1963**) “Cotton Fields” by Odetta: http://www.youtube.com/watch?v=tXQDgqXnaT8 (**Odetta recorded this song live with Lawrence Mohr in 1954.  Yet, she released this studio-recorded version in 1963)

(1964) “Mississippi, Goddamn” by Nina Simone: http://www.youtube.com/watch?v=fVQjGGJVSXc

(1965) “I Ain’t Marching Anymore” by Phil Ochs: http://www.youtube.com/watch?v=gv1KEF8Uw2k

(1965) “Draft Dodger Rag” by Phil Ochs: http://www.youtube.com/watch?v=tFFOUkipI4U (This song has some very humorous lyrics.  It quickly became one of the anthems of the Anti-Vietnam Movement).

(1965) “People Get Ready” by The Impressions (featuring Curtis Mayfield): http://www.youtube.com/watch?v=l04yM7-BWbg

(1966) “Love Me, I’m A Liberal” by Phil Ochs: http://www.youtube.com/watch?v=u52Oz-54VYw

(1967) “We’re a Winner (Movin’ on Up)” by The Impressions (featuring Curtis Mayfield): http://www.youtube.com/watch?v=uLMRzDFMvEo

(1968) “Say It Loud, I’m Black and I’m Proud” by James Brown: https://www.youtube.com/watch?v=j0A_N-wmiMo

(1968) “Why? (The King of Love is Dead)” by Nina Simone: http://www.youtube.com/watch?v=Wh6R0BRzjW4

(1968) “Revolution” by The Beatles: http://www.youtube.com/watch?v=u2LKMogdjm8

(1969) “Freedom” by Richie Havens: http://www.youtube.com/watch?v=rynxqdNMry4

(1969) “Choice of Colors” by The Impressions (featuring Curtis Mayfield): http://www.youtube.com/watch?v=SNV1Y01xNk8

(1970) “Young, Gifted and Black” by Nina Simone: http://www.youtube.com/watch?v=PEMOxRxcJpo 

(1970) “War” by Edwin Starr: http://www.youtube.com/watch?v=dQHUAJTZqF0

(1970) “Ball of Confusion” by The Temptations: http://www.youtube.com/watch?v=JWtIvoub6XU 

(1970) “If There’s Hell Below, We’re All Gonna Go” by Curtis Mayfield: http://www.youtube.com/watch?v=l2cTc7DofrA&list=PL1AE86EA721372D55

(1970) “Heaven Help Us All” by Stevie Wonder : http://www.youtube.com/watch?v=_gOLnLz9KjY

(1971) “Bring the Boys Home” by Freda Payne: http://www.youtube.com/watch?v=–fFhunuUJM

(1971) “People Make the World Go Round” by The Stylistics: http://www.youtube.com/watch?v=8EDUBOGTVv0  (One of my students was amazed by the remarkably high falsetto voice of the lead singer.  His name is Russell Thompkins.)

(1971) “Inner City Blues (Make Me Wanna Hollar)” by Marvin Gaye: http://www.youtube.com/watch?v=X1uelY2SGmw

(1971) “What’s Going On?” by Marvin Gaye: http://www.youtube.com/watch?v=H-kA3UtBj4M

(1971) “Mercy, Mercy Me (The Ecology)” by Marvin Gaye: http://www.youtube.com/watch?v=EMuWmU1iNJo

(1972) “King Heroin” by James Brown: http://www.youtube.com/watch?v=NoLrrnXiRCk

(1972) “I’m Just Another Soldier” by The Staple Singers: http://www.youtube.com/watch?v=BdoPI3fjwMI

(1972) “I’ll Take You There” by The Staple Singers: http://www.youtube.com/watch?v=xO0Q3192Jrs

(1973) “We Were all Wounded at Wounded Knee” by Redbone: http://www.youtube.com/watch?v=2VB2LdOU6vo  (This song was only released in Europe in 1973.  It was released much later in the USA on a compilation.  Redbone was the only Native American Soul/Pop group to have a hit record during the 1970s.  That hit song was released in 1974 and titled “Come and Get Your Love.”)

(1973) “I Can’t Write Left-Handed” by Bill Withers: http://www.youtube.com/watch?v=l6qhfY-aLnk (This song was recorded live at Carnegie Hall in 1972 and released in 1973 on the album Bill Withers at Carnegie Hall.)

(1973) “Someday We’ll All Be Free” by Donny Hathaway: http://www.youtube.com/watch?v=mDHmhBjl70o

(1973) “Fish Ain’t Bitin’” Lamont Dozier: http://www.youtube.com/watch?v=DXnv71BRXU0

(1973) “If You’re Ready” by The Staple Singers: http://www.youtube.com/watch?v=HanwLunJau0

(1975) “I Am Woman” by Helen Reddy: http://www.youtube.com/watch?v=Zu4xpDuf84A

(1975) “Wake Up Everybody” by Harold Melvin & the Bluenotes (featuring Teddy Pendergrass on lead vocals): http://www.youtube.com/watch?v=-TDfPgd3Kyc

(1977) “A Real Mother For Ya'” by Johnny Guitar Watson: http://www.youtube.com/watch?v=IdTgyyUcAYQ

(1980) “At Peace With Woman” by The Jones Girls: http://www.youtube.com/watch?v=hGa8dK9GILk

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2013 by Leslye Joy Allen.  All Rights Reserved.
Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.