One of My Mama’s Friends

Posted on May 9, 2015 by Leslye Joy Allen (Ayọ)

I have lived over fifty years and I have never really met and never really dealt with a Black woman who was passive. My experience may not be the same as everyone else’s, but as a young Black girl growing up in Atlanta, Georgia, there simply was no such thing as an uneducated, passive and do-nothing Black woman; and my late Mama and her friends have been that example. Mama’s friends have been a blessing to me while she was alive and a boon to me in her absence…

I will only share a little bit about one of them here…

Her full name is Mrs. Bendolyn Handspike Ricks. Her nickname is “Peaches.” The house she has shared with her husband of more than forty years has always been one of the homes in the neighborhood where all the kids went to just hang out and be kids and clown around. Even though she insisted that I call her “Peaches” well over twenty years ago, I had to reach the age of fifty before I could call her anything other than “Mrs. Ricks.” Being raised to be extra respectful to adults, I simply could not call her by her nickname until after I passed the half century mark. But here is what I learned from “Peaches.”

Make your voice heard! Everyone at City Hall, the Mayor’s Office, and the local police department knows her. She will call them all day long if need be to get what she needs and what our community needs. I know….

because when a pipe from the street collapsed and created a plumbing problem for me, the City’s water department claimed that they could not arrive at my house for the next three weeks. So, I called Peaches…

and she told me the city council person I should call. So, I called them and the water department and crew arrived the next morning rather than the next three weeks…

When she is travelling out of town, she asks that our police department send extra police officers to cruise by and look after her house…

and this past week, while she and her husband were vacationing, I watched as one police car after another sat near her house…

I say this to make a point…

One need not be wealthy to get something done. One need only be persistent enough to demand what one needs and to fight for what one needs…

and one needs only to have the kind of Black women I know and grew up with…

On those occasions when I worry, I simply pause and remember my Mama and her cronies—some Baaaad Sisters who I can only hope to someday emulate…Àṣé!

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

Frank Wittow’s Legacy…Nevaina’s Dream

Posted on February 26, 2015 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

The late great actor-director-educator Frank Wittow remains one of my favorite figures in Atlanta’s rich theatre history. His work with the late, great Georgia Allen was second to none—He placed this multi-talented Black woman in a non-servant role on an Atlanta stage in the early 1960s when the city and indeed the nation were still grappling with the idea that maybe Black folk were more than just the servants of White folk. Georgia Allen had appeared in numerous films and theatre productions throughout the nation and on the campuses of Spelman and Clark Colleges, and Wittow was wise enough to recognize Allen’s superior gifts. He was simply a different kind of White man. There were no syrupy and useless White liberal platitudes about race relations spewing out of his mouth—he just did what he wanted to do.

Now, Allen predated Wittow’s arrival in Atlanta and she had a much longer career, and to fully honor her contributions to all of the arts and to education would require writing a tome. So, I will save that project for a later date. Much like Allen, however, Wittow directed, trained, and mentored some of the best performers on the planet and took theatre performances into Atlanta Public Schools throughout much of his life. He did this almost to the day he died in 2006. One of his younger protégées had the benefit of his training…

Her name is Nevaina Rhodes—her first name is pronounced “Nih-Von-yah” like “lasagna.” The first time I saw her perform, I did not know she had any affiliation with Wittow. When she told me her basic philosophy about acting there was something refreshingly new about her approach to her craft, but also something rather familiar…Let me explain…

You see, when I was growing up in Atlanta, an actor, a musician, a poet, an academic, an intellectual, was simply part of the community in which we all lived. Importantly, you had to participate in the arts and the humanities, and it did not matter if you had talent or an exceptional intellect or not. While I adore and admire many younger performers and scholars—and by younger, I mean anyone born after the Baby Boom—I find an increasing number of them who are quite insular; they have fewer connections to each other or with the folk in the communities where they live. Unlike the Atlanta of my childhood, in recent years I have attended far too many functions filled with musicians, actors, poets, filmmakers, and historians and I end up being the only person in the room who actually knows everybody in that room…

Well, to make a long story short, Nevaina’s conceptualization of Real Actors Workshop (RAW) makes it open to amateur and professional alike. Her basic theory is that whether you are a professional actor or not, all of us humans act and perform in certain ways depending on the circumstances. In other words, she insists that, we all are actors. Although she is a North Carolinian by birth, her approach feels much like the Atlanta of my youth, where the long theatre traditions on the campuses of our Historically Black Colleges and Universities, and people like Georgia Allen and Frank Wittow made certain that theatre reached who it was supposed to reach—the people. We were not a community of strangers…everybody knew everybody, which is the way it should be.

I should add that I am writing this to inform you that Nevaina is not only a dazzling performer and an amazing drama coach, but she is also a real survivor. Native Atlantans, in particular, love people with a strong work ethic and those who bounce back when things do not always go as planned. Less than five years ago, Nevaina miraculously and fully recovered from a stroke that could have easily killed her; and she remained positive while she also endured some personal losses that probably would have destroyed some weaker souls.

Today her Real Actors Workshop (RAW) is headquartered at Dream Café, Atlanta’s first cafe and empowerment lounge, which is owned by Nevaina and her partners, Jay White and Stevie Baggs. Dream Café‘s premise is simple. It is designed to be a place where artists, intellectuals, young and old folk can meet and greet and talk and achieve their dreams, over coffee and healthy food. This concept and these young owners have my support not only because it feels familiar to me, but because it feels right…and it also feels rather cyclical…

Now, I am aware that my hometown has changed. Nothing stays the same, nor should it stay the same. Yet, there are some core elements that we must never lose—namely, the ability to connect with each other and exchange ideas. Not even a semblance of community can survive if we lose this ability. So, I am proud to call Nevaina a friend. It has been a great privilege to watch her perform; and I have been encouraged by her intellect, her big smile, and her big spirit…I am also certain that Wittow (and Allen) are watching her from that place where great souls go when they leave this earth…So, in honor of them and in honor of future generations, go visit the Dream Café, and write your dream on the wall. Àṣé!

To learn more about Real Actors Workshop (RAW), and Nevaina’s distinguished career as an actor, drama coach, and public speaker, click here: Nevaina Rhodes Inspirational Speaker and Drama Therapy Specialist.

A Schoolteacher’s Story

Posted on September 16, 2014 by Leslye Joy Allen (Ayọ)

by Leslye Joy Allen

I have been blessed. My late Dad was a full-time, hands-on Dad that believed that females had the right to do whatever their skills, talent, and intellect allowed them to do. I do not remember ever being told by my father that I should not do or try something because I was “a girl.” And it was Daddy who introduced me to great Jazz and Popular song. Manhood for me was defined by him as a love of Billy Eckstine, Nat “King” Cole, and Johnny Mathis (my favorite), but that is a story for another blog. I should add that in addition to his trying to be genteel or dapper as his musical heroes were, Daddy was also quick to intervene in situations when he thought a woman was in physical trouble. I thought of him and my Mama after a recent encounter with one of my Mama’s oldest and dearest friends.

I recently ran into one of my late Mama’s former co-workers and good friends. Like my late Mama, she was also an elementary school teacher. This particular schoolteacher remains one of my favorite people on the planet. She and I hit it off when I was about three-years-old, when I literally wandered in this woman’s classroom, a classroom adjacent to my Mama’s classroom via their shared cloakroom. She was also was one of the people who wrote one of my recommendation letters to college. Now in her eighties, she is still so much fun and packs a lot of spirit in one tiny mocha-colored frame.

This same schoolteacher told me that she had once been a battered wife. I never met or knew her first husband. I only knew her second husband that she married much later in life. He was a tall, handsome man with golden-colored skin and wavy-curly white hair. He was also funny and quite gentle, and thankfully nothing like her first husband. She and husband number two had a good time together for over thirty years before he passed away. Yet, she still remembered her tragic first marriage.

After more than a few beatings from her first husband, she told me she left him when their children were quite small and filed for divorce. One day, however, her soon-to-be ex-husband showed up unannounced at her new home waving a gun at her, angry that she had left him.

“Out of the corner of my eye,” she said, “I saw our five-year-old son walking toward us. All I could think about was what if this fool pulls the trigger or what if the gun goes off and kills my child.”

Therefore, this schoolteacher—who is barely five feet tall and who has never weighed more than a 115 pounds—wrestled with her six-foot-tall first husband for that gun.

“I was terrified that my child would get killed,” she said. “I finally got my hands on the handle of the gun, the barrel aimed at his chest; and I pulled the trigger and it only clicked. He brought an UNLOADED gun to scare me, but I ended up scaring him and I scared myself.”

“He was shaking like a leaf and he said, ‘You really would’ve killed me, wouldn’t you?!’ I looked down and saw that he had urinated in his pants because I pulled that trigger. It still bothers me that I pulled that trigger, but my child, all I could think of was my child. He left and never came back.”

For most of us, we remember at least one female schoolteacher that we liked or even loved. While I have plenty of male teachers to thank, like most of us, our female teachers were typically the majority when we were in grade school. There was always one teacher who sparked our desire to learn or who did something or said something that we fondly remember or that changed our lives for the better. At least I hope we all have that memory.

Now, I have nothing profound to say about domestic abuse or gun violence. I only ask that you remember your favorite female schoolteacher and try imagining her being beaten or having to face the same ugly scenario as my Mom’s friend faced over fifty years ago.

Coda: A couple of years ago the United Nations Secretary General initiated a campaign to end violence against women. U. N. Secretary General Ban Ki-Moon named it “Orange Day” and designated the 25^th day of each month as Orange Day in recognition of the ongoing fight to end violence against women.

The irony for me is that my mother, who was darker complexioned than I, had beautiful copper undertones in her skin and wore the color Orange better than anybody I know. And while my Dad never abused my mom or any woman, one of the last things my Mama told me before she passed on to the ancestors was that before she ever knew or married my Dad, was that she had an early boyfriend who did not hesitate to give her a black eye! So this blog is as much for her as it is for her good friend, and men like Dad.

You can read more about the United Nations “Orange Day” campaign here: http://endviolence.un.org/orangeday.shtml

Learn more about the law and the abuse of women at:

Can a United States Federal Judge Keep His Job is He is Criminally Charged with Domestic Abuse? YES!

FREE MARISSA NOW.COM which covers information and updates about the Florida woman facing 60 years in prison for firing a warning shot at an abusive husband.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

The Change Agents: A Thought for February

Posted on February 15, 2014 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

Leslye Joy Allen, Copyright © 2013. All Rights Reserved. Self-Portrait.

Several months ago I heard Black British film director Steve McQueen (not the now-deceased White actor), say that art did not change anything. I clutched my chest as if I was surely having a massive heart attack at what must be blasphemy. Later, I figured out what McQueen meant. Art alters and suspends that space in your head where your creativity and out-of-the-box thinking is located, and then YOU might be able to change yourself or your situation or your mind. Art is the match or spark, which lights the fire in the potential change agent—YOU!

Now, history has taught us that my brothers and sisters, Black Americans, have, at least since the early twentieth century worked diligently to create art—paintings and sculpture, music and dance, or theatre—that they imbued with the herculean task of changing the way the rest of the world looks at us, and how we look at ourselves. Too often, the belief is that an artistic representation of us, once seen or experienced, will alter the way others think of us. This is why so many of my brothers and sisters can hyperventilate until they burst into a sweat (or burst a blood vessel) about a film or television characterization of us that is a pathetic and insulting stereotype or caricature of us that strays far from the truth. Typically, what happens next is a mad search for the most exceptional among us.

This February, 2014, I have been guilty of what WE historians call “chronicling.” Chronicling is posting basic information about a person or event, often in date order, which we think, or believe to be of “historical significance,” whatever that means. For Black folks, Black History Month reeks of an unsavory type of history that I, and others, also call “Great Man/Great Woman” history, or “Unsung Man/Unsung Woman” history. I call it unsavory because it never really satisfies—It is the history of our people whom we see (or have been taught to see), as exceptional, or the exception to the rule. I am also as guilty of it as anybody else. Yet, this month, February 2014, in many of my Facebook and Twitter posts, I deliberately focused on Black people that have contributed to or participated in theatre. I did not do this to simply cast a light on Black folks in the theatre that I think everyone should know about. It was also designed to cast a light on Black theatre itself, something Black folks, those who were theatre professionals and those who were not, used to participate in on a regular basis as a matter of ritual, as a matter of teaching and learning, as a matter of lifting the spirit.

It did not matter whether the person(s) had talent or not, theatre was what WE did for each other and for ourselves. In the early days of the twentieth century, theatre had not yet become the rather parochial profession as some folks think of it today, but rather it remained an essential exercise in the communal rituals we always participated in as a people. After all, nobody said you needed talent to recite an Easter Speech or to memorize and recite a poem, did they? Mama, Daddy, Grandma and Grandpa all thought you “did good” up there on that stage even if you would never, ever be able to act or sing your way out of a jar, to say nothing of survive an audition. I say all of this to make a few simple points…

Take one moment and forget about “Great Man/Great Woman History.” Forget about “Unsung Man/Unsung Woman History,” and begin to look at your mothers, fathers, grandparents and others who belong to so many generations before you as the “multi-talented,” “multi-hat-wearing,” “multi-title-holding,” “multi-I’m-going-to-get-this-done-if-it-kills-me” people that they were. When you do this, you will begin to measure greatness not by accolades and plaques, but by how well something they did served them, saved them and you, and whether it is or is not possible for you to emulate them. Then you will find out everything you ever needed to know that never went into a History Book or on the cover of a magazine or in a documentary about our/your people. You will then find that match or spark that ignites you—the change agent! Ashé!

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

A Thought for the Old and New Year

Posted on December 27, 2013 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

One of the first things that came to mind shortly after Christmas and before the New Year was how much my Mom and Dad would have been thrilled and proud that a great film like 12 Years a Slave received great reviews and had enjoyed large viewing audiences. I would have heard a litany of what they remembered about their childhoods and how far we Black folks have come. And if they were still alive they would surely have warned me not to hyperventilate about whether or not Santa Claus was Black or some of the foolish and racist slips of the tongue that seem to dominate our current news cycles on most days.

Strangely, my mind goes back to that one scene in the film 12 Years a Slave where after a slave has literally dropped dead from exhaustion while laboring in the fields, you see the slaves standing around a gravesite that they have prepared for their fallen comrade. Suddenly, a slave woman begins singing the old Negro spiritual “Roll, Jordan, Roll.” Then all of the slaves joined in and they sang with a joyous abandon. At this moment in the movie theater, I completely lost my composure. I wept so loudly that I had to place my hand over my mouth to muffle the sound. For days, I wondered why that scene—and not one of the other more horrible scenes where someone was beaten or tortured—caused me to cry like a two-year-old toddler. Then it came to me. This was a gift. The gift was not simply my ancestors’ songs, but their decision that they had a right to sing their songs.

Their gift feels as familiar as a book of black poetry or history or the first time my parents took me to a Jazz concert or to see the Alvin Ailey American Dance Theatre or to a Broadway play. Afterwards, they would always inform me that I must never forget that it was my people that had created the artistry and creative offerings that I had just witnessed. The lesson was simple—I could perpetually cry about what white folks had done to my people or I could fight for and celebrate what my people had done for themselves and for me, all of which is a balancing act. Yes, one must call out and fight against racism. Yet, one cannot allow it too much space in one’s head, lest one descend into perpetual victimhood. “How much of your energy are you gonna’ give THEM,” Daddy would ask without blinking?

I wept in the dark of that movie theatre, as the slaves on the screen sang with abandon and rejoicing. It is difficult to count one’s blessings when the world and everyone in it seems to be your enemy. Yet, that is exactly what the slaves did. My slave ancestors did not sing with joy because they were happy and content, but rather because the singing allowed them to reclaim their humanity, to reclaim their right to joy. No degree of inhumane treatment routinely meted out to them by white slave masters could make them surrender their own humanity, or their very human need for joyousness and a belief in the future even when that future was uncertain. Their gift is still a gift that keeps on giving if you are willing to claim it. This is what I hope to remember now, and in the New Year.

Peace.

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

Leslye Joy Allen

Social Commentary, History, Theatre, Jazz, and the Environment

Category Archives: Self Help