I AM…

 

(for Billie, who insisted that I boldly say, “I AM,” and for Nevaina (nih-von-yah)—one of many actors who were once under Billie’s direction—who reminded me to say it even louder)

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

I am Thomas and Syble’s daughter.

I am the granddaughter of Lorena and George and Minnie and Will.

I am a historian.

I am an intellectual.

I am a dramaturge and patron of theatre and the arts.

I am a Jazz fan.

I am a Johnny Mathis fanatic.

I am eloquent.

I am also a great procrastinator.

I am one who is often impatient.

I am one who does not like braggarts or pretenders.

I am a good and loyal friend.

I am also one who, some times, does not listen.

I am a woman who will drop you like a bad habit if you lack empathy or fidelity.

I am an environmentalist.

I am a lover of animals and nature.

I am a lover of children.

I am a Black Nationalist because it makes sense to take care of your home and your people first.

I am a woman that does not deal easily with shallow people.

I am a woman that prefers simplicity.

I am a woman who is fond of the exotic.

I am a woman who has learned how to say, “No” the hard way.

I am a woman who does not like playing small.

I am a woman who never discounts what other people have to go through to do whatever it is that they need or have to do…which is why I am deeply offended when other people discount what I go through.

I am a woman that dislikes men and women who try to prove their worth with things rather than demonstrate who they are by what they believe in and what they put into practice.

I am a woman who would prefer the company of a poet over that of a stockbroker or the company of a musician over that of an accountant or the company of a college professor over that of a CEO of a Fortune 500 company…

I am my mother and father’s daughter.

— Leslye Joy Allen 

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

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Saying Goodbye to Dr. Kuhn

By Leslye Joy Allen

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

I am writing this tribute now, because I have to mentally recalibrate, take a brief break over the holidays and get back to work on writing my dissertation. Dr. Kuhn would not want anything less than that.   Dr. Clifford Matthew Kuhn, Associate Professor of History at Georgia State University and the first Executive Director of the Oral History Association joined the ancestors the second week of November.  He was 63-years-old…he was also my Dissertation Advisor…

He was…there is that word: was.  You would think that as a historian I would be accustomed to the past tense.  Yet, referring to him as anything other than vibrantly and intellectually alive is difficult. Preparing for the Georgia State University Memorial for Dr. Clifford Matthew Kuhn on December 13, 2015 is harder than I ever could imagine.  I first met him when he was preparing the centennial of the 1906 Atlanta Race Riot back in early 2006…

Dr. Glenn T. Eskew introduced us because he recalled my telling him that my late maternal grandmother, born in 1886, was a 20-year-old student at then Clark Normal School (later Clark College, now Clark Atlanta University) when the campuses of Atlanta’s Historically Black Colleges became the refuge for so many of the Black victims of the Atlanta Race Riot.  Dr. Kuhn was delighted to find a graduate student such as myself that had a personal story that I could tell about this particularly painful moment in Atlanta’s history.  Dr. Clarissa Myrick Harris, who partnered with Dr. Kuhn, interviewed me while filmmaker Ms. Bailey Barash filmed it for posterity.  I was proud and humbled to contribute my grandmother’s story.

Nearly everything I know about Oral History, I learned from Dr. Kuhn: how to get people to talk about their lives; how to make sure they know that they are not obligated to tell their stories; how to make sure that I, the historian and interviewer, did not and will not ever exploit their memories; how to truly listen. I remember everything he taught me.

One of the last things he said to me was that he was so proud of a brief and recent assignment I had in the Georgia State University Library’s Digital Collections where I conducted four interviews for the Planning Atlanta Project. He recommended me for that position and I was glad that I did well and did not let him down…

As I prepare myself, as best I can, to attend Georgia State University’s Memorial Celebration for Dr. Kuhn, I fondly recall a conversation where we discovered that both of us loved Jazz.  Not long after that conversation, there were a few times when we were supposed to be doing something academic, but we drifted into a deep discussion about everyone from Duke Ellington to Nina Simone to Wayne Shorter to Ahmad Jamal.  Yet, that is natural for us historians.  WE have to be aware of everything, so we often look at and listen to everything.  Our conversations were often mixtures of him talking lovingly about his wife Kathie Klein and his two sons Josh and Gabe Klein-Kuhn and History and Jazz.   I will miss that…  

So, below is one for the late, great historian and scholar Dr. Clifford Matthew Kuhn: a video of the great Jazz pianist Ahmad Jamal playing the classic “Poinciana.”  When the percussionists in Jamal’s quartet go into full swing around the time 4:53, I found myself ferociously patting my foot to the infectious rhythms and crying at the same time. Àṣé.

 

 

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

A Schoolteacher’s Story

by Leslye Joy AllenGE DIGITAL CAMERA

Copyright © 2014 by Leslye Joy Allen. All Rights Reserved.

I have been blessed.  My late Dad was a full-time, hands-on Dad that believed that females had the right to do whatever their skills, talent, and intellect allowed them to do. I do not remember ever being told by my father that I should not do or try something because I was “a girl.”  And it was Daddy who introduced me to great Jazz and Popular song.  Manhood for me was defined by him as a love of Billy Eckstine, Nat “King” Cole, and Johnny Mathis (my favorite), but that is a story for another blog.  I should add that in addition to his trying to be genteel or dapper as his musical heroes were, Daddy was also quick to intervene in situations when he thought a woman was in physical trouble.  I thought of him and my Mama after a recent encounter with one of my Mama’s oldest and dearest friends.

I recently ran into one of my late Mama’s former co-workers and good friends. Like my late Mama, she was also an elementary school teacher. This particular schoolteacher remains one of my favorite people on the planet.  She and I hit it off when I was about three-years-old, when I literally wandered in this woman’s classroom, a classroom adjacent to my Mama’s classroom via their shared cloakroom.  She was also was one of the people who wrote one of my recommendation letters to college.  Now in her eighties, she is still so much fun and packs a lot of spirit in one tiny mocha-colored frame.

This same schoolteacher told me that she had once been a battered wife.  I never met or knew her first husband.  I only knew her second husband that she married much later in life.  He was a tall, handsome man with golden-colored skin and wavy-curly white hair.  He was also funny and quite gentle, and thankfully nothing like her first husband.  She and husband number two had a good time together for over thirty years before he passed away.  Yet, she still remembered her tragic first marriage.

After more than a few beatings from her first husband, she told me she left him when their children were quite small and filed for divorce.  One day, however, her soon-to-be ex-husband showed up unannounced at her new home waving a gun at her, angry that she had left him.

“Out of the corner of my eye,” she said, “I saw our five-year-old son walking toward us.  All I could think about was what if this fool pulls the trigger or what if the gun goes off and kills my child.”

Therefore, this schoolteacher—who is barely five feet tall and who has never weighed more than a 115 pounds—wrestled with her six-foot-tall first husband for that gun.

“I was terrified that my child would get killed,” she said.  “I finally got my hands on the handle of the gun, the barrel aimed at his chest; and I pulled the trigger and it only clicked. He brought an UNLOADED gun to scare me, but I ended up scaring him and I scared myself.”

“He was shaking like a leaf and he said, ‘You really would’ve killed me, wouldn’t you?!’ I looked down and saw that he had urinated in his pants because I pulled that trigger.  It still bothers me that I pulled that trigger, but my child, all I could think of was my child.  He left and never came back.”

For most of us, we remember at least one female schoolteacher that we liked or even loved.  While I have plenty of male teachers to thank, like most of us, our female teachers were typically the majority when we were in grade school.  There was always one teacher who sparked our desire to learn or who did something or said something that we fondly remember or that changed our lives for the better.  At least I hope we all have that memory.

Now, I have nothing profound to say about domestic abuse or gun violence.  I only ask that you remember your favorite female schoolteacher and try imagining her being beaten or having to face the same ugly scenario as my Mom’s friend faced over fifty years ago.

Coda: A couple of years ago the United Nations Secretary General initiated a campaign to end violence against women.  U. N. Secretary General Ban Ki-Moon named it Orange Day” and designated the 25th day of each month as Orange Day in recognition of the ongoing fight to end violence against women.

The irony for me is that my mother, who was darker complexioned than I, had beautiful copper undertones in her skin and wore the color Orange better than anybody I know.  And while my Dad never abused my mom or any woman, one of the last things my Mama told me before she passed on to the ancestors was that before she ever knew or married my Dad, was that she had an early boyfriend who did not hesitate to give her a black eye!  So this blog is as much for her as it is for her good friend, and men like Dad.

You can read more about the United Nations “Orange Day” campaign here: http://endviolence.un.org/orangeday.shtml

Learn more about the law and the abuse of women at:

Can a United States Federal Judge Keep His Job is He is Criminally Charged with Domestic Abuse?  YES!    

FREE MARISSA NOW.COM which covers information and updates about the Florida woman facing 60 years in prison for firing a warning shot at an abusive husband.

Copyright © 2014 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

 

 

 

 

 

American Black Music 101

By Leslye Joy Allen                                                                                                     Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

"Listening"  Self-Portrait. Copyright © 2014 by Leslye Joy Allen. All Rights Reserved.

“Listening” Self-Portrait. Copyright © 2014 by Leslye Joy Allen. All Rights Reserved.

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.

Back during the very short time that I was a music major, several of my instructors and professors commented on my unique ability to hear damn near anything and explain exactly what instruments I heard, along with my INABILITY to reproduce it in performance.  I always earned an “A” in aural studies.  I laugh loudly now because my old piano teacher said I would make a great musicologist, which is, among other things, a music historian.  I never practiced piano much, but I could always tell you the story behind the song or something about the life of the composer.

At the same time, no one needs to be an accomplished musician or be able to read music to identify a Blue Note—those often flatted third, fifth and/or seventh notes that became the signature of Black American music—in order to feel and absorb the origins of that Blue Note.  The origins are deeply rooted in the African American experience.  The rhythms of Africa, the melodic vocal and verbal patois of Black Americans severed from their ancient drums met the European scale to produce something as authentically American as Negro Spirituals, Field Hollers, Work Songs, Ragtime, Jazz, along with our Soul-Sauce-sprinkled-on-Jewish-folk-melodies that gave us Tin Pan Alley, and indeed American Popular Song.

All things American are deeply infused with the Black experience, so much so that it is hard to know where one or the other begins and where it all might end.  The Black slave in the field handed a musical gift to the White American composer; and both have more in common with each other because of this infusion than one might think.  Only the blighted soul has problems giving the Motherland Africa much praise for some of the creation of so-called American popular music, music that came from the hearts and souls and longings of her transplants in the New World.

So this blog is not just about your ability to know, but about your ability to feel and to hear how much things change yet remain the same when the roots are acknowledged and claimed.   All you have to do is listen to the following Trinity of songs that cover over one hundred fifty years of music.  All you need is a soul and a pulse to understand.  Àṣé!

“ROLL, JORDAN, ROLL”  

“ACCENTUATE THE POSITIVE”  

“HAPPY”

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.
Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.