A Personal Prayer of Cuba

by ©️Leslye Joy Allen

The following below that is written in italics is partially a meditation on Cuba. It is a response I wrote to a piece about Cuba’s current crisis exacerbated by American neglect and cruelty that was written by Arturo Dominguez. A link to his exceptional article is at the very end of this essay. What’s in italics is a rumination I wrote to Arturo:

“I still remember reading that when Afro-Cuban musical artists came to perform in the United States that they had to perform in the U.S. for free. When asked why they were willing to perform for nothing, the answer was always the same: “We want to see where Dizzy Gillespie was born.”

Thanks for this report Arturo Dominguez because every time there is a sanction, a deprivation, I am reminded that no one suffers in Cuba but the people themselves. I still remember the heinous and wretched Helms-Burton Act which banned ships who docked in Cuba’s ports from docking in the United States for several months.

I remember my professors having to fly out of Atlanta to Canada and then taking a flight from some airport in Canada to Havana to do whatever research they were performing on their visits.

The United States has done nothing but made an example of Cuba as a message to other countries in Latin America and the Caribbean that says “This is how far we’ll go; this is how bad we’ll treat you, if you don’t fall in line.”

I might just turn this comment into a meditation.”

A few moments after reading Arturo’s essay I stumbled on one of my favorite thinkers Vijay Prashad who also was offering his thoughts on the viciousness of the United States government against the Cuban people because it is the people that suffer—No one else. (A link to Vijay’s essay is at the end.)

I don’t have the strength to comment on Prashad’s piece right now except that it is brilliant and accurate. I will leave it to you dear reader to examine both his and Arturo’s essays at your leisure. I have only one thing to say.

One line of my paternal family was sold as slaves from Santiago de Cuba to the mainland United States during the period of slavery in this Western hemisphere. My paternal great grandmother was born a slave named Mollie Laws. Her previous family surname was Layende. 

Like most people during the 1700s and 1800s, when one moved (or was sold) some place else the last name was changed to adapt to the new culture one was inhabiting. In the United States, it was typically expected that you Anglicize your name to something that English speakers could pronounce. So “Layende” became “Laws.”

Anyhow I used to relay my personal history to my History students in an effort to make sure that they understood that Chattel slavery took place throughout the Western world. Importantly, what we now call the United States received less than 6 percent of all the Africans transported to this hemisphere during the trans-Atlantic slave trade. The majority of Africans (around 95 percent) landed in what is now named Latin America and the Caribbean. 

I don’t have any deep analysis here about how difficult Afro-American genealogy can be. I don’t have any deep commentary about the many cultures and cultural differences that exist between all of the descendants of Africa who occupy this hemisphere except I have always known that for better or worse I belong to them.

Right after I read Arturo’s essay and then Vijay’s essay, I recalled a favorite memory from the classroom. A student whose name escapes me now came to class after Spring Break with a faded photograph he took while out on the Atlantic ocean. 

He learned that I had roots in Cuba and so did he. He pulled out this faded photo taken on the water. Far off in the distance I saw something that looked like a line stretched across the water. 

“What is that long line in the water that I see in the distance?,” I asked. 

That line across the water in the distance is Cuba, Ms. Allen. I hope you get there someday.” 

©️Leslye Joy Allen

I am an Independent Historian, Oral Historian and Dramaturge. Please consider supporting my work and research with a few bucks for Coffee and Eggs via my CashApp or become a paid subscriber to me on Substack to help me sustain my research.

All blogs written by Leslye Joy Allen are protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to any blog authored by Leslye Joy Allen, or any total or partial excerpt of any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings or blogs placed here by other writers should clearly reference those writers.  All Rights Reserved.

Hyperlinks to additional articles are below photos.

(from Analysis: Cuba on the Brink)

(from Why is the United States Afraid of Cuba?)

I AM…

 

(for Billie, who insisted that I boldly say, “I AM,” and for Nevaina (nih-von-yah)—one of many actors who were once under Billie’s direction—who reminded me to say it even louder)

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

I am Thomas and Syble’s daughter.

I am the granddaughter of Lorena and George and Minnie and Will.

I am a historian.

I am an intellectual.

I am a dramaturge and patron of theatre and the arts.

I am a Jazz fan.

I am a Johnny Mathis fanatic.

I am eloquent.

I am also a great procrastinator.

I am one who is often impatient.

I am one who does not like braggarts or pretenders.

I am a good and loyal friend.

I am also one who, some times, does not listen.

I am a woman who will drop you like a bad habit if you lack empathy or fidelity.

I am an environmentalist.

I am a lover of animals and nature.

I am a lover of children.

I am a Black Nationalist because it makes sense to take care of your home and your people first.

I am a woman that does not deal easily with shallow people.

I am a woman that prefers simplicity.

I am a woman who is fond of the exotic.

I am a woman who has learned how to say, “No” the hard way.

I am a woman who does not like playing small.

I am a woman who never discounts what other people have to go through to do whatever it is that they need or have to do…which is why I am deeply offended when other people discount what I go through.

I am a woman that dislikes men and women who try to prove their worth with things rather than demonstrate who they are by what they believe in and what they put into practice.

I am a woman who would prefer the company of a poet over that of a stockbroker or the company of a musician over that of an accountant or the company of a college professor over that of a CEO of a Fortune 500 company…

I am my mother and father’s daughter.

— Leslye Joy Allen 

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

Saying Goodbye to Dr. Kuhn

By Leslye Joy Allen

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

I am writing this tribute now, because I have to mentally recalibrate, take a brief break over the holidays and get back to work on writing my dissertation. Dr. Kuhn would not want anything less than that.   Dr. Clifford Matthew Kuhn, Associate Professor of History at Georgia State University and the first Executive Director of the Oral History Association joined the ancestors the second week of November.  He was 63-years-old…he was also my Dissertation Advisor…

He was…there is that word: was.  You would think that as a historian I would be accustomed to the past tense.  Yet, referring to him as anything other than vibrantly and intellectually alive is difficult. Preparing for the Georgia State University Memorial for Dr. Clifford Matthew Kuhn on December 13, 2015 is harder than I ever could imagine.  I first met him when he was preparing the centennial of the 1906 Atlanta Race Riot back in early 2006…

Dr. Glenn T. Eskew introduced us because he recalled my telling him that my late maternal grandmother, born in 1886, was a 20-year-old student at then Clark Normal School (later Clark College, now Clark Atlanta University) when the campuses of Atlanta’s Historically Black Colleges became the refuge for so many of the Black victims of the Atlanta Race Riot.  Dr. Kuhn was delighted to find a graduate student such as myself that had a personal story that I could tell about this particularly painful moment in Atlanta’s history.  Dr. Clarissa Myrick Harris, who partnered with Dr. Kuhn, interviewed me while filmmaker Ms. Bailey Barash filmed it for posterity.  I was proud and humbled to contribute my grandmother’s story.

Nearly everything I know about Oral History, I learned from Dr. Kuhn: how to get people to talk about their lives; how to make sure they know that they are not obligated to tell their stories; how to make sure that I, the historian and interviewer, did not and will not ever exploit their memories; how to truly listen. I remember everything he taught me.

One of the last things he said to me was that he was so proud of a brief and recent assignment I had in the Georgia State University Library’s Digital Collections where I conducted four interviews for the Planning Atlanta Project. He recommended me for that position and I was glad that I did well and did not let him down…

As I prepare myself, as best I can, to attend Georgia State University’s Memorial Celebration for Dr. Kuhn, I fondly recall a conversation where we discovered that both of us loved Jazz.  Not long after that conversation, there were a few times when we were supposed to be doing something academic, but we drifted into a deep discussion about everyone from Duke Ellington to Nina Simone to Wayne Shorter to Ahmad Jamal.  Yet, that is natural for us historians.  WE have to be aware of everything, so we often look at and listen to everything.  Our conversations were often mixtures of him talking lovingly about his wife Kathie Klein and his two sons Josh and Gabe Klein-Kuhn and History and Jazz.   I will miss that…  

So, below is one for the late, great historian and scholar Dr. Clifford Matthew Kuhn: a video of the great Jazz pianist Ahmad Jamal playing the classic “Poinciana.”  When the percussionists in Jamal’s quartet go into full swing around the time 4:53, I found myself ferociously patting my foot to the infectious rhythms and crying at the same time. Àṣé.

 

 

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

American Black Music 101

By Leslye Joy Allen                                                                                                     Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

“Listening” Self-Portrait. Copyright © 2014 by Leslye Joy Allen. All Rights Reserved.

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.

Back during the very short time that I was a music major, several of my instructors and professors commented on my unique ability to hear damn near anything and explain exactly what instruments I heard, along with my INABILITY to reproduce it in performance.  I always earned an “A” in aural studies.  I laugh loudly now because my old piano teacher said I would make a great musicologist, which is, among other things, a music historian.  I never practiced piano much, but I could always tell you the story behind the song or something about the life of the composer.

At the same time, no one needs to be an accomplished musician or be able to read music to identify a Blue Note—those often flatted third, fifth and/or seventh notes that became the signature of Black American music—in order to feel and absorb the origins of that Blue Note.  The origins are deeply rooted in the African American experience.  The rhythms of Africa, the melodic vocal and verbal patois of Black Americans severed from their ancient drums met the European scale to produce something as authentically American as Negro Spirituals, Field Hollers, Work Songs, Ragtime, Jazz, along with our Soul-Sauce-sprinkled-on-Jewish-folk-melodies that gave us Tin Pan Alley, and indeed American Popular Song.

All things American are deeply infused with the Black experience, so much so that it is hard to know where one or the other begins and where it all might end.  The Black slave in the field handed a musical gift to the White American composer; and both have more in common with each other because of this infusion than one might think.  Only the blighted soul has problems giving the Motherland Africa much praise for some of the creation of so-called American popular music, music that came from the hearts and souls and longings of her transplants in the New World.

So this blog is not just about your ability to know, but about your ability to feel and to hear how much things change yet remain the same when the roots are acknowledged and claimed.   All you have to do is listen to the following Trinity of songs that cover over one hundred fifty years of music.  All you need is a soul and a pulse to understand.  Àṣé!

“ROLL, JORDAN, ROLL”  

“ACCENTUATE THE POSITIVE”  

“HAPPY”

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.
Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.

A Thought for the Old and New Year

By Leslye Joy Allen                                                                                                     Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.

One of the first things that came to mind shortly after Christmas and before the New Year was how much my Mom and Dad would have been thrilled and proud that a great film like 12 Years a Slave received great reviews and had enjoyed large viewing audiences.  I would have heard a litany of what they remembered about their childhoods and how far we Black folks have come.  And if they were still alive they would surely have warned me not to hyperventilate about whether or not Santa Claus was Black or some of the foolish and racist slips of the tongue that seem to dominate our current news cycles on most days.

Strangely, my mind goes back to that one scene in the film 12 Years a Slave where after a slave has literally dropped dead from exhaustion while laboring in the fields, you see the slaves standing around a gravesite that they have prepared for their fallen comrade.  Suddenly, a slave woman begins singing the old Negro spiritual “Roll, Jordan, Roll.”  Then all of the slaves joined in and they sang with a joyous abandon.  At this moment in the movie theater, I completely lost my composure.  I wept so loudly that I had to place my hand over my mouth to muffle the sound.  For days, I wondered why that scene—and not one of the other more horrible scenes where someone was beaten or tortured—caused me to cry like a two-year-old toddler.  Then it came to me.  This was a gift.  The gift was not simply my ancestors’ songs, but their decision that they had a right to sing their songs.

Their gift feels as familiar as a book of black poetry or history or the first time my parents took me to a Jazz concert or to see the Alvin Ailey American Dance Theatre or to a Broadway play.  Afterwards, they would always inform me that I must never forget that it was my people that had created the artistry and creative offerings that I had just witnessed.  The lesson was simple—I could perpetually cry about what white folks had done to my people or I could fight for and celebrate what my people had done for themselves and for me, all of which is a balancing act.  Yes, one must call out and fight against racism.  Yet, one cannot allow it too much space in one’s head, lest one descend into perpetual victimhood.  “How much of your energy are you gonna’ give THEM,” Daddy would ask without blinking?

I wept in the dark of that movie theatre, as the slaves on the screen sang with abandon and rejoicing.  It is difficult to count one’s blessings when the world and everyone in it seems to be your enemy.  Yet, that is exactly what the slaves did.  My slave ancestors did not sing with joy because they were happy and content, but rather because the singing allowed them to reclaim their humanity, to reclaim their right to joy.  No degree of inhumane treatment routinely meted out to them by white slave masters could make them surrender their own humanity, or their very human need for joyousness and a belief in the future even when that future was uncertain.  Their gift is still a gift that keeps on giving if you are willing to claim it.  This is what I hope to remember now, and in the New Year.

Peace.

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Copyright © 2014 by Leslye Joy Allen.  All Rights Reserved.
Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author.