Saying Goodbye to Gayleatha

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate, Doctoral Student

Copyright © 2013 by Leslye Joy Allen. All Rights Reserved.

I learned late on Monday, 17 June 2013 that one of my Aunt Minnie Belle Veal’s protégées passed this April 2013.  She was Ambassador Gayleatha Beatrice Brown (June 20, 1947 to April 19, 2013).

A Howard University alumna, “Gay,” as I called her, was the first person I knew that worked for Randall Robinson’s TransAfrica, the first person who wore braids before they became popular. In her usual “I-will-not-have-any-of-it” style, my “Aunt Beh Beh” (Minnie Belle Veal) drove from Edison, New Jersey, all the way to Gay’s graduate school, the School of Advanced International Studies (SAIS) at Johns Hopkins University in Baltimore, Maryland, after someone there mildly suggested that Gay, a Black girl from a working class family in New Jersey, should not seriously consider a career in Foreign Service.  And then—with the hell-and-be-damned-with-you that is the best of Black America—she became a diplomat and later an ambassador.

I remember her as someone who loved my Aunt Minnie Belle more than life.  The book she gave Auntie in 1969 was The Life and Times of Frederick Douglass.  I ended up reading the copy of the book she left for my Aunt.  I remember Gay as someone who liked her eggs scrambled hard, like me.  I fixed them several times for her and myself on one of the extended visits to Atlanta that she took with my Aunt Beh Beh.  The last time I saw her both of my parents were still alive, but my Aunt Minnie Belle had just passed and Gay had arrived for her funeral.  Now, all of them are gone. 

In the usual routine of graduate students and, I guess, members of the foreign service, Gay and I lost contact with each other due to moving around.  She quickly went from being a U. S.  Diplomat in France to her later years when she served as Ambassador to two countries on the continent of Africa, Burkina Faso and then later Benin.

I received an email earlier in the day from a former female student of mine.  This student was about to embark on studies that are not so traditional for women in general, to say nothing of Black women.  Later in the evening I decided to look up Gayleatha on the Internet.  I had found her before and quickly forwarded the hyperlinks.  This time I found her again, but what came up first was her obituary and the Funeral Service for Gayleatha Brown, which I did not expect.  I thought about my Dad, who has been gone now for twenty-six years, who was as proud of Gayleatha as he was of his sister Minnie Belle.  As my head raced, my first impulse, in the wee hours of the morning, was to call Mama to tell her that Gayleatha was dead.  It dawned on me, as I reached for the phone, that Mama was also gone.

With the exception of a few cousins on my Dad’s side of the family, most of the people that I knew whom Gay’s passing would upset, have already passed on themselves.  I would tell you how I am holding my chin up, trusting in God and all of the usual stuff that people say at a time like this.  However, I have had about as much death as I care to take in one year.

I lost Mama, a beloved cousin; and while I have two loving families, I had a couple of family members who decided that I made a good emotional punching bag since they could not vent their dissatisfaction with themselves on anyone else.  Additionally, someone who I thought was a friend proved to be anything but one.

Now, I know that I have not earned this and that I have no control over any of this.  And in spite of how truly bad I feel, late Monday into the wee hours of Tuesday morning were not completely awful.  After all, I heard from a former student who is planning to study and do great things; and I made a quick acquaintance of a Vassar College Professor who likes my blog and who does his own bit of social commentary.  I just wish that the day had ended on a better note.  Nevertheless, in spite of the fact that I learned of her passing, I remain grateful to have known Gay.

So, all I ask is that you pray for the family of the late Ambassador Gayleatha Beatrice Brown.  Pray for my students and for all young people who desperately need her example to do the kind of work we all need them to do.  As for me, I am, right now, not much in the mood for anything.   And I make no apologies.  That is just the way it is, for now.

Copyright © 2013 by Leslye Joy Allen.  All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

Mama’s Garden

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

Copyright © 2013 by Leslye Joy Allen. All Rights Reserved.

cherry-tomatoes-plant Cherry Tomatoes Plant (available from: Public-Domain-Image.com)

 

“If you plant it in the earth, give it just enough sunlight, just enough water, and just enough nurturing, it will yield something.” – Syble Wilson Allen Williams (1921 -2013)

Now, when I think of teaching, I think about my Mama’s gardens and the first time I read the quote by author Gail Godwin who said that, “Good teaching is one-fourth preparation and three-fourths pure theatre.” 

A while back, I did not exactly understand the connection between teaching and theatre or any connection to my Mama’s conceptualization of gardening.  After all, was it not possible to be a gardener or agriculturalist without being an artist?  Even further, when I thought of theatre or any performance art, I thought and continue to think of people trained to act, sing, dance (or all of the above), and who are on stage for the sole purpose of entertaining and enlightening a receptive audience. 

The idea that a teacher and students were engaged in any kind of performance art escaped me until I stood in front of a classroom and gave a lecture without reading from any notes.  My Mama, Syble Wilson Allen Williams, understood the performance element in teaching the first time she set foot in a classroom to teach.  

Only after she died, however, did I begin to understand some other things about the “pure theatre” or the creativity of teaching that was not readily apparent to me when she was alive.

I remember how she would begin to count to ten in order to get her kindergarteners to take their seats.  “One…Two…Three…” she would say slowly and deliberately.  The objective was to have all of her students seated BEFORE she reached the number ten.  They would scramble to their chairs, each one determined not to be the last child to make it to his or her seat.

Then there were Mama’s famous gold stars that she posted next to the names of those kids who ate all of their lunch—they were the fabulous members of the “Clean Plate Club.” Many children decided to sample a vegetable that they really did not want to eat in order to earn that gold star.  Yet, she was at her most creative with her classroom gardens and her trips to the farm.

After Mama’s funeral service, our cousin James—who served as one of her pallbearers—told me that before her funeral began, four of her pallbearers were discussing their trips to farms and the gardens they helped to plant and tend when they were mere kindergarteners in her class. 

Four of Mama’s pallbearers were her former kindergarten students.  I remember when she made the switch from teaching third grade to kindergarten.  I also recall her comments about children who grew up in the city.  While she loved city life, she noted that children in cities rarely got much, if any, exposure to farm life.

Mama was born on a working farm in a tiny Georgia hamlet about forty minutes away by car from Atlanta.  She lived there until she was about nine years old.  Around her ninth birthday, her family migrated to Atlanta, as did so many Black rural families during and after the Great Depression.  The beauty is that Mama’s appreciation for her agricultural roots ultimately became a wonderful lesson for her students.

Back in the 1970s when she started teaching kindergarten, she told me one day that too many of her students really did not know anything about where their food came from or the teamwork required to run a farm. 

Eventually she located a nice man—whose name escapes me now—who had a small working farm in McDonough, Georgia complete with crops, chickens, pigs, and cows.  I only remember him as a middle aged, brown-skinned man who seemed tickled to death that the work he did as a farmer had some intrinsic value to Mama and her young students.

Every year she taught kindergarten she included a trip to that farm in McDonough, Georgia so that “her children” could witness the interaction of farmer and crop and cows and chickens.  The cows’ manure fertilized the soil that yielded the crops.  It was all organic and interactive.  Every year, she would have her five-year-olds plant a garden in their classroom. 

She would gleefully remark how they would become mesmerized when they would see something that they had planted in the soil begin to grow.  “Their eyes just light up at the first sight of the smallest bud,” she would say.  For me, the strongest memory was her garden at our house and her household plants.

Each year she grew tomatoes, cabbage, collards, and squash on a strip of land in our backyard.  I also recall one year she grew the hottest jalapeño peppers ever grown in the history of humankind—I remember it well; I ate one of those peppers and needed a couple of pitchers of ice water to cool the heat. 

Then there was her endless sea of green plants that lined our porch and windowsills.  She often noted that the tomatoes might not grow as big as you wished, but if you nurtured those seeds, you would still get tomatoes.  This was her lesson to her kindergarteners and to me: you always get something back if you plant something and nurture it.

Mama’s gardens and farming adventures were lessons in sheer creativity.  In these activities were a science lesson, another lesson that taught respect for animals’ contributions to our welfare and an appreciation for our natural environment, a lesson in how any one of us who had patience could nurture a plant from a seed or seedling to full bloom.  Even further, when I think of how many people never want to revisit their childhoods, I am comforted.  

Mama found beauty, resilience, and lifelong lessons in her own childhood, a childhood that she spent helping her parents and grandparents tend to plants and animals on the old family farm. Her students got a chance to share in a part of her upbringing.

On a nearly cloudless, sunny day in February of 2013, Mama had six pallbearers: one was a dear cousin, another was a family friend, and four were her former kindergarteners.  These six dignified, hardworking, respectable, responsible, and well-educated Black men—all over the age of forty—donned white gloves, and hoisted Mama’s coffin and took her to her final place of rest in the soil—soil she respected.  

Proudly, I watched them, as I am sure she did.  And then I thought, “If you plant it in the earth, give it just enough sunlight, just enough water, and just enough nurturing, it will yield something.”

Copyright © 2013 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

The Persistence of Old Models / Old Beliefs

by Leslye Joy Allen                                                                                                      Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Last month, I had the good fortune to sit down with, break bread with, and drink good wine a couple of times with award-winning playwright, Black Theatre expert, and educator Paul Carter Harrison.  I have to thank fellow scholar R. Candy Tate for turning what was supposed to be our first meeting (to trade academic notes and talk shop) into a meeting where we added yet another spirited scholar to the mix.  This was one of those rare opportunities we graduate students receive where we can converse with someone who is, arguably, one of the first artists to seriously study Black Theatre and create a scholarly canon that tells us what Black Theatre is and what it is not.

However, I deliberately did not ask Paul about his many books (The Drama of Nommo or Black Theatre: Ritual Performance in the African Diaspora).  Among the many things we discussed was his frustration and anger about what he considered to be some younger playwrights, actors, and directors’ pandering to the tastes of White audiences; and an unfortunate dumbing-down of theatre, television and film in an effort to appeal to audiences of all races for the sole benefit of entertainment just for entertainment’s sake.  He was not ambiguous at all; he was livid.  He saw a disturbing trend where some Black performers decided to cater to what White producers and audiences—even well-meaning White folks—wanted them to appear to be on stage.  No more martyred Black folks, he said.  Exactly how many times must everything WE do be a response to some other group of people?  Exactly how many times must we be characterized as long-suffering and stoic or, for that matter, be the super baadaass Black man who always manages to rush in and save the day?  He made his point.

He saw this pandering as something that, while it might be quite commercially satisfying,  stifled Black creativity and stunted artistic risk-taking while it simultaneously applauded and rewarded the mundane, the ordinary.  He noted that this lack of vision, this lack of adventurousness, would eventually cause a lot of artists to hit a commercial brick wall.  He did not bite his tongue about the fact that certain Black stereotypes and certain Black archetypes had become the norm in film, on TV, and on the stage.  While Paul is a part of my larger ongoing research, which will not be discussed here, he did make me think about not only why artistic and scholarly risk-taking is necessary for growth, but also why stereotypes are particularly dangerous.

After our two marathon conversations, I thought about how people on both sides of the political and racial aisle, so to speak, hold onto and cling to certain images and ideas about Black people.  I have to honestly wonder whether, WE Black folks have any real friends who actually know US; that is, friends outside of our own racial/ethnic group.  I am not kidding; I mean this.  Aside from the racist who assumes that at any given moment I will be spitting out watermelon seeds or that I have bred babies like rabbits, there are also those White folks that go to other extremes.  They are so hell bent on proving that they are not racist that they see beauty and goodness in everything and everybody that is Black—and that is a fallacy as well.  Blackness and Black people become a fetish.  One of the first things that makes us, Black folks, human is our ability to be great or weak, right or wrong, smart or dumb, honest or dishonest.  Any belief, sentiment, or romanticism that strips us of the full range of human expression denies us our humanity, no matter how flattering those beliefs and sentiments might be.  It is dangerous to hold onto those kinds of extremes and expectations.

Only a few days after my meeting and hanging out with Paul, one of my History students, a young White male, told me about this funny video he saw.  According to this student, someone filmed security personnel in a department store.  In the video, all of the security personnel were following all the Black customers assuming that the Black customers would be the customers who would shoplift.  However, while security was following all the Black customers, White shoplifters were stealing everything they could get their hands on.  Both my student and I laughed, but the humor quickly faded when we began to consider what really happens when someone makes assumptions based solely and purely on race, or I should say, on racism.  Now, anyone with half a brain knows that people of all races and ethnicities steal for a variety of reasons.  Nevertheless, this video—that I have never seen, by the way—said something else about misconceptions based solely on race.

When people buy into any stereotype it does something more than degrade and devalue the victim of the stereotype, it tells everyone else exactly who they need to victimize or who they need to “not look like” or “not behave like” in order to get away with whatever they are attempting to get away with.  I am not going to say anything about Trayvon Martin, this time.  However, for all of those frightened and paranoid White folks (and Black folks) who live in gated communities in Florida and elsewhere, I have only one thing to say:  Beware of respectable looking young White males who may be walking through your neighborhoods.

While I am sure most of these young White men will not be planning to commit any crime or do anyone any harm, one of them might have decided that since he did not look a certain way that he could get away with certain things.  When you buy into and believe those old models and old beliefs, eventually, someone figures out that all they have to do is make sure they do not fit the model.  After that, they can get away with anything!  And for those folks who might be feeling guilty for believing the worst stereotypes about Black people,  the last thing you need to do is stop for some poor Black guy on the side of the road at midnight, just to prove a point.

The majority of us Black people work hard, pay our bills, take care of our homes and lawns, and never ever hurt anyone, but that does not mean that all Black people are saints.  If we could just let these old models and old beliefs go, we could proceed in this world based just on facts rather than assumptions.  Now, I have a Black elder statesman of Theatre and a young White male student to thank for raising the level of the discussion.

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

The Paper Yet to be Returned

by Leslye Joy Allen                                                                                                               Historian, Educator, Theatre & Jazz advocate, Doctoral Student

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

My last blog for Cascade Patch attempted to remind everyone that Tuskegee Airman, one Lt. Col. Charles W. Dryden had a clear vision about what and whom he was fighting against when he valiantly fought in World War II.

Yet, another group of soldiers now struggle with what it meant to be in the military in Iraq; and some are still trying to understand the complicated mission of remaining in Afghanistan.  The following is a personal story about one of my former students:

Back in 2008 when I was teaching United States and World History courses at a local junior college, I encountered a young 20-something male student who I initially feared might earn an “F” in my class.  Like many students I have encountered in recent years, writing was not his forte; and history is research and writing intensive.  However, much like many other students, he performed much better on his second paper after he followed the directions, suggestions, and criticisms I wrote on his first paper.

It is a thrill to watch a struggling student take off at top speed and make real, concrete progress.  This student, who I will refer to here as “M,” did just that.  There is still only one problem: M has not yet been able to pick up his final paper, a paper where he worked like a trooper to earn an “A.”

A few weeks before that semester in 2008 ended, M approached me after class to let me know that he was in the U. S. Army Reserves.  He was part of a reserve troops that would soon go to Iraq.  His deployment could occur at any time and at a moment’s notice.  He feared he would have to leave for Iraq before the semester ended.  He worried about missing his final examinations.  I told him not to worry.  He had enough graded assignments for me to figure out his grade point average if it became necessary.

Since educators and employers are required by law to accommodate, as best we can, those employees and students who may be called to military service, I had to come up with the best possible solution for M.  After discussing the matter with my department head, I decided to wave his having to take my final examination.  After a careful review of all of his grades, he averaged a solid “B.”  He left for Iraq, however, before I could return his last paper.

A few days after his departure, he emailed me to let me know that he had safely arrived.  He thanked me for all that I had taught him, and asked me to remember him in my prayers.  He also told me that I had taught him to “think outside of the box.”  I freely admit that I can be a bit radical and unorthodox.  I would never have survived even working in the post office in Uncle Sam’s army.  When M made that comment, I wondered how my teaching him to “think outside the box” would actually help him in Iraq.

I quickly responded and asked that he email me and his other instructors to let us know how he was doing.  He responded that he would try to stay in touch, but that his commanding officer had warned him about sending too many emails.  Because of where he was located in Iraq, it might be dangerous to regularly contact too many United States citizens by email as the area was potentially teeming with internet-savvy terrorists.  Emails, he wrote, were particularly vulnerable to enemy infiltration.  That worried me.

Sure enough, his emails abruptly stopped.  Months after his departure, I wondered if he was still alive.  I even caught myself paying extra attention to news reports of casualties in Iraq.  Then, I misplaced the last paper I graded for him.  Misplacing the paper felt like a bad omen.  Then in 2009, I ran across a blog where a blogger had spoken with Paul Rieckhoff, the author of the Iraq Memoir Chasing Ghosts.  Of soldiers in Iraq, Rieckhoff stated:

“This is not a drafted army, it’s a professional force, so folks are staying in longer, they’re older and they’re more likely to have families…But those who are being killed and injured are disproportionately young — the people you played soccer with and went to high school with.”  (For the full article, go to: http://stand-up-4-veterans.tressugar.com/Toll-Iraq-US-Soldiers-3294102)

After I read the blog, I felt worse.  I knew that any war almost always consists of young soldiers, but exactly how young?  How often had military service in Iraq or Afghanistan interrupted college students’ educations?

Another year passed and soon, I briefly forgot about M.  Then, in 2010, I got a phone call from a former co-worker.  She received news that one of her former students was killed in Iraq.  I did not know this particular student well, but she did.  With both of us weeping over lives lost too young, I thought about M again.  I did not email him for fear that I would not receive a reply email and again wonder if he was still alive.  I could not and cannot imagine what the families of these young women and men have gone through during the course of the Iraq war and the seemingly endless problems in Afghanistan.

Right before this past Christmas 2011, I decided to sort through the tons of papers and assorted items that had accumulated into a small mountain on my dining room table.  There were stacks of papers, books, photographs, and notebooks on the table and in boxes around the table and elsewhere in my house.  We historians are the world’s most notorious packrats, always afraid that we might throw away some document we might need later for our research.  Yet, enough was enough.

After sorting through all of the excess and deciding what might go into the recycling bin, I found the last paper M wrote that I graded at the bottom of one of my many boxes.  Early Christmas morning, I summoned the nerve to email him to ask how he was doing, noting that I had just stumbled across the last paper he turned in for my World History class.  FYI: M’s paper was about one of the Zanj revolts that took place in the Afro-Arabic world (Look it up if you do not know what I am talking about because I am not even going to define “Zanj” for any reader younger than M.)

Later that Christmas night, I received an email from M stating that he was well, but still in Afghanistan.  The military has now deployed him OVER FIVE TIMES.  Scheduled to return home in the summer of 2012, he noted that he felt like Iraq and Afghanistan were recipes for civil war.  Indeed, he said, Afghanistan already was engaged in what he believed to be a civil conflict that neither the United States military’s presence (or absence) could remedy.  Later on January 10, 2012, I stumbled on an article that described how the Taliban attempted to invade a government building in East Afghanistan.  I worried again.

As a historian, I study and lecture about politics, the performance arts, racism, social change, and war all the time.  Yet, nothing prepared me to watch a young scholar go off to war with his education interrupted or to contemplate that he might not make it back home.

M emailed me that the military had taught him how to think one way, but he emphasized that I had taught him another way to look at and examine the world.

“You taught me to see things for more than what is put in front of me,” he wrote.  In the last weeks of 2011 and the first month or so of 2012, when we Black folks have lost so many of our brothers and sisters in so many ways, I am thankful, grateful, and rather proud of M’s compliment.

Yet, as far as I am concerned, U. S. military involvement in Afghanistan and Iraq can only officially end for me when I can put M’s final graded paper in his hand.

Peace.

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.