Ralph McGill Would Never Defend “Stand Your Ground”

Photographer: Jon Sullivan. Copyright: Public domain image, not copyrighted, no rights reserved, royalty free stock photo. “Scales of Justice” by Jon Sullivan, photographer. Copyright: Public domain image, not copyrighted, no rights reserved, royalty free stock photo. Available from Public-Domain-Image.com

By Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant

Copyright © 2012 by Leslye Joy Allen.  All Rights Reserved.

For those of you who are unfamiliar with the late Ralph McGill (1898-1969), he was a White journalist and publisher of the old Atlanta Constitution (now the Atlanta Journal Constitution).  He was also a well-known liberal who wrote about racial discrimination in society at large and within the criminal justice system.  He did this long before the Civil Rights Movement reached its apogee in the 1960s.  Martin Luther King, Jr. mentioned McGill in his eloquent “Letter From a Birmingham Jail.”  King wrote that McGill and some other White journalists, “have written about our struggle in eloquent, prophetic and understanding terms.”  Indeed, McGill was a man who watched, learned, and evolved into one of the most progressive voices in the American South and the nation when it came to race relations, civil rights, and the penal system.  With that said, it is important for you to understand that I did not learn about Ralph McGill from a newspaper or a book, but rather from my schoolteacher mother.

Mama remembered that he emphasized that when a Black person killed another Black person they typically received very light jail or prison sentences—that is, if they received any jail time at all.  It was just the opposite if they had killed a White person.  He noted that because of this failure to properly punish Black people who killed other Black people, the judicial system literally encouraged those individuals to carry out their anger to its fullest possible extreme.  He accused the judicial system of encouraging Black folks to kill each other.  Mama said that there was an unsettling joke going around in Atlanta during the 1940s that said: if you were a Black man that killed another Black man you would be out of jail in time to go to your victim’s funeral.  Indeed, in his column in the Atlanta Constitution on September 17, 1941, McGill wrote:

“In the first place our courts, to our shame and, although no one seems to see it, to our very great financial cost, never take Negro crime seriously.  A Negro murderer, killing another Negro, rarely receives any severe punishment.  Juries and prosecutors have, for years, viewed them lightly as just another Negro killing, and therefore, of not much importance.”  (Ralph McGill – Crime, Standards, Methods 9-17-1941)

He remained one of a handful of White journalists that understood that any law or process or social practice that devalued Black life also made Black people the more likely targets of violence by killers of all races.  He also noted that many members of Atlanta’s then all-White police department had poor training and were “quick-on-the-trigger.”

I thought about Ralph McGill after the tragic killing of Trayvon Martin in Sanford, Florida in February of 2012.  When Jordan Davis of Atlanta, Georgia was killed in Jacksonville, Florida later in November, I again thought about McGill, arguably one of the most vocal writers who paid serious attention to Black-on-Black and White-on-Black violence and the institutionalized racism in the criminal justice systems of Georgia and the nation.  I will not recount how Jordan Davis and Trayvon Martin died needless and preventable deaths.  I will leave it to you to read the details of Davis’ death on your own.  (Take a minute and read Madison Gray’s very brief Time Magazine report “With Echoes of Trayvon Martin, Florida Man Claims Self Defense in Shooting Death of Teen.”)  Yet, I wonder what McGill might have said about the horrible killings of these two unarmed Black teenagers by two men—One of Peruvian and Jewish extraction and the other a White man.  I am sure he would have had much to say about the racial dynamics surrounding these two killings and the law known as “Stand Your Ground.”

Nearly half the states in this country have “Stand Your Ground” laws.  At minimum, these laws allow an individual the right to use deadly force if that individual has a reasonable belief that their lives are threatened.  Importantly, the law typically states that it is not necessary for a threatened individual to retreat from the perceived danger.  The jury is still out on whether this kind of law has reduced crime rates anywhere.  It is important to note, however, that there is nothing in these laws that give citizens the right to provoke and/or create a potentially volatile scenario where they place themselves in danger and then use deadly force in response to the dangerous scenario they created.

The fact that George Zimmerman, charged with second degree murder of Trayvon Martin, was told by a 911 operator not to follow Martin, has forced Zimmerman’s attorneys to drop the use of “Stand Your Ground” as a part of his defense is cause for all of us to pause.  The fact that Michael Dunn, charged with the murder of Jordan Davis (and also charged with attempted murder of the other teens in the SUV), told these kids to turn their music down at a gas station is also problematic.  Most people do not stay at a gas station for very long.  Is it safe or even logical to tell total strangers what to do or what not to do while they are seated in their own vehicles at a public place like a gas station at 7:30 in the evening?  Think about it.  Will Florida lawmakers ever understand that the state’s “Stand Your Ground” laws are not always working in the best interests of its citizens?  McGill would have recognized the counterproductive and dangerous potential for abuse in “Stand Your Ground” legislation.

When I finally got the opportunity to read some of the newspaper columns written by McGill, I noticed some important qualities:  He spoke his mind about what was going on in the city and the world at that moment.  Yet, he did so with an eye on the future.  Like many of Atlanta’s early boosters, he always prescribed the course of action that he believed was best for the city of Atlanta—the entire city of Atlanta.  He knew that crime, racial discrimination, racial virulence, and the like, were bad for the city.  He was as practical and he was ethical.

I do not know exactly what McGill might have said or asked about the killings of Trayvon Martin and Jordan Davis.  Yet, I have little doubt that he would understand and endorse the necessity of raising the following questions about how citizens interpret their rights as defined in “Stand Your Ground” law:  How does the “Stand Your Ground” law define “feeling threatened”?  If you look menacing or say something that makes me feel afraid, will the law allow me the right to use deadly force against you based solely on my assumption of what I think you might do?  Do citizens need more than the basic right of self-defense?  What might an angry person do if they are armed and know that they might be able to get away with killing someone because, by law, they do not have to retreat from danger?  Much like Atlanta in 1941, does not this law encourage people to choose to kill one another?  Don’t these kind of laws eventually breed a flagrant disregard for the law?  McGill wrote that, “Anything that breeds contempt for the law is costly.”  He was right.

When I asked my Mama why she liked Ralph McGill, she simply said,

“He made sense and he was always, always fair.  He always asked for justice and the fair treatment of all citizens.  Justice and fair treatment were the only things Black people wanted.”

Justice and fair treatment are still all we want.

 

Copyright © 2012 by Leslye Joy Allen.  All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

What I Learned About Creativity from My Worst Subject

By Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

May in the Park, No. 24
Copyright © 2012 by Leslye Joy Allen

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

I do not typically write about Education per se.  Two of my favorite bloggers ModernDayChris and Matt Wilson of Everything Needs to Change do the best writing about the subject, particularly the education of children in our public school systems from Kindergarten to 12th Grade.  This essay is not so much a critique as it is a reminder about something often forgotten when conversations and analyses take place about what is wrong or right or that needs fixing in American education overall.

First, let us be honest.  Not all American public education is flawed; it is often unequal based on race and/or socioeconomic factors.  It can also suffer from certain regional economic problems, which are beyond the scope of this essay.  The quality of American higher education runs the gamut from mediocre to the best in the world.  Yet, there are certain actions and habits that can help any student regardless of the quality of that education.  Of course, the best education nurtures these habits.  So here goes…

For the record, I was possibly the world’s worst Biology student.  After routinely making grades of “A” in subjects like History and English, I nearly flunked Biology in high school.  I will not bore you with the stories about my nausea and headaches when I had to dissect some dead animal preserved in formaldehyde—That is a whole other essay by itself.  When I had to take Biology in college, I determined that I needed to not only study, but also come up with some creative ways to study.  After getting a lousy two out of twenty identifications correct on a Biology Lab Practical Exam, I arranged a meeting with my professor.  (For those of you who have forgotten what a lab practical is, it is simply a test where you identify bacteria, amoebas, and other items physically located in a biology lab, many of which are under a microscope.)

My professor informed me that he typically set up everything in the lab on Saturdays.  I asked if I could come by on Saturdays.  He said that I could, and that I could stay as long as I wished so that I could examine and take notes about all of the items in the lab.  Off to campus on Saturday I went carrying my notebooks and an assortment of colored markers so that I could literally draw what I was examining so that I could study it at home, over and over again.  On nearly ten consecutive Saturdays, I also got a chance to talk at length with my Biology professor.

I joked with him that a historian’s brain dealt with a lot, and it did not have much room for Biology.  My professor admitted that he had never been a good student of History.  We both took note of the fact that History typically tells a story; and it also typically argues a thesis, which is why you can find so many different History books about the same event that argue entirely different positions about why that event happened.  This is why Law students typically have to have some academic background in History—History teaches you to see more than one side of an argument.  Biology, however, is another matter.  That amoeba cell that you just examined under that microscope is going to remain an amoeba cell.  You can either recognize it or you cannot!

During these Saturday sessions, I had the opportunity to ask my professor numerous questions about everything in that lab.  I swiftly took notes of everything he said.  When both he and I were taking breaks from the subject matter, we discussed History, Politics, Performance Arts, and whatever was happening in the news.  He quickly discovered that while I would never be a great biologist, I was a good student in History, and a burgeoning intellectual.  So, what is my point?

The point here is I listen to students and some educators talk about subjects they describe as not preparing students for the kind of work they will be doing as adults.  “Why do I have to take Biology if I am never going to use it?”  That is a fair question.  Yet, my experience with taking a subject I might not have to use or need to use taught me several important lessons about the intrinsic value of a good education beyond the mere mastery of any particular subject matter.

First, when I made a solid “B” as my final grade for Biology, I knew I had earned it.  No one—and I certainly did not—really wants to go back to school on Saturdays.  I went back and stayed long hours and it paid off.  Second, because I was often the only student in the lab on those Saturdays I was free to speak with my professor without interruption.  Technically, I got free tutoring lessons simply by showing up and availing myself of his expertise.  Third, my professor witnessed me making an extra effort in a difficult subject.  While professors do not grade for “effort” (nor should they), it does not hurt for an instructor to see a student put in extra time in order to master a difficult subject.  Fourth, I learned that I could conquer that which was difficult.

I also finally understood lessons that my mom and my uncle, both educators, often emphasized throughout my childhood and adolescence:  Education is as much about endurance as it is anything else.  And as my mom often stated: You cannot expect a student to become the next Einstein if he or she cannot get along with other students (teamwork) and also willingly and creatively work on difficult subject matter.  Importantly, both Mom and my uncle insisted that one of the keys to a good education was the “social” skill of learning how to navigate difficulties and put in extra time without resorting to short cuts or cheating or other forms of skulduggery.  Tackling a subject that one is not good at forces a certain level of creativity—that is creativity often born of unorthodox or unconventional ways to retain and master the subject matter, and pass the class.

It is right about now that the folks that know me well would assume that I would go into one of my soapbox sessions about the necessity of arts education in schools, and how the arts make students more creative and help with spatial reasoning and a host of other skills, including enhanced skills in Mathematics and Sciences.  Well, I am not going to do that, exactly.

Exposure to the arts certainly enriches and develops creativity; and I have never met an artist that was not creative at something.  Yet, creativity is not the exclusive domain of the arts or artists.  I have met many individuals who did not have an artistic bone in their bodies, but who were highly creative people.  If students are to develop into productive individuals who can think their way through and out of complex problems, regardless of academic discipline, then education needs to not only expose students to the arts, but it should also advocate that creativity—artistic or otherwise—is an essential skill for all academic disciplines.  Furthermore, arts education advocacy need not exist on, nor should it lay sole claim to, some creative island minus its other academic counterparts.  Perhaps, this is where the real debate about education needs to begin.  More to come later…

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

Six Historical Facts You Probably Did Not Know About Jesus and Christianity that You Should Know

Green Earth 1
by Leslye Joy Allen, Copyright © 2012

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

  1. The name “Jesus” is a transliteration of a more common Hebrew name, “Yeshu’a.”  The proper name of the central person in Christianity is “Yeshu’a ben Yosef,” which technically translates as “Joshua, son of Joseph.”  For a long period of time, the letter “J” in the Western world was pronounced with a “Y” sound.  There is no letter “J” in the Hebrew or Aramaic languages that Yeshu’a ben Yosef spoke.
  2. Historians and other biblical scholars have noted that the FOUR Gospels included in the Christian Bible that detail the life of Yeshu’a ben Yosef cover only FIFTY days of his life.  There are no known written records that give details of his life in its entirety.
  3. There were/are over THIRTY Gospels written about the life of Yeshu’a. In circa 180 CE, a scholar named Irenaeus wrote his Adversus Haereses (Against Heresies) where he determined that only FOUR of these Gospels should be included in the Bible.  These FOUR Gospels were the Gospels according to Matthew, Mark, Luke, and John.  At the time, Irenaeus and his followers were vehemently against and competing for adherents with Christian Gnostics.  Do not confuse Christian Gnostics with “agnostics.”  Christian Gnostics were a group of Christians who performed different rituals and who held several different interpretations of the life of Christ and the practice of Christianity.
  4. The Lord’s Prayer was originally recited by Yeshu’a in Aramaic, one of a few languages that Jesus spoke.  There are many different translations of “The Lord’s Prayer,” from the original Aramaic.  The Lord’s Prayer that most modern Christians recite is actually a version edited and re-written by England’s King Henry VIII, which is why it (and the King James Bible, edited by England’s King James) sounds so much like English poetry from the 16th century.  Read some Shakespeare and then read some passages of an Old King James version of the Bible and you will notice the similarities.
  5. The standard practice for punishing a woman who had committed adultery or who became pregnant outside of wedlock, was to take her to her father’s door, bury her up to her neck, and then have the men of the town throw rocks at her head until she was dead. Yeshu’a stopped the men from killing the alleged biblical adulterous woman, daring them to cast the first stone if they too were not guilty of some offense; by so doing, he was stopping this common and accepted practice of death by stoning.  Many scholars believe that Yeshu’a was applying the rules of adultery to men.  Up until that time, only women were charged with committing adultery. Men had customarily been allowed concubines, particularly if their wives were barren or had passed childbearing age.  Yeshu’a surely understood the implications of sanctioning the act of stoning women to death. After all, his stepfather Yosef (Joseph) disobeyed the Mosaic practice of stoning when he learned that the woman, Mary, to whom he was betrothed, was “with child,” a child that Yosef/Joseph was certain he did not sire.
  6. Yeshua ben Yosef was sentenced to death by crucifixion, Rome’s standard death penalty for slaves convicted of crimes.  The charges against Yeshu’a were HERESY (going against church teachings) and SEDITION (which is plotting to overthrow the government).  Yeshu’a was first tried, convicted, and sentenced to death for HERESY by Jewish Church authorities before he was turned over to Pontius Pilate, the Procurator of Judaea from roughly 26 – 36 CE, for further prosecution by the Roman state.

While the Internet can certainly help you read more about this information and other related topics, the information included here can be found in the Dictionary of Roman Religion, see Lesley and Roy A. Adkins article “Jesus of Nazareth.”; another good source of information is a book called Jesus by A. N. Wilson (London: Sinclair-Stevenson, 1992).

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

What Do Those Gates Protect?

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

In my previous blog The Persistence of Old Models / Old Beliefs I wrote about my meetings with theatre expert Paul Carter Harrison and our discussion about the problems with racial stereotypes.  Of course, the one thing about being a historian is that when you ask and address one question, other questions always come up.  So here goes.  I do not know about you, but I find something odd about the death of Trayvon Martin that has nothing to do with the actual shooting of the gun that killed him, but rather that the neighborhood that he was visiting that fateful night in February 2012 was a “gated community.”  Does anyone find it strange that there had been a rash of burglaries allegedly committed by young Black men in a “gated community”?  This issue may not ever come up in the actual trial of George Zimmerman, but exactly what or who were those gates in that Sanford, Florida community supposed to protect?

I live in what is technically a middle class/working class all-Black neighborhood.  My neighbors and I look out for each other.  On the very rare occasion that we see something or someone that we find strange or out of the ordinary, we call the police and let the police do their job.  Everyone has a fenced-in backyard.  A few homes have fences around the entire perimeter.  Many people have alarm systems installed, which is always a good idea because it is a real deterrent to break-ins.  There have only been a couple of burglaries that I can recall in the over forty years I have lived here, and at least one of those was committed by a couple of kids who were caught shortly after the break-in.  To my knowledge, there has never been a rash of burglaries; that does not mean that it cannot happen.  It just means that since the early 1970s, I have never heard anyone say, “We have got to do something about this rash of burglaries.”  This brings me to this whole idea about gated communities.

I have seen several gated communities.  In fact, I live less than two miles from an all-Black gated community.  The one obvious distinguishing characteristic is that no one can just walk in or out and no one can drive in or out without having some kind of code, a pass key, or something that says you live there or are visiting.  The closed perimeter is in place precisely to restrict the entrée of unwanted visitors.  So how is it that this gated community in Sanford, Florida has endured so many burglaries?  If the gates to this community remain closed, how did the thieves get in, burglarize a home or several homes, and then get out?  Did they jump a fence?  If so, exactly what did they steal?  The fact that you should not be able to drive in and out of a gated community easily limits the abilities of a thief or thieves, does it not?  I say this to raise something far more troubling about the entire area we all now know as Sanford, Florida.  First, allow me to comment on one unrelated event that happened to a friend.

A couple of years ago, burglars broke into the house of one of my friends.  The police quickly apprehended the thieves.  Yet the first thing the police noticed was that the thieves went into the house and cut the phone cords to the alarm system.  The police suspected that someone–probably there to do work on the home–who visited this house took note of where the battery and controls for the alarm were and passed along that information to the burglars.  Not long after this happened, I quickly encouraged everyone I knew to install a wireless cellular back up system to their existing alarm system so that it would immediately kick in should someone be brave enough to break-in and then cut the phone wires.  Now, I do not say this to make everyone think that the man that just delivered their refrigerator is automatically a potential suspect for a future burglary.  Most of us do not think of burglars or any other type of criminal in this manner.  Criminals always look like they are up to something, don’t they?  Yet, all those burglaries in that gated community in Sanford, Florida made me think about what happened to my friend.

If this neighborhood was having a string of burglaries, exactly how difficult was it for that community to request an increase in police patrols?  If a community has these gates, does that automatically mean that it needs fewer police or no police?  If you do not live in one of these communities and you visit one, doesn’t that mean that you or almost anyone visiting a gated community could be seen as suspicious?   We learned that George Zimmerman called 911 over fifty times during the course of a year.  If all of these phone calls were legitimate, then why did he need to call so often if he lived in a gated neighborhood?  Is it not fair to ask: Were all these burglaries committed by people who were not members of this neighborhood?  Do those gates really keep people out or do they seal people in?

Please read: Florida’s problematic gated communities by Bonita Burton

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

A Little Girl and “The Nativity”

by Leslye “Joy” Allen                                                                                                        Historian, Educator, Theatre and Jazz Advocate & Consultant, Doctoral Student

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

For the record, I am a historian and contrary to popular belief, historians are not social scientists.  History belongs in the category of the Humanities, as in the phrase “Arts and Humanities.”  Art and artists tell stories and so do historians.  We just do it in different ways.

Historians analyze and interpret the past.  We ask “why” something happened and we ask “how” something happened.

There are as many different angles and answers to those “how” and “why” questions as there are historians.  Performance art also does this because no two performances are ever the same; and audience members often see and interpret the same story or song in a hundred different ways.

Yet, I digress.

What I really want to share is a particular story, a story about a little girl who sat in an audience and gave me the best lesson about what the arts, particularly theatre, does for an audience.

I have always been fond of Langston Hughes’ Black Nativity. Many theatre companies in Atlanta have performed this holiday classic over many decades.

I recall seeing many performances of it by Jomandi Productions and many other local Black theatre companies. In recent years, many directors and playwrights have produced their own version of the “Nativity.”

There was yet another re-imagining of this annual story conceived, written, and choreographed by Patdro Harris as part of Kenny Leon’s True Colors Theatre Company’s annual Christmas offering that played in December of 2011 at the beautiful Southwest Arts Center.

Yet, a couple of years ago, I witnessed Black Nativity for perhaps the eighth or ninth time.  This time, however, I sat behind a little girl who could not have been any older than five or six years old.  I watched her and nostalgically recalled that my first theatre experience occurred on a visit to New York when I was four and a half years old—I saw Sammy Davis, Jr. in Golden Boy.  However, the little girl watching Black Nativity did more than bring up fond childhood memories for me.

Sitting in the dark at the Southwest Arts Center, preparing myself for True Colors Theatre Company’s version of Black Nativity, I watched this child’s face break out in a wide—missing-tooth—grin as the music, dance, and dialogue began.

She watched the show with wonder, that kind of childhood wonder where everything is brand new.  After the show was over, while I chatted with some folks in the lobby, I watched and heard this child make a dozen comments and ask nearly as many questions:

“Mama, I sure did have a good time.”

“Mama, was the baby Jesus a real baby or was it a doll?”

“Mama what do actors do to make themselves look old?”  “

What does “nativity” mean?

How can the same person pretend to be two different people?

The questions and comments from this child kept coming.  Yet that is what the arts do—art always triggers the imagination.  So I often wonder why some legislators do not realize that part of the reason why schools have difficulty raising students’ Math and Science scores is partially due to the fact that there has been a systematic de-emphasis and de-funding of the Arts and the Humanities.

Being able to memorize and regurgitate information is not a clear example of scholastic aptitude; being able to creatively think one’s way through or out of a problem is an explicit illustration of genuine intelligence.  If you think Albert Einstein created his theory of relativity based only on what his science and math teachers taught him, you are dead wrong.

“I am enough of an artist to draw freely upon my imagination,” Einstein said.

If you think George Washington Carver did not understand the importance of creativity, think again.  Carver emphasized that, “Since new developments are the products of a creative mind, we must therefore stimulate and encourage that type of mind in every way possible.”  It is not likely Einstein or Carver would have become the geniuses that they were without a genuine respect for the arts.

That little girl I listened to asking questions in the lobby of the Southwest Arts Center would never have asked the kind of questions she asked her mother had her mother decided not to take her to see a play or a musical.

Black Nativity had stoked her young imagination.  When you stoke children’s imaginations, they ask intelligent questions; and when this kind of inquisitiveness is encouraged, they tend to grow up to be adults who ask intelligent questions.  When you have adults who know the right questions to ask, you tend to get a community that will demand and possibly get better public policy on everything from city services to health care to education.

So, do your community, yourself, and your children one favor.  Take yourself, your children or a child to see a play, a Jazz concert, a ballet, and/or an art exhibit.  Now there is no guarantee that you or any child that you expose to the arts will become the next Einstein or Carver, or even a great performance artist.  Yet, why not give them a shot at being any or all of the above.

Peace.

Copyright © 2012 by Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen is proud to support the good work of Clean Green Nation.  Visit the website to learn more about it: Gregory at Clean Green Nation!

Creative Commons License This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.  Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.