DEI: Flipping the Script With ARRAY

Posted on April 7, 2025 by Leslye Joy Allen (Ayọ)

I remember when master filmmaker Ava DuVernay started AFFRM which stood for African-American Film Festival Releasing Movement. Later she modified it and renamed it ARRAY which has gone on to release one masterpiece independent film after another by Black women, Women of Color, white Women filmmakers and other Black filmmakers.

Goddess knows that Ava’s television series Queen Sugar remains my all time favorite television series of all time, right up there with POSE. Her film ORIGIN completely shattered every boundary of how a film infused with activism and history could be made and change minds. If you haven’t seen that film, I really don’t consider you a member of the Left if you haven’t done so. If you watch it, you will not be the same. You will never think the same; and every assumption you ever had, you will rethink it.

(Ava DuVernay here with Dr. Suraj Yengde who portrayed himself in the film ORIGIN. The film received a 9-minute standing ovation at the Vienna Film Festival in 2023.)

There was one thing Ava did when Queen Sugar hit the airwaves. She decided that only women, and particularly Black and other women of color, would direct the show. She gave over 40 women directors their television directorial debuts because, she reasoned, if she did not do it they would never be given the chance.

The irony is that DuVernay’s production of Queen Sugar earned recognition as one of the most ethnically and racially diverse crews in television history. Ain’t that something?

So, here’s something to think about. Ava DuVernay has some real badass men around her. Yet, ARRAY was and still is staffed primarily with women; and this company has run like a top since its inception.

So, here’s something else to ponder. Since Felon 47 is hellbent on controlling women, eliminating the histories of Black people and other POC from the record, and granting companies the right to not give a good Got-damned whether any of us will be hired for any job, isn’t it just as plausible for us to not hire or phuck with any of them?

I mean, if I am a Black woman running a successful business and I don’t want to be bothered with sexism or racism, then I can simply not hire any man of any color and not hire any white person of any gender. And what I will be doing will be perfectly legal under the administration of this president. Marinate on that for a moment.

©️Leslye Joy Allen

I am an Independent Historian, Oral Historian and Dramaturge. Please consider supporting my work with a few bucks for Coffee and Eggs via my CashApp.

All blogs written by Leslye Joy Allen are protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to any blog authored by Leslye Joy Allen, or any total or partial excerpt of any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. Postings or blogs placed here by other writers should clearly reference those writers. All Rights Reserved.

For Henry G. Sanders

Posted on January 11, 2025 by Leslye Joy Allen (Ayọ)

by ©️Leslye Joy Allen

I know a lot of great actors and Henry G. Sanders is one of them. I have watched him perform for over 50 years from “The Killer of Sheep” to “Dr. Quinn Medicine Woman” to “Selma” and beyond. His most recent and notable role has been the character “Prosper Denton” on Ava DuVernay’s “QUEEN SUGAR.”

Yesterday I was relieved when Henry, who lives in Altadena, California, texted me to let me know that he and his family were okay, but “We lost the house.”

It hurt to think of this gracious man, at age 82, having to rebuild. And contrary to popular belief most actors are not rich. The stories about how Henry and his wife have taken in so many struggling young people are too numerous to mention in a single blog. His generosity with his time to me will never be forgotten.

One of his relatives has started a Go Fund Me campaign to help Henry and his family. Here’s the hyperlink: https://www.gofundme.com/f/help-my-family-rebuild-after-eaton-canyon-fire.

I hope you will give generously.

©️Leslye Joy Allen

Ava DuVernay asks for help for Henry G. Sanders and his family.

A Thought About Black Panther

Posted on February 22, 2018 by Leslye Joy Allen (Ayọ)

By Leslye Joy Allen

“Royal Purple” by © Leslye Joy Allen

This is not a review of the film Black Panther. This is a brief musing about what crossed my mind after I saw this film. First, Black Panther is unapologetically “Black.” I use “Black” here to indicate that while the film is set in the fictional African nation of Wakanda, it also includes Africans of a variety of ethnicities, African Americans and a genuine nod to the entire African Diaspora most of whom are descendants of former slaves in the West. I am a member of that African Diaspora. The film also gives a few cultural nods to the Ndebele, Yorùbá, Maasai, and Akan peoples on the African continent (thank you, actor-vocalist-friend Saycon Sengbloh for pointing this out first). The film gets the multi-facted roles of African women so very right. The film also has some serious messages unlike any messages you have ever heard in a Marvel Super Hero movie. Don’t worry, if you have not seen it yet, I’m not going to ruin it for you. All I can say is that it is an entertaining joy ride of a film that will make you think…really, really think. With that said, here’s what I thought about immediately after I saw Black Panther.

Black Panther has stirred up a genuine sense of pride in Black Americans that we don’t get to feel with this much enthusiasm too often. It has taken decades of hard work to undo some of the psychic and spiritual damage done to Africa’s descendants in the West who have endured brutal chattel slavery, Jim Crow, systematic racism and discrimination, police brutality, you-name-it. It has taken decades of hard work and scholarship to undo some of the psychic and spiritual damage done to Africa’s descendants in the West who, for centuries, were told that Africa had no real history, no real contributions to civilization when all of what these descendants were told is/was/remains patently false. However, it is dangerous to over-romanticize any history; to make any and every description of our African ancestors totally positive. Black Panther, in its own unique way through fiction, de-romanticizes history by showing us a multi-ethnic, multi-generational Wakanda with all the friction and righteous compromise and conflict such diversity can foster. You leave the movie theater proud, but fully aware that Africans (and we African descendants) have tremendous gifts and flaws not because we are or ever have been inferior or superior, but rather because we are human.

I remember a lecture given by the late African scholar, Dr. Ali Mazrui back in 1996 where he stated that to deny Africans the ability to be wrong was also the same as denying them their humanity. Dr. Mazrui was always controversial. He said the only African-American activist that he had any real respect for was Randall Robinson, the founder of Trans-Africa. When asked why he only dug Robinson, Dr. Mazrui said, “Robinson not only raises his voice when Whites do something wrong to Africans, Robinson speaks out when Africans are doing something to wrong to other Africans.” I’ve never forgotten that statement and what that statement truly means.

When you love your people, you praise them when they are right and you don’t make excuses for them when they are wrong. You work to correct them. You speak out against racism, colonialism, and the exploitation of your people no matter who the adversary is. That lecture by Dr. Mazrui, and so many lectures given by visiting and former professors drove home that I could not afford to care as much about how Africans and African-descended peoples looked to the rest of the world more than I cared about how well or how poorly they/we all were doing. If you love your people you don’t worry about what their image is and how it affects you as much as you worry about their well-being, period. Black Panther shows just how difficult that can be, but it also shows that it can be gloriously done…

Now, if you don’t exactly understand this post, it is probably because you have not seen Black Panther yet. It could also be because you know very little about the continent of Africa’s very complicated history. However, my points will be clearer once you’ve opened a few books and taken the ride to Wakanda. So, get to the movie theater. You won’t be disappointed. Wakanda Forever.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved.

#25May2017 #June20and21

Posted on May 22, 2017 by Leslye Joy Allen (Ayọ)

This is a short blog…because, well, finishing a dissertation is serious business. There are two dates that are important that I would like to highlight for you. The first date is May 25, 2017 which is African Liberation Day, but also the launch date of Africans Rising, a continental and global movement spearheaded by its launch director, South African native Kumi Naidoo. Naidoo daringly states that one of the first problems the continent has is a leadership that will not make room for the young; and young Africans are no longer simply willing to point their fingers at the harsh and lasting damage from past European colonization and exploitation, but also at African leaders who hold power too long and often. I invite you to visit this organization’s website. Read the magnificent Kilamanjaro Declaration and sign on to this movement of continental Africans and members of the vast African Diaspora. Join us on 25 May 2017 by wearing something red and turning off all of your electronics (lights, etcetera) for at least a few hours to acknowledge the millions of Africans across the continent who do not have electricity. Visit: Africans-Rising.org and read more about this beginning. You can also watch a video of one of the most brilliant minds on earth: the anti-apartheid activist, feminist and environmentalist Kumi Naidoo here. This is worth every minute:

The second dates for you to remember are June 20 & 21, 2017 which is the premier of season two of Queen Sugar. The Ava DuVernay-created show is a revelation. Never before has such an honest portrayal of a Black farming family been shown on television with their virtues and their flaws and their humanity in tact. So, I encourage any and everyone to watch the two-night premiere on the OWN TV network or app on June 20 & 21, 2017. You can watch a trailer for the second season right here.

Think. Stay Engaged. Àṣé.

Rituals, Theatre, and Transformative Goodness

Posted on February 6, 2017 by Leslye Joy Allen (Ayọ)

Adinkra symbol of transformation.

By Leslye Joy Allen

The first time I met theatre expert Paul Carter Harrison, he distinguished “theatre” from “drama” as theatre being the story that always contained some form of ritual and symbolism whereas drama simply told a story. It was a bit more complicated than that, but I still remember that discussion. It made me think of essays I read about how theatre began among us humans as rituals and performances designed to appease the gods or God. Theatre was birthed in belief, in belief in something higher and more potent than ourselves, and that we all had a responsibility to this entity or entities higher than ourselves. This thought has popped in my head off and on for the last two weeks…and today I think I discovered why this notion of ritual as theatre and theatre as ritual all designed to bring favor from the gods or God is so potent and timely…

Today I met a fiftyish White woman from Minnesota who told me that several cities in Minnesota solved their transportation problems by “building freeways through Black neighborhoods and business districts.” Then she said, “they destroyed those neighborhoods. There is a documentary about this but I can’t remember the name of it.” I then mentioned a former classmate who was writing his thesis about such a topic. She was genuinely angry about it and talked about how unethical it all was. “I’ll take Atlanta’s traffic to that kind of destruction any day of the week,” she said.

After she and I exchanged a few mutual comments about the late Minneapolis-born Prince, she asked me what was my discipline and I told her “History” and that my dissertation topic was about theatre. Then she mentioned the Penumbra Theatre in Saint Paul, Minnesota and our conversation was off to the races. I also had a conversation with a young man from South Africa that had moved here and lived on my side of town. “I love it, here!” he said. He and I had a conversation that ranged from the problems of the old South African government to recent politics to the status of women. He also mentioned that he had a hard time with sexism since everyone came from the body of a woman. I reiterated that I always meet talented, respectful young Black people every single day. So what does this have to do with theatre and rituals?

Here is something I would like you to think about, and it ties in with theatre as ritual, and the rituals found in theatre and everyday life. When one attends the theatre, one typically leaves with a different perspective. No one leaves a theatre the same way that they came in. Sitting in the dark of that theatre and watching performers suspend reality and portray characters other than themselves is in and of itself a ritual for performer and audience member alike. One is literally transformed by witnessing what is done on stage. One can get into the habit of going to the theatre, but a ritual is not a habit. A habit is something you do almost by reflex, almost involuntarily, and it may or may not have any particular benefit to you. You just do it because, well, you’re in the habit of doing it; and that might not be a bad thing, but a habit does not originate from the same source as a ritual.

A ritual is deliberately done; it follows a deliberate pattern in order to produce specific results. Rituals create order, or at least make us feel that there is some order to the universe and the world we inhabit even in the midst of chaos, which is why human beings created rituals in the first place; and also why human beings can become so alarmed when certain rituals are not followed to the letter.

Today I discovered my own ritual. Someone asked me how I end up having these stimulating conversations with people who are often complete strangers like the woman from Minnesota and the young man from South Africa. Well, maybe it is because I don’t really meet strangers. Yet, it is also due to my determination to not become a news junkie that feeds on bad news and controversy. And to avoid bad news and controversy these days, one must deliberately turn off the television and internet and smart phone, and look for the truth, or at least find some balance between the real truth and the truth that is often manufactured for us. So consider this…

The word “theatre” comes from a Greek word meaning “the seeing place.” The seeing place was where you went to witness performers deliver the truth and wisdom. Well, the truth is that, in spite of what you see in the media, there are so many nice, thoughtful people out there. Most of these people will never be on the news. You have to look for them where you are; and you often find what you deliberately look for. Make that a ritual. Àṣé.

Leslye Joy Allen

Social Commentary, History, Theatre, Jazz, and the Environment

Category Archives: actor

A Thought About Black Panther