No Ordinary Man

By Leslye Joy Allen

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

Left to Right: Actor & Cultural Architect Charles Reese, Historian Leslye Joy Allen, and Actor-Director-Drama Professor Keith Arthur Bolden (Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.) Left to Right: Actor & Cultural Architect Charles Reese, Historian Leslye Joy Allen, and Actor-Director-Drama Professor Keith Arthur Bolden (Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.)

When I learned that Mrs. Margarette Bolden passed on to the ancestors on Wednesday, October 26, 2016, I immediately thought of her son, my friend Keith Arthur Bolden.  I never met Keith Arthur’s Mama, but I knew her through him.  He spoke of her lovingly and often.  But then, that is Keith Arthur’s nature. (I call him by his first and middle name.)

An actor, director, Professor of Drama, and director of the amazing Spriggs Burroughs Ensemble at Spelman College that contains actors from all-female Spelman and all-male Morehouse College, I am highly familiar with Keith Arthur’s phenomenal work with young actors.  I had the good fortune to act as a Historical Consultant for him and this group; and the adventure was a lot of fun, and his asking me to do so was a supreme compliment.  But on Wednesday, October 26, 2016, Keith Arthur lost his Mama.  Yet…

In an act of unwavering devotion to his art and craft, he was up at 1:00 AM on October 27, 2016 for a late night/early morning rehearsal with his actors in the Spriggs Burroughs Ensemble.  One day after his amazing mother passed away from her third bout with cancer, Keith Arthur stated that his Mama would want him to keep working and perfecting his art.  This behavior might sound unreasonable to an ordinary man or woman, but Keith Arthur Bolden is not an ordinary man.

I have listened to him rave about how good his wife Tinashe Kajese is at acting.  “If you want to know how to get into a scene, you watch my wife,” he has said on so many occasions.  He could routinely brag about how beautiful his wife is (and she is a real beauty), but he praises her work all the time.  In that respect he is quite different from a lot of men.  Many men will praise a woman’s cooking and will talk about how pretty she is, or how supportive she is, but rarely do we women get praise for our professions unless the man has discovered some personal use of his own for our particular skills.  Even more rare is the man or husband who brags about his wife’s abilities in her chosen profession.  Keith Arthur Bolden is proud of his wife—as he should be, because Tinashe is a powerhouse of an actor.  He doesn’t mind telling everybody how proud he is of her as a professional.  In addition to that, he remains one of the most thoughtful men I have encountered…

When my cousin and theatre veteran Billie Allen passed to the ancestors in December of 2015, one of the first people to contact me was Keith Arthur.  When I had no money to attend the theatre, Keith Arthur made sure I saw Tinashe Kajese in the phenomenal play “Serial Blackface” about Atlanta’s late 70s-early 80s missing and murdered child cases; and actor-playwright Terry Burrell in her one-woman show “Ethel” about the life of the late Ethel Waters. (I have to add that Atlanta actor Margo Moorer is also another one of my theatre angels.  Margo came and picked me up and took me to the theatre to see Gabrielle Fulton’s “Uprising” and made me take some money.)  Keith Arthur adds even more love and light to the best in the theatre tradition.  He thought of me and got me tickets all while he managed and directed a college theatre group, while he taught classes, acted in a variety of television roles, while he had the regular duties of husband and father, and while he went back-and-forth to L. A. to check on his ailing mother.  I WILL NEVER FORGET HIS THOUGHTFULNESS.  So…

When I learned his mother passed away, I thought of the value of good parenting, the value of raising a boy to look for substance in a woman. Mrs. Margarette Bolden had to have been one hell of a woman and Keith Arthur’s dad was probably pretty smart for having married her…and now she has left the earthly plane to join the ancestors…

Keith Arthur would probably tell me that he has made some mistakes and that my compliments here are a bit over-the-top.  I would have to disagree.  Ordinary men rarely understand much about women, not always because women are that complicated, but often because ordinary men never really ask women any real questions, at least not any questions about what a woman wants to do for a living, particularly if what she wants to do professionally has nothing to do with the man asking the questions. Keith Arthur Bolden is not so self-absorbed and does not fit that description…

I suspect that his mother had a lot to do with his thoughtfulness and genuine respect for a woman’s ambitions and talents.  I have little doubt that his tenacity and belief that “the show must go on” (which explains his early A.M. rehearsal) not only comes from the theatre tradition, but also from his mother who battled cancer like a champion, always with a smile and positive attitude.  I looked at the photos Keith Arthur would post of her smiling, even though her health was declining.  So I thank Mrs. Margarette Bolden for her shining example and also because she raised a man who is not ordinary by any definition of the word.  One day at a time, Keith Arthur…Rest in Peace Mrs. Bolden.  Àṣé.

Copyright © 2016 by Leslye Joy Allen.  All Rights Reserved.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved.

 

 

On This September 15, 2016

By Leslye Joy Allen

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

Leslye Joy Allen, Copyright © 2016. All Rights Reserved.

Today is my play big brother Walter Dallas’ birthday.  A brilliant director, playwright and composer, I was so glad to talk with him this morning. Today it has also been reported that Sandra Bland’s family has reached a settlement in the wrongful death lawsuit they filed against Texas police officers (Read: Sandra Bland’s Family Reaches $1.9 Million Dollar Settlement).  I can only say that her family fought valiantly for changes to be made at the jail where Sandra Bland died. Her family might have gotten a bigger settlement if Black women’s lives mattered half as much as the lip service we often hear that says that we actually matter.  Talk is cheap.

Today is also the 53rd anniversary of Birmingham, Alabama’s 16th Street Baptist Church bombing that snuffed out the lives of four young black girls named Cynthia Morris (later called Cynthia Wesley), Carole Robertson, Denise McNair, and Addie Mae Collins. Addie Mae’s sister Sarah Collins Rudolph survived the blast, but lost an eye and her sister. Two black boys were killed the same day near the church in additional acts of racial violence; they were Johnny Robinson and Virgil Ware. So how does one celebrate the birthday of a wonderful director, playwright, composer and all-around great guy while remembering the deaths of our children, and of those who died needlessly in police custody and much too soon?

On the surface no visible correlation exists between any of these events. Yet, a birthday is often a milestone to look back at what one has accomplished and what one wants to accomplish in the years ahead. These deaths, however, are painful reminders of the work still ahead of us, a reminder to pause and appreciate those among the living for who they are and what they do because no day is promised to any of us.

It is for me also a reminder of all those butterflies, the white and yellow clouded sulfur butterflies, and the orange and black monarch butterflies, that have followed me for the last two weeks, in my yard, in the street, and in parking lots that remind me of renewal and transformation, and that those who live with us for a long time and those who leave us too soon will return again. Àṣé!”

Leslye Joy Allen, Copyright © 2016. All Rights Reserved.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved.

 

They Should Live Where You Live

by Leslye Joy Allen

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

“Self Portrait,” Copyright © Leslye Joy Allen. All Rights Reserved.

I am not going to rant about the deaths of unarmed Black men and women, and unarmed men and women of color killed by police or those who have unnecessarily died in police custody.  As someone who was once harassed by police, I need no convincing that this nation has a policing problem.  (And I’m too exhausted with the campaigns for President of the United States to make any commentary about that.)  Yet, as much as this nation has a problem about the often poor relationships between police and communities of color, I would add that it is dangerous to make or create a single national narrative about these relationships. We need several narratives and they need to be local.  Let me give you a scenario that paints one local picture about where I live.

On that rare occasion when I have called police, I typically got a quick response.  And I live in a 99.9% Black middle class Atlanta neighborhood.  Typically, the only time the police are called on the street where I live is when someone has a dog that barks late at night (this usually requires a phone call to Animal Control, as well), or when some kids are playing music too loud and late at night; but none of this happens with any real frequency.  Some homes are occupied by renters who often have to learn that some things are not tolerated in this subdivision.  Now, one of the key differences about my subdivision’s relationship to police is that there is a small group of neighbors, all of who are homeowners, who regularly speak with police about anything they see as out of the ordinary.  I also learned from these same neighbors to call the Non-Emergency Police Line and request that an officer come out to see you personally.  You do this when you want a small matter handled without getting someone arrested.  Let me give you an example.

A dog was barking continuously late at night.  I rarely saw the pet’s owner because she worked odd hours.  She was a renter, looked to be maybe twenty-something years old, but I did not know her, and I rarely saw her long enough to speak to her about the dog.  A neighbor had placed a note in her mailbox about the dog, but nothing happened.  I was awakened late at night and in the early morning to this barking dog for about two weeks.  Every night he would bark, I would go look out my windows to make sure there wasn’t some stranger or some intrusive animal lurking around the house.  I never saw anything.  I called Animal Control, first.

Animal Control said call the police because the owner of the dog was violating a Noise Ordinance by allowing the animal to stay outside and disturb the peace after 10:00 PM.  I called the Non-Emergency Police Line.  The officer that answered the phone asked if I had contacted Animal Control.  I told him that I had spoken with Animal Control, and then I asked him to send a police officer to my home so that I could speak with them.  Because it was not an emergency, he told me someone would come by in about two hours.  In roughly 45 minutes a police officer was pulling up in my driveway.  I walked outside and spoke to the officer, and told him about the dog.

“What do you want me to do?” he asked.  I said, “I want you to go over to her house and just tell her that she either needs to put the dog in the house at night or get the dog one of those collars that deters barking.  Let her know about the Noise Ordinance law because she might not know this. I don’t want anyone cited for anything.  I just need you to let her know that the dog is keeping people up late at night.” 

The police officer did exactly what I asked him to do.  He came back and told me he had spoken with the woman.  Since all backyards on my street are fenced in, it is quite typical for pets to remain safely outside in one’s backyard during the day or night.  I reasoned that because she worked odd hours, often at night, she probably never heard her dog creating a disturbance.  That same evening before she left for work, she put her dog inside her house so the pet would not wake up her neighbors.

Now, what I did to resolve this small problem here in Atlanta might not work somewhere else.  It might not even work in another section of Atlanta.  In a different town or neighborhood, I might have been harassed (or possibly, shot) because I dared complain about a barking dog; and the police might not have even bothered to come out to speak with me or with my neighbor about what the police considered a trivial matter.  In some scenarios, where you live matters almost as much as the color of your skin or the nature of the problem.  However, too often the narratives or plans of action, come from national leaders who do not have a clue about the relationships between police and citizens in any particular neighborhood or town.  Furthermore, what works in Atlanta might not work in New York City and then again it might work in New York City.  Yet, Atlanta is not New York City is not Ferguson is not Baltimore is not Chicago, and etcetera.

Many powerful public voices are speaking out against police brutality and the need for more meaningful dialogues between the police and people in the communities the police are supposed to serve.  They are right for doing so.  Yet, many of those national and/or regional voices do not live where you and I live.  In fact, many “so-called” local activists do not live where we live.  Every Black person I know, knows of at least one activist minister who only visits a particular neighborhood to preach on Sunday, while that same minister no longer lives in the neighborhood where the church is located, but rather lives in some distant suburb.  We all know at least one activist politician who is always speaking out about something that has gone terribly wrong in one of our communities.  The problem is that minister or politician often never sets foot in the neighborhood in question until there is a problem or until it is election time.  Their voices may be necessary, and much of what they have to say might be useful.  Yet, they should not be the only voices defining the narrative about how to address these problems.

If you want to find out more about the police where you live, you can and probably should stop by a nearby police precinct and introduce yourself.  You will find out rather quickly how cordial those police are to you in a few minutes.  It never hurts when a few police officers know you as a law-abiding citizen that tries to look out for your neighborhood.  Additionally, when there is a real problem in your neighborhood, you might get a much swifter response because of that relationship.

Yet, you should also carefully monitor and choose who should speak for you and your community.  Whoever it is ought to know the lay of the land, how the people who live there interact with each other and with law enforcement officials.  It ought to be someone that has a personal vested interest in where you live, not simply someone who shows up when a problem arises so that they can get some good press coverage.  It ought to be someone who lives where you live.

Copyright © 2016 by Leslye Joy Allen.  All Rights Reserved.

This blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this or any blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any blog by Leslye Joy Allen must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author. All Rights Reserved.

 

 

Saying Goodbye to Dr. Kuhn

By Leslye Joy Allen

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

I am writing this tribute now, because I have to mentally recalibrate, take a brief break over the holidays and get back to work on writing my dissertation. Dr. Kuhn would not want anything less than that.   Dr. Clifford Matthew Kuhn, Associate Professor of History at Georgia State University and the first Executive Director of the Oral History Association joined the ancestors the second week of November.  He was 63-years-old…he was also my Dissertation Advisor…

He was…there is that word: was.  You would think that as a historian I would be accustomed to the past tense.  Yet, referring to him as anything other than vibrantly and intellectually alive is difficult. Preparing for the Georgia State University Memorial for Dr. Clifford Matthew Kuhn on December 13, 2015 is harder than I ever could imagine.  I first met him when he was preparing the centennial of the 1906 Atlanta Race Riot back in early 2006…

Dr. Glenn T. Eskew introduced us because he recalled my telling him that my late maternal grandmother, born in 1886, was a 20-year-old student at then Clark Normal School (later Clark College, now Clark Atlanta University) when the campuses of Atlanta’s Historically Black Colleges became the refuge for so many of the Black victims of the Atlanta Race Riot.  Dr. Kuhn was delighted to find a graduate student such as myself that had a personal story that I could tell about this particularly painful moment in Atlanta’s history.  Dr. Clarissa Myrick Harris, who partnered with Dr. Kuhn, interviewed me while filmmaker Ms. Bailey Barash filmed it for posterity.  I was proud and humbled to contribute my grandmother’s story.

Nearly everything I know about Oral History, I learned from Dr. Kuhn: how to get people to talk about their lives; how to make sure they know that they are not obligated to tell their stories; how to make sure that I, the historian and interviewer, did not and will not ever exploit their memories; how to truly listen. I remember everything he taught me.

One of the last things he said to me was that he was so proud of a brief and recent assignment I had in the Georgia State University Library’s Digital Collections where I conducted four interviews for the Planning Atlanta Project. He recommended me for that position and I was glad that I did well and did not let him down…

As I prepare myself, as best I can, to attend Georgia State University’s Memorial Celebration for Dr. Kuhn, I fondly recall a conversation where we discovered that both of us loved Jazz.  Not long after that conversation, there were a few times when we were supposed to be doing something academic, but we drifted into a deep discussion about everyone from Duke Ellington to Nina Simone to Wayne Shorter to Ahmad Jamal.  Yet, that is natural for us historians.  WE have to be aware of everything, so we often look at and listen to everything.  Our conversations were often mixtures of him talking lovingly about his wife Kathie Klein and his two sons Josh and Gabe Klein-Kuhn and History and Jazz.   I will miss that…  

So, below is one for the late, great historian and scholar Dr. Clifford Matthew Kuhn: a video of the great Jazz pianist Ahmad Jamal playing the classic “Poinciana.”  When the percussionists in Jamal’s quartet go into full swing around the time 4:53, I found myself ferociously patting my foot to the infectious rhythms and crying at the same time. Àṣé.

 

 

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.

Mama’s “Drew Dinner”

by Leslye Joy Allen

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

Whenever I arrived home and was greeted by very particular smells coming from our kitchen, I knew Drew had swung by my Mama’s house and picked up what she knew was his favorite meal. On many occasions, she just called him and told him to come pick it up. My Mama, the late Syble Wilson Allen-Wms., named this meal “The Drew Dinner” back in the mid-1980s. She enjoyed the way he would often show up. “What are you cooking?,” he asked.  “Your favorite,” she said.      

So on Tuesday, 13 October 2015, on what would have been his 59th birthday, I am eating “his dinner” in his honor so designated by my Mama.  Gone now for twenty-two years, he was mercurial, occasionally difficult, yet sweet in ways that many people missed, artistically talented, and physically gorgeous.  He was devoted to me and routinely defended my honor.  And unlike so many other men who were enamored with their “idea” of me, he loved me exactly as I am.  He meant so much to me for so many reasons, and for so many other reasons that he and I promised we would never, ever share with anyone (and we/I have kept that promise).

I miss him and Mama. I still remember when the two of them occasionally debated about me.  Two dominant personalities, both of them wanted the final say-so on whatever I was doing or planning to do; and neither of them ever got the final say-so.  They would debate to a draw and then I would do what I wanted to do.  They would laugh and shrug their shoulders.  And even when the debates turned into heated arguments, those occasional dramas never interfered with one of my late Mama’s favorite past-times: cooking his favorite dinner.

I still remember times when I would hang up the phone with Mama and yell down the hallway, “Drew, Mama said…”  And before I could finish telling him what she had cooked he was halfway out the door saying, “Tell her I’m on my way.”  LOL!  Memories of them are occasionally mournful, occasionally celebratory, often both; but always funny, warm, and delicious.  Àṣé.


“The Drew Dinner” is a menu and a Trademark ™ of the Estate of Syble Wilson Allen-Wms. Registered Trademark ® pending. All Rights Reserved.

The Drew Dinner:

Meatloaf made from ground chicken and beef

Mashed Potatoes made from red potatoes

Collard Greens with Sautéed Okra 

Homemade Cornbread (baked in a cast-iron skillet)

Sliced homegrown Tomatoes & Spring Onions

Homemade Pickled Beets

Homemade Peach Cobbler…and

a bottle of Cabernet Sauvignon

 

Copyright © 2015 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.