Race and Reproductive Rights

by ©️Leslye Joy Allen

I remember a conversation with my late cousin Billie Allen, who was an actor, dancer and stage director. She was here in Atlanta in 2003 directing her close friend, actor Ruby Dee in “Saint Lucy’s Eyes,” a play written by Bridgette Wimberly.

The play was about a woman who performed back room abortions for young women who were in serious trouble. The protagonist named “Old Woman” performed abortions out of mercy and out of a sense that those pregnant women were having their futures derailed by unplanned pregnancies.

Billie mailed me a copy of the play before it came to Atlanta’s Alliance Theatre, and not long after it had a successful off-Broadway premiere at New York’s Women’s Project Theater in 2001. Turning me into her personal dramaturge again, she and I discussed the hot topic of abortion. Then she shared with me something I did not know.

She told me that back in the 1940s and 1950s, when a Hollywood actress became pregnant and had too many professional and contractual obligations to a studio, she typically went to Puerto Rico to have an abortion.

I soon learned that in 1937, the Puerto Rican legislature made abortion and contraception legal. It also made sterilization legal. That’s the kicker—sterilization. An island with a population of people, many of who have Indian, African, and Spanish ancestry were often seen as expendable.

Puerto Rico’s legislature voted with all of the eugenicist and racist taint that emanated from the United States’ highly racist sterilization programs that were completely in line with the eugenics (racial cleansing) going on in Nazi Germany.

I mentioned to Billie that I had seen a short documentary called “La Operación,” by Ana María García back in the early 1980s. It was a documentary about how people involved with “population control” arrived in Puerto Rico in the 1950s and 1960s and sterilized about a third of the island’s women who were of childbearing age.

While there were certainly Puerto Rican women who no longer wanted to have more children, many women were sterilized without knowing exactly what was being done to them.

Puerto Rico was the location of where the first large scale trials of birth control pills took place before “the pill” debuted in 1960 in the United States. Various pills were first tested on a tiny group of women in Boston. Yet, the largest group of clinical guinea pigs were Puerto Rican women; other women of color in the Western hemisphere soon followed.

In 1933 Margaret Sanger, long heralded as a leader in the birth control movement, wrote in Birth Control Review that “Eugenic sterilization is an urgent need …We must prevent multiplication of this bad stock.” People of color were the bad stock.

In 1939 in a letter to Dr. Clarence Gamble, one of the architects of the United States’ eugenics movement (and heir to the Proctor & Gamble fortune), Sanger wrote that they should use Black male ministers to appeal to Black women to get them to agree to be sterilized. She sought to use Black women’s typical deference to Black clergy to accomplish her mission.

By 1955 biologist Gregory Pincus visited Puerto Rico and found it the best location to test birth control pills. After all, the island had no laws preventing contraception. Pincus and his partner John Rock, a gynecologist, promoted their work as poverty-prevention by making it possible for poor Puerto Rican women to have fewer babies.

And here we cisgender women are right now in 2025. We all worry about losing the right to make decisions about our own bodies; and we should. Yet, early birth control and abortion initiatives were never about women having the right to make their own reproductive choices.

The primary objective was to slow or stop the biological reproduction of any woman who did not belong to an accepted class or status of women classifiable as “white.”

Without fully understanding the racist origins of the state’s reproductive control over women, you will miss its original intent. Reproductive procedures, no matter how necessary they are, remain a political football; and Puerto Rican women, and other women of color were its first sacrifices.

©️Leslye Joy Allen

I am an Independent Historian, Oral Historian and Dramaturge. Please consider supporting my work with a few bucks via my CashApp.

My copy of the script of “Saint Lucy’s Eyes,” and one of several promotional posters for “La Operación.”

All blogs written by Leslye Joy Allen are protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to any blog authored by Leslye Joy Allen, or any total or partial excerpt of any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings or blogs placed here by other writers should clearly reference those writers.  All Rights Reserved.

I AM…

 

(for Billie, who insisted that I boldly say, “I AM,” and for Nevaina (nih-von-yah)—one of many actors who were once under Billie’s direction—who reminded me to say it even louder)

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen.  All Rights Reserved.

“Self Portrait” by Copyright © 2015 Leslye Joy Allen. All Rights Reserved.

I am Thomas and Syble’s daughter.

I am the granddaughter of Lorena and George and Minnie and Will.

I am a historian.

I am an intellectual.

I am a dramaturge and patron of theatre and the arts.

I am a Jazz fan.

I am a Johnny Mathis fanatic.

I am eloquent.

I am also a great procrastinator.

I am one who is often impatient.

I am one who does not like braggarts or pretenders.

I am a good and loyal friend.

I am also one who, some times, does not listen.

I am a woman who will drop you like a bad habit if you lack empathy or fidelity.

I am an environmentalist.

I am a lover of animals and nature.

I am a lover of children.

I am a Black Nationalist because it makes sense to take care of your home and your people first.

I am a woman that does not deal easily with shallow people.

I am a woman that prefers simplicity.

I am a woman who is fond of the exotic.

I am a woman who has learned how to say, “No” the hard way.

I am a woman who does not like playing small.

I am a woman who never discounts what other people have to go through to do whatever it is that they need or have to do…which is why I am deeply offended when other people discount what I go through.

I am a woman that dislikes men and women who try to prove their worth with things rather than demonstrate who they are by what they believe in and what they put into practice.

I am a woman who would prefer the company of a poet over that of a stockbroker or the company of a musician over that of an accountant or the company of a college professor over that of a CEO of a Fortune 500 company…

I am my mother and father’s daughter.

— Leslye Joy Allen 

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

This Blog was written by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly and visibly stated as the author. All Rights Reserved.