Category Archives: Latinos

Normalizing Evil

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by ©️Leslye Joy Allen

In the past week or two there have been doctors saying how healthy Felon 47 is, along with Fund Managers openly wondering if he is insane. I have another hypothesis.

I don’t really think Felon 47 is insane, I think he is evil and crazy (there is a difference). I still remember when the late Dr. Frances Cress Welsing wrote that we have never scientifically studied “Evil.” She noted that at the Nuremberg Trials of Nazis where they were tried for “Crimes Against Humanity,” where they exterminated millions of Jews, Gypsies, Afro-Germans, LGBTQIA, and the Disabled, those Nazis were ruled to be perfectly sane by the world’s leading psychologists.

Now, I don’t want to make light of anyone’s mental health or this nation’s severe mental health crisis. Yet, every time some man does something horrible, particularly if he’s a white man, people speculate about his mental health instead of calling him the evil son-of-a-bitch that he is. I feel the same way about these school shooters who are overwhelmingly white and male who try to kill everybody they can, all because they can’t get a girlfriend.

Felon 47 is trying his best to get rid of every brown skinned person who migrated to the USA without giving any of them due process as he shreds all the basic tenets of our Constitution. He’s sending a majority of people who are not criminals off to other countries while his sycophants explain these actions as a part of keeping America safe. Short of putting them all into ovens to get rid of them the way Nazis would, he has ordered them all to an uncertain fate somewhere else in the world.

Everything Felon 47 is doing to immigrants and legal citizens, who happen to not be white, is going to make this nation a hundred times less safe. Go piss off the world and you will find out that the world is not majority white; it never has been. 

People who voted for Felon 47 are also crazy and evil too—and dumb.  Did this previous italicized sentence upset you a bit? Did it sound like I was unfairly vilifying an entire segment of the US population without giving them an opportunity to explain their choices or even redeem themselves? Well, I don’t give a damn because that is exactly what Felon 47 and his supporters are doing to immigrants, women, Black folks, Latinos, LGBTQIA, and the Disabled. 

Felon 47 supporters voted for this; and even if some of them can prove they didn’t think Felon 47 would do all of this harm, no self-respecting Black or Brown person with half a brain is going to try to weed out who might be on their side from those who would kill or harm us. We have never had that kind of time to deal with anyone or anything that normalizes evil.

©️Leslye Joy Allen

I am an Independent Historian, Oral Historian and Dramaturge. Please consider supporting my work with a few bucks for Coffee and Eggs via my CashApp.

All blogs written by Leslye Joy Allen are protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to any blog authored by Leslye Joy Allen, or any total or partial excerpt of any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings or blogs placed here by other writers should clearly reference those writers.  All Rights Reserved.

Race and Reproductive Rights

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by ©️Leslye Joy Allen

I remember a conversation with my late cousin Billie Allen, who was an actor, dancer and stage director. She was here in Atlanta in 2003 directing her close friend, actor Ruby Dee in “Saint Lucy’s Eyes,” a play written by Bridgette Wimberly.

The play was about a woman who performed back room abortions for young women who were in serious trouble. The protagonist named “Old Woman” performed abortions out of mercy and out of a sense that those pregnant women were having their futures derailed by unplanned pregnancies.

Billie mailed me a copy of the play before it came to Atlanta’s Alliance Theatre, and not long after it had a successful off-Broadway premiere at New York’s Women’s Project Theater in 2001. Turning me into her personal dramaturge again, she and I discussed the hot topic of abortion. Then she shared with me something I did not know.

She told me that back in the 1940s and 1950s, when a Hollywood actress became pregnant and had too many professional and contractual obligations to a studio, she typically went to Puerto Rico to have an abortion.

I soon learned that in 1937, the Puerto Rican legislature made abortion and contraception legal. It also made sterilization legal. That’s the kicker—sterilization. An island with a population of people, many of who have Indian, African, and Spanish ancestry were often seen as expendable.

Puerto Rico’s legislature voted with all of the eugenicist and racist taint that emanated from the United States’ highly racist sterilization programs that were completely in line with the eugenics (racial cleansing) going on in Nazi Germany.

I mentioned to Billie that I had seen a short documentary called “La Operación,” by Ana María García back in the early 1980s. It was a documentary about how people involved with “population control” arrived in Puerto Rico in the 1950s and 1960s and sterilized about a third of the island’s women who were of childbearing age.

While there were certainly Puerto Rican women who no longer wanted to have more children, many women were sterilized without knowing exactly what was being done to them.

Puerto Rico was the location of where the first large scale trials of birth control pills took place before “the pill” debuted in 1960 in the United States. Various pills were first tested on a tiny group of women in Boston. Yet, the largest group of clinical guinea pigs were Puerto Rican women; other women of color in the Western hemisphere soon followed.

In 1933 Margaret Sanger, long heralded as a leader in the birth control movement, wrote in Birth Control Review that “Eugenic sterilization is an urgent need …We must prevent multiplication of this bad stock.” People of color were the bad stock.

In 1939 in a letter to Dr. Clarence Gamble, one of the architects of the United States’ eugenics movement (and heir to the Proctor & Gamble fortune), Sanger wrote that they should use Black male ministers to appeal to Black women to get them to agree to be sterilized. She sought to use Black women’s typical deference to Black clergy to accomplish her mission.

By 1955 biologist Gregory Pincus visited Puerto Rico and found it the best location to test birth control pills. After all, the island had no laws preventing contraception. Pincus and his partner John Rock, a gynecologist, promoted their work as poverty-prevention by making it possible for poor Puerto Rican women to have fewer babies.

And here we cisgender women are right now in 2025. We all worry about losing the right to make decisions about our own bodies; and we should. Yet, early birth control and abortion initiatives were never about women having the right to make their own reproductive choices.

The primary objective was to slow or stop the biological reproduction of any woman who did not belong to an accepted class or status of women classifiable as “white.”

Without fully understanding the racist origins of the state’s reproductive control over women, you will miss its original intent. Reproductive procedures, no matter how necessary they are, remain a political football; and Puerto Rican women, and other women of color were its first sacrifices.

©️Leslye Joy Allen

I am an Independent Historian, Oral Historian and Dramaturge. Please consider supporting my work with a few bucks via my CashApp.

My copy of the script of “Saint Lucy’s Eyes,” and one of several promotional posters for “La Operación.”

All blogs written by Leslye Joy Allen are protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to any blog authored by Leslye Joy Allen, or any total or partial excerpt of any blog authored by Leslye Joy Allen must contain a direct reference to this hyperlink: https://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings or blogs placed here by other writers should clearly reference those writers.  All Rights Reserved.

Black and Latino Playwrights Conference…

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A quick conversation between Artistic Director and Actor Eugene Lee and Leslye Joy Allen…

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

Joy:  Hello Eugene.  Tell me how and why you became an actor; and when did you start writing plays?

Eugene:  I chose Theatre and Political Science as my majors in college and began my studies of the craft of acting there.  I started writing plays while in New York in between gigs.

Joy:  Who trained you as an actor, writer, etc.?  Who among your teachers remains the most important and influential to you and why?

Eugene:  My professors at Southwest Texas State.  I’ve studied in professional classes and workshops on both coasts as well.  I’ve learned from a broad spectrum of theatre artists along the way and could never lessen anyone’s impact or contribution to my smorgasbord education.

Joy:  How did you become involved in the Black and Latino Playwrights Conference?  Why is this conference important?

Eugene:  I was approached by my alma mater about taking the helm of this phenomenon.  It’s sort of patterned after the Eugene O’Neill playwrights conference at Yale University for development of new plays.  This conference fills a void in that it provides some much needed resources to help writers find their play and their voice as a writer.  The mission statement for the conference is “To study the Craft.  To nurture the Writer.  To celebrate the work.” Simple.  There is a need to nourish our storytellers, else we end up with more revisionist history.  WE have to tell our stories and to do so we much develop the skill set.  The collaborative aspect of finding a play involves bringing together resources like director, actor, dramaturgical support, stage management, etc.

Joy:  What has changed about writing plays from when you began writing until today?

Eugene:  I don’t know.  All the basic fundamental elements of playwriting are pretty much the same, though some writers find creative ways to tweak and turn those to fit the needs of their storytelling and style etc.

Joy:  What advice would you give to young playwrights of color?

Eugene:  Learn the craft.  Dare to care.  Write.  That’s the secret to writing.  Write.  Writers write.  Great stories in your head don’t have export until they’re on a page. Writers read probably more than they write. These are short responses.  I’m in the throes of tech rehearsals here in Boston.  I can probably elaborate more after my plate empties a bit. Thank you Joy, for all you do.

Joy:  Thanks Eu-genius!  Looking forward to a more extensive conversation, once you have a bit more time, my friend.

 

Copyright © 2016 by Leslye Joy Allen. All Rights Reserved.

This interview was conducted by Leslye Joy Allen and is protected by U. S. Copyright Law and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.   Any partial or total reference to this or any interview or blog authored by Leslye Joy Allen, or any total or partial excerpt of this or any interview or blog by Leslye Joy Allen must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.  Postings, interviews, or blogs placed here by other writers should clearly reference those writers. All Rights Reserved.