October | 2013 | Leslye Joy Allen

By Leslye Joy Allen Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

After listening to nearly 100 robocalls over the past three weeks emanating from an assortment of imbeciles who have no better sense than to believe that they are fit to run for public office in my hometown of Atlanta, I had my own “Have-A-Laugh-Friday” on one of my social media pages. Just one of the things I do occasionally to break the tension. Now, this does not mean that I will be posting or blogging something funny every Friday, or that I or anyone else needs to wait for Friday to laugh. And this is also not done to harm the good reputations of the many wonderful members of the City Council who love Atlanta and do really great work—people like Ceasar Mitchell and Keisha Lance Bottoms who are accessible the whole year, have a great staff that responds to you (and not just at election time.)

Now, this is not a political endorsement. I do not publicly endorse political candidates. My mention of those two people is my personal observation of them over several years. Vote for the candidate that best represents your interests, but I am rambling. Back to the matter at hand—these insufferable robocalls.

For the past three weeks every time I got ready to raise my fork to my mouth, the phone rang. Typically, I did not recognize the number on the Caller ID, so I let it go to voicemail. Then before I could swallow my food, I would see the light blinking on my telephone that indicated that I had a message. I would ignore these blinking lights save for the fact that it might be important. I also had little choice but to turn off the ringers on all of my telephones, that is if I planned to eat or get any work done. Now, when I listened to these messages, they all tended to sound something like this:

“Hello, I am ______________________, and I am a father with two children. I am running for the school board because our children are our future.”

“Hello, I am ________________________, and I am supporting _____________________ , for Atlanta City Council. Atlanta can do better than the current….”

You are damn right Atlanta can do better which is why I have to seriously consider whether or not I am voting for you or for any candidate that believes that a barrage of phone calls is going to earn any potential voter’s trust, to say nothing of their vote. Exactly who told these candidates that a torrent of pre-recorded robocalls that always occur around meals or when I am writing or doing research would send me or anyone else to the polls?

I do not think these political candidates are that out of touch—I do think some of them are dumb, dumb as cat s**t, dumb as a stump, dumb as a box of rocks, and as vacant as a white wall. Some of them probably qualify as doofus—Go look up “doofus.” It is now in the dictionary, and I am sure at least a few of these candidates have helped the authorities at Merriam-Webster refine its definition.

Now I could not ever imagine not voting. Too many of my people fought and died for me to have that privilege. I have to say that when I do go to vote on November 5, I really wish the voting machine had an option to write-in candidates whose names ARE NOT on the ballot. If that option was available, I might just write in the name “Daffy Duck,” or “Porky Pig,” for at least one of the offices. Hey, I might as well vote for someone that I could actually have for dinner—literally!

Now I know this blog will be obsolete very soon because November 5, 2013 is almost upon us. Very soon, a few of these candidates will hold public office in Atlanta. They will create laws about zoning and be responsible for formulating policies that determine the education of your children, our children. God help us all!

So here is my suggestion. I know a few people who make it a habit to call their elected officials on a regular basis, but too many of us do not make that effort. We complain in every day conversations about something that needs fixing in city government, but soon we move on to another topic. Yet, this is an opportunity to give them tit-for-tat. Call these representatives when there is a street sign pointing the wrong way. Call them to complain about a pothole in the street. Hell, call them if you have got a hangnail and you just want to complain about how it stings every time you put your hand in dishwater. They have no qualms about calling you with pre-recorded asinine messages that repeat the same horse manure; and worse, they do not seem to know or care how annoying it is. Return the favor and maybe some of them will do the jobs our tax money pays them to do!

Peace!

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

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By Leslye Joy Allen Historian, Educator, Theatre and Jazz Advocate & Consultant, Ph.D. Candidate

One of the best things about research is that no matter how long you do it, you always find something new. As a historian, and particularly one that focuses on theatre, I am always amazed at the rich theatrical heritage of my own native city Atlanta, Georgia and the tremendous role our Historically Black Colleges have played in nurturing that heritage. There are certainly more facts about this facet of the city than appear on this list, but below are my first five favorite facts:

1. The founder of Atlanta Life Insurance Company, the former slave Alonzo Herndon, had a wife that taught Drama and Speech to one of the first academic theatre groups at a historically Black college in the United States. An amazing thespian, Adrienne Elizabeth McNeill Herndon enjoyed a stellar reputation as an interpreter of Shakespeare. Married to Alonzo Herndon, she devoted much of her expertise to the students of *Atlanta University (then an undergraduate institution) in the late 19^th century, helping to develop and found the Atlanta University Players (not to be confused with the Atlanta University Summer Theatre) and coaching it into an amazing group of actors that made its debut in 1895. However, Mrs. Herndon was a very fair complexioned woman. African American scholar Dr. W. E. B. DuBois had the best and most humorous story about her. Because of her acting abilities (and the fact that she was not always easily identifiable as Black), Thomas Dixon, a white racist playwright offered Mrs. Herndon a part in his play “The Klansman.” Writing in the NAACP’s Crisis magazine in 1927, W. E. B. DuBois noted that Dixon offered her a role in his play in “blissful ignorance of” her race.

2. The Atlanta University Summer Theatre gave its first performance in the summer of 1934 and ran continually until 1977 making it the longest running Summer Stock Theatre in the United States. The Atlanta University Summer Theatre was made up of student and faculty actors & professors, visiting professors (and some local Atlanta actors) from *Atlanta University, Spelman College (all female), Morehouse College (all male), and later performers from *Clark College, and Morris Brown College. The Atlanta University Summer Theatre actors and directors performed five full-length plays over a six-week period, during June and July of each summer from 1934 through 1941 alone. The five-play, six week schedule was not completely abandoned until 1970 when the summer schedule was trimmed to three plays. (*Founded in 1865 Atlanta University was an undergraduate institution as was *Clark College, founded in 1869. During the school year 1929-1930, Atlanta University exclusively became a graduate school. In 1988, however, Atlanta University and Clark College merged and became Clark Atlanta University.)

3. One of the great scientific minds of our time was Morehouse College alumnus Dr. Samuel Nabrit, who earned a Ph.D. in Biology from Brown University in 1932. An accomplished Marine Biologist*, he taught at both Morehouse College and Atlanta University. In 1956, President Eisenhower appointed him to the National Board of the National Science Foundation and he served as Special Ambassador to Niger under President John F. Kennedy. (A biography and obituary on Dr. Samuel Nabrit in the New York Times.) Less well known is that Nabrit was a regular actor performing with the Atlanta University Summer Theatre when he taught at Morehouse College and Atlanta University during the 1930s. (Sidebar: *Marine Biology was the original academic major of actor Samuel L. Jackson, when he was a student at Morehouse College.)

4. A few weeks before her nineteenth birthday, Black Theatre legend (and then Howard University student) Shauneille Perry spent her summer in Atlanta and appeared as the character “Anias” in Alexander Dumas’ “Camille” during the 15^th season (1948) of the Atlanta University Summer Theatre, directed by Owen Dodson. Shauneille Perry is one of the first Black women to direct an Off-Broadway play and has a long list of credits for both the stage and the screen. The United States Congress honored Perry in 2011 for her lengthy and prolific career as an actor, playwright and screenwriter.

5. The amazing and rather colorful director-actor-lighting and technical designer Dr. John McLinn Ross, both acted in plays and directed for the Atlanta University Summer Theatre during the 1930s. Like his colleagues who managed and directed the Atlanta University Summer Theatre (the principle director during the 1930s was Anne M. Cooke, a Spelman professor, along with Owen Dodson), he studied at Yale University’s School of Drama. Yet, Ross has the distinction of being the first Black person to receive the Master of Fine Arts degree in Acting, Directing, and Technical Directing from the Yale School of Drama in 1935, only four years after Yale graduated the first MFA graduates in Drama. Atlanta-based photographer & cultural chronicler Susan Ross is the great niece of Dr. John McLinn Ross.

Peace…To be continued…

Leslye Joy Allen is a perpetual and proud supporter of the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

Leslye Joy Allen

Social Commentary, History, Theatre, Jazz, and the Environment

Monthly Archives: October 2013

My First Five Favorite Facts about Early Black Atlanta Theatre