Race and Reproductive Rights

by ©️Leslye Joy Allen

I remember a conversation with my late cousin Billie Allen, who was an actor, dancer and stage director. She was here in Atlanta in 2003 directing her close friend, actor Ruby Dee in “Saint Lucy’s Eyes,” a play written by Bridgette Wimberly.

The play was about a woman who performed back room abortions for young women who were in serious trouble. The protagonist named “Old Woman” performed abortions out of mercy and out of a sense that those pregnant women were having their futures derailed by unplanned pregnancies.

Billie mailed me a copy of the play before it came to Atlanta’s Alliance Theatre, and not long after it had a successful off-Broadway premiere at New York’s Women’s Project Theater in 2001. Turning me into her personal dramaturge again, she and I discussed the hot topic of abortion. Then she shared with me something I did not know.

She told me that back in the 1940s and 1950s, when a Hollywood actress became pregnant and had too many professional and contractual obligations to a studio, she typically went to Puerto Rico to have an abortion.

I soon learned that in 1937, the Puerto Rican legislature made abortion and contraception legal. It also made sterilization legal. That’s the kicker—sterilization. An island with a population of people, many of who have Indian, African, and Spanish ancestry were often seen as expendable.

Puerto Rico’s legislature voted with all of the eugenicist and racist taint that emanated from the United States’ highly racist sterilization programs that were completely in line with the eugenics (racial cleansing) going on in Nazi Germany.

I mentioned to Billie that I had seen a short documentary called “La Operación,” by Ana María García back in the early 1980s. It was a documentary about how people involved with “population control” arrived in Puerto Rico in the 1950s and 1960s and sterilized about a third of the island’s women who were of childbearing age.

While there were certainly Puerto Rican women who no longer wanted to have more children, many women were sterilized without knowing exactly what was being done to them.

Puerto Rico was the location of where the first large scale trials of birth control pills took place before “the pill” debuted in 1960 in the United States. Various pills were first tested on a tiny group of women in Boston. Yet, the largest group of clinical guinea pigs were Puerto Rican women; other women of color in the Western hemisphere soon followed.

In 1933 Margaret Sanger, long heralded as a leader in the birth control movement, wrote in Birth Control Review that “Eugenic sterilization is an urgent need …We must prevent multiplication of this bad stock.” People of color were the bad stock.

In 1939 in a letter to Dr. Clarence Gamble, one of the architects of the United States’ eugenics movement (and heir to the Proctor & Gamble fortune), Sanger wrote that they should use Black male ministers to appeal to Black women to get them to agree to be sterilized. She sought to use Black women’s typical deference to Black clergy to accomplish her mission.

By 1955 biologist Gregory Pincus visited Puerto Rico and found it the best location to test birth control pills. After all, the island had no laws preventing contraception. Pincus and his partner John Rock, a gynecologist, promoted their work as poverty-prevention by making it possible for poor Puerto Rican women to have fewer babies.

And here we cisgender women are right now in 2025. We all worry about losing the right to make decisions about our own bodies; and we should. Yet, early birth control and abortion initiatives were never about women having the right to make their own reproductive choices.

The primary objective was to slow or stop the biological reproduction of any woman who did not belong to an accepted class or status of women classifiable as “white.”

Without fully understanding the racist origins of the state’s reproductive control over women, you will miss its original intent. Reproductive procedures, no matter how necessary they are, remain a political football; and Puerto Rican women, and other women of color were its first sacrifices.

©️Leslye Joy Allen

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My copy of the script of “Saint Lucy’s Eyes,” and one of several promotional posters for “La Operación.”

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