Mama’s Garden

Posted on March 13, 2013 by Leslye "JOY" Allen

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate, Doctoral Student

Cherry Tomatoes Plant (available from: Public-Domain-Image.com)

“If you plant it in the earth, give it just enough sunlight, just enough water, and just enough nurturing, it will yield something.” – Syble Allen Williams (1921 -2013)

Now, when I think of teaching, I think about my Mama’s gardens and the first time I read the quote by author Gail Godwin who said that, “Good teaching is one-fourth preparation and three-fourths pure theatre.” A while back, I did not exactly understand the connection between teaching and theatre or any connection to my Mama’s conceptualization of gardening. After all, was it not possible to be a gardener or agriculturalist without being an artist? Even further, when I thought of theatre or any performance art, I thought and continue to think of people trained to act, sing, dance (or all of the above), and who are on stage for the sole purpose of entertaining and enlightening a receptive audience. The idea that a teacher and students were engaged in any kind of performance art escaped me until I stood in front of a classroom and gave a lecture without reading from any notes. My Mama, Syble Allen Williams, understood the performance element in teaching the first time she set foot in a classroom to teach. Only after she died, however, did I begin to understand some other things about the “pure theatre” or the creativity of teaching that was not readily apparent to me when she was alive.

I remember how she would begin to count to ten in order to get her kindergarteners to take their seats. “One…Two…Three…” she would say slowly and deliberately. The objective was to have all of her students seated BEFORE she reached the number ten. They would scramble to their chairs, each one determined not to be the last child to make it to his or her seat. Then there were Mama’s famous gold stars that she posted next to the names of those kids who ate all of their lunch—they were the fabulous members of the “Clean Plate Club.” Many children decided to sample a vegetable that they really did not want to eat in order to earn that gold star. Yet, she was at her most creative with her classroom gardens and her trips to the farm.

After Mama’s funeral service, our cousin James—who served as one of her pallbearers—told me that before her funeral began, four of her pallbearers were discussing their trips to farms and the gardens they helped to plant and tend when they were mere kindergarteners in her class. Four of Mama’s pallbearers were her former students. I remember when she made the switch from teaching third grade to kindergarten. I also recall her comments about children who grew up in the city. While she loved city life, she noted that children in cities rarely got much, if any, exposure to farm life.

Mama was born on a working farm in a tiny Georgia hamlet about forty minutes away by car from Atlanta. She lived there until she was about nine years old. Around her ninth birthday, her family migrated to Atlanta, as did so many Black rural families during and after the Great Depression. The beauty is that Mama’s appreciation for her agricultural roots ultimately became a wonderful lesson for her students.

Back in the 1970s when she started teaching kindergarten, she told me one day that too many of her students really did not know anything about where their food came from or the teamwork required to run a farm. Eventually she located a nice man—whose name escapes me now—who had a small working farm in McDonough, Georgia complete with crops, chickens, pigs, and cows. I only remember him as a middle aged, brown-skinned man who seemed tickled to death that the work he did as a farmer had some intrinsic value to Mama and her young students.

Every year she taught kindergarten she included a trip to that farm in McDonough, Georgia so that “her children” could witness the interaction of farmer and crop and cows and chickens. The cows’ manure fertilized the soil that yielded the crops. It was all organic and interactive. Every year, she would have her five-year-olds plant a garden in their classroom. She would gleefully remark how they would become mesmerized when they would see something that they had planted in the soil begin to grow. “Their eyes just light up at the first sight of the smallest bud,” she would say. For me, the strongest memory was her garden at our house and her household plants.

Each year she grew tomatoes, cabbage, collards, and squash on a strip of land in our backyard. I also recall one year she grew the hottest jalapeño peppers ever grown in the history of humankind—I remember it well; I ate one of those peppers and needed a couple of pitchers of ice water to cool the heat. Then there was her endless sea of green plants that lined our porch and windowsills. She often noted that the tomatoes might not grow as big as you wished, but if you nurtured those seeds, you would still get tomatoes. This was her lesson to her kindergarteners and to me: you always get something back if you plant something and nurture it.

Mama’s gardens and farming adventures were lessons in sheer creativity. In these activities were a science lesson, another lesson that taught respect for animals’ contributions to our welfare and an appreciation for our natural environment, a lesson in how any one of us who had patience could nurture a plant from a seed or seedling to full bloom. Even further, when I think of how many people never want to revisit their childhoods, I am comforted. Mama found beauty, resilience, and lifelong lessons in her own childhood, a childhood that she spent helping her parents and grandparents tend to plants and animals on the old family farm. Her students got a chance to share in a part of her upbringing.

On a nearly cloudless, sunny day in February of 2013, Mama had six pallbearers: one was a dear cousin, another was a family friend, and four were her former kindergarteners. These six dignified, hardworking, respectable, responsible, and well-educated Black men—all now over the age of forty—donned white gloves, and hoisted Mama’s coffin and took her to her final place of rest in the soil—soil she respected. Proudly, I watched them, as I am sure she did. And then I thought, “If you plant it in the earth, give it just enough sunlight, just enough water, and just enough nurturing, it will yield something.”

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

This Blog by Leslye Joy Allen is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Leslye Joy Allen clearly stated as the author.

“Syble’s Poem” by Charles Reese (guest blog)

Posted on February 15, 2013 by Leslye "JOY" Allen

My friend Charles Reese wrote this poem in honor of my late mother Syble Allen Williams (March 1, 1921 – February 9, 2013). Thanks Charles for this rare gift; it makes her passing a little bit easier to bear. — Leslye Joy Allen

Syble Allen Williams in 2007 at age 86.
(Copyright © 2007-2013 by Leslye Joy Allen)

Syble’s Poem

by Charles Reese

Today feels like a poem for Syble

Syble’s poem is moving

Syble’s poem is taking action

Syble’s poem is moving toward something unknown to man or woman

Syble’s poem is moving beyond the limits of state apparatuses, struggling to control freedom outside its natural formation

Where poems are her songs

Holding us up

Keeping us together

Walking in the Spirit

Shouting

Hallelujah

We are moved

We are changed

Because today feels like a poem for our newest Ancestor…

Queen Syble Allen Williams.

Welcome to the fold.

And so it is.

Ashé. Amen.

(Charles Reese is an Audelco Award-nominated Actor, Writer, Curator & Founder of The James Baldwin Project; and original actor & editor of the late Howard B. Simon’s Stage Play James Baldwin: A Soul on Fire, published by Glover Lane Press .)

Copyright © 2013 by Charles Reese. All Rights Reserved. No portion of this poem may be reprinted without permission from the author.

This Guest Blog by Charles Reese featured by Leslye Joy Allen is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Any partial or total reference to this blog, or any total or partial excerpt of this blog must contain a direct reference to this hyperlink: http://leslyejoyallen.com with Charles Reese clearly stated as the author and Leslye Joy Allen clearly stated as the owner of this blog.

Leslye Joy Allen and http://leslyejoyallen.com is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

9+ Goals for Black Folks for the Next Four Years and Beyond

Posted on November 16, 2012 by Leslye "JOY" Allen

by Leslye Joy Allen

Historian, Educator, Theatre and Jazz Advocate, Doctoral Student

1. Do not spend one dime at anything owned or managed by Donald Trump. Trump is within his rights to dislike President Obama; he is within his rights to criticize President Obama’s policies. He should not be allowed, however, to disrespect the office of the president simply because the person who occupies that office is a person of African descent. He can call his behavior whatever he wants to call it, but if you are Black, you know exactly what Trump’s problem is. Do not spend your money with him or with any person or organization that does business with him. Here’s an extra history lesson on Donald Trump for you: When Trump filed for bankruptcy over a decade ago because his casinos lost money, he tried to blame federal and state laws that have little control over Native American casinos. Because Native American Nations are technically sovereign nations within the United States, states and the federal government have not exercised a high degree of regulation on these casinos when they are operated on lands owned by Native American Reservations. Trump voiced opposition to some states and the federal government’s lack of interference and regulation of Native American casinos because he wanted to monopolize the casino industry. What kind of a person would deny Native Americans—arguably the most oppressed group in the United States—a means of self-determination?

2. Boycott Florida. Keep your Black behinds off its beaches and out of its hotels. Stay out of Disneyland. Do not even buy Florida oranges and orange juice. Here’s another history lesson: In 1990 White Cubans in Miami and other Florida cities designated South African leader Nelson Mandela persona non grata because he dared praise Fidel Castro for supporting him when Mandela was fighting against an apartheid system that demoralized and murdered hundreds of thousands of South African Blacks. Do not misunderstand—White Cubans have the right to hate Fidel Castro. He stripped many of them and their ancestors of their property in the early days of the Cuban Revolution. Other individuals were imprisoned and brutalized. To diminish or disregard Castro’s persecution of them is not fair. However, many of these same White Cubans also persecuted and routinely discriminated against Black Cubans. Moreover, when any group of people suffer persecution—particularly as long and as virulently as Black South Africans—you would think that Mandela, a man wrongly imprisoned for 27 years, would receive some level of understanding and empathy from other persecuted individuals. Mandela did not receive that kind of consideration in Florida.

Florida has also had a lot of trouble with voting procedures. Remember the state needed federal and Supreme Court intervention to settle the 2000 presidential election. Florida is also the same state that spent much of 2012 trying to disenfranchise voters to the point where it angered so many voters that they came out in record numbers to vote in the presidential election. That number included entire communities of Latinos, African Americans, Jews, women, and etcetera. It also took the state three days to finish counting the votes.

This is also the state where in February 2012 Trayvon Martin, a 17-year-old Black boy, was killed walking home from a store, unarmed. We can grant George Zimmerman, his killer, the right to call the police and say that Martin looked suspicious. Yet, until he actually saw Martin do something, Zimmerman should have stayed in his car as the 911 Operator told him to do. Do you need me to keep going? Do not give Florida your money; and demand this boycott of Florida from all Black organizations, performance artists, politicians, clergy, you name it. We have earned the right to protect our interests.

3. Keep your money in your pocket and in your bank account as much as possible. Many of President Obama’s enemies think that WE Black folks only take handouts from the government rather than earning a combined $836 billion dollars a year working on a variety of jobs and in a variety of professions. So many of the President’s enemies do not know or believe that WE Black folks place a minimum of over $500 billion dollars (or more) back into the United States economy every year. Since so many folks assume WE contribute nothing, let us hold on to our money and spend it wisely and only with those businesses, corporations, and individuals that put something tangible back in our communities. If you want to know where our money goes, visit: Target Market News and read the best consumer and spending reports on Black Americans on the web.

4. Face the reality that we need to cut federal spending. Some social programs need a serious overhaul or elimination. For example, the Housing Voucher Program (formerly called “Section 8 housing”) demands that the people that qualify for such housing must have an income that is at least 50% less than the average income in the neighborhood where the house of their choice is located. Rental rates are based on the average rental rates in the neighborhood where the houses are located. Typically Housing voucher renters pay 30 per cent of that average rental rate, with the Department of Housing and Urban Development (HUD) paying the remaining 70 percent to the owner of the property. Occasionally renters’ portion of rents are raised should they begin to earn higher salaries. However, there is no time limit on how long an individual can remain in this kind of housing. There is no concrete incentive in this program for participants to seek higher-paying jobs and risk disqualification from participation in the program. Even worse, if property values suddenly go up in a neighborhood where some Housing Voucher renters live, these same renters have another risk: they might be priced out of the houses they currently rent and live in. Why continue to rent to a Housing Voucher Renter if you can acquire another renter that can afford the higher rents without the assistance of HUD? It is time to set some limits.

5. For that percentage of Black Americans who have problems with Latinos and other immigrants, remember that a considerable number of Latinos and other immigrants are also people with African ancestry (whether they admit it or not). While I have certainly met many folks who would rather die than highlight or admit any African ancestry, I have also met many more who freely acknowledge and embrace their Africanity! Many of them have lived here in this country for a long time and many others who are recent arrivals are here to stay, so you would do well to build or continue building coalitions with them and find ways to work together.

6. Do not put up with racism, but do not hyperventilate about it either. Some White folks are not going to change. Stop wasting your time, efforts and energy trying to change them. And those White folks that you know that are always so nice to you, but who always try to look the other way when you or someone else brings up a racist incident; and when they can no longer ignore what happened they try to act like that kind of incident is so unusual—Be courteous to them, but keep them at arms length. No matter how seemingly innocuous and/or well-meaning and/or kind and/or generous they may be, any person or group of people that attempts to deny the obvious are part of the problem. It is not your job to teach them or fix them. No one can fix anything if one refuses to look at it for what it is.

7. Invest in Africa! Hell, the Chinese are already heavily invested and building in several developing African countries. You might as well join the effort.

8. Global Warming is not a joke; and we as a people contribute as much or more to the problem as anyone. Read everything you can from the National Resources Defense Council (NRDC) (I have been a member for 15 years). Study the reports on the household and cosmetic products you use at Environmental Working Group (EWG). Make sure you read their report “Pollution in Minority Newborns,” if you want to know how serious this is. Check out my old blog “Mercy, Mercy Me: Black, Clean and Green!” plugging a younger and progressive Black man who runs a business that offers products that help clean up the environment and save you money in the process.

9. Talk to people and listen to people who do some kind of work or express ideas that are different from the work you do and from the ideas you express and believe in. This is how new ideas are born and it is also the best way to find out what is truly going on with people you may someday have to rely on. I recently met a group of young academics that only socialized with each other. These same academics also wrote some of the most useless scholarly work I have ever read. I also have met many younger performance artists (35 and under) who do the same thing—they only interact with one another and still cannot figure out why no one comes to see the show! If you do not communicate with folks outside your profession and inadvertently imply that those other folks’ contributions are not as important as your own contributions, then you cannot expect them to follow you or support you. The current Republican Party and Mitt Romney’s failed presidential campaign provides a good lesson—They lost the election for a variety of reasons. Yet, they truly lost the bid for the presidency because they only talked to each other and they believed that their opinions were the only ones that mattered; everybody else had to have been wrong. Do not stay in the same kind of cocoon, that is unless you want to resemble the current Republican Party.

10. This line is for you to add your own personal goal. You know what you want to do. You know what you are capable of doing. Do it!

Peace.

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

What I Learned About Creativity from My Worst Subject

Posted on June 27, 2012 by Leslye "JOY" Allen

By Leslye Joy Allen

Historian, Educator, Theatre & Jazz Advocate, Doctoral Student

May in the Park, No. 24
Copyright © 2012 by Leslye Joy Allen

I do not typically write about Education per se. Two of my favorite bloggers ModernDayChris and Matt Wilson of Everything Needs to Change do the best writing about the subject, particularly the education of children in our public school systems from Kindergarten to 12^th Grade. This essay is not so much a critique as it is a reminder about something often forgotten when conversations and analyses take place about what is wrong or right or that needs fixing in American education overall.

First, let us be honest. Not all American public education is flawed; it is often unequal based on race and/or socioeconomic factors. It can also suffer from certain regional economic problems, which are beyond the scope of this essay. The quality of American higher education runs the gamut from mediocre to the best in the world. Yet, there are certain actions and habits that can help any student regardless of the quality of that education. Of course, the best education nurtures these habits. So here goes…

For the record, I was possibly the world’s worst Biology student. After routinely making grades of “A” in subjects like History and English, I nearly flunked Biology in high school. I will not bore you with the stories about my nausea and headaches when I had to dissect some dead animal preserved in formaldehyde—That is a whole other essay by itself. When I had to take Biology in college, I determined that I needed to not only study, but also come up with some creative ways to study. After getting a lousy two out of twenty identifications correct on a Biology Lab Practical Exam, I arranged a meeting with my professor. (For those of you who have forgotten what a lab practical is, it is simply a test where you identify bacteria, amoebas, and other items physically located in a biology lab, many of which are under a microscope.)

My professor informed me that he typically set up everything in the lab on Saturdays. I asked if I could come by on Saturdays. He said that I could, and that I could stay as long as I wished so that I could examine and take notes about all of the items in the lab. Off to campus on Saturday I went carrying my notebooks and an assortment of colored markers so that I could literally draw what I was examining so that I could study it at home, over and over again. On nearly ten consecutive Saturdays, I also got a chance to talk at length with my Biology professor.

I joked with him that a historian’s brain dealt with a lot, and it did not have much room for Biology. My professor admitted that he had never been a good student of History. We both took note of the fact that History typically tells a story; and it also typically argues a thesis, which is why you can find so many different History books about the same event that argue entirely different positions about why that event happened. This is why Law students typically have to have some academic background in History—History teaches you to see more than one side of an argument. Biology, however, is another matter. That amoeba cell that you just examined under that microscope is going to remain an amoeba cell. You can either recognize it or you cannot!

During these Saturday sessions, I had the opportunity to ask my professor numerous questions about everything in that lab. I swiftly took notes of everything he said. When both he and I were taking breaks from the subject matter, we discussed History, Politics, Performance Arts, and whatever was happening in the news. He quickly discovered that while I would never be a great biologist, I was a good student in History, and a burgeoning intellectual. So, what is my point?

The point here is I listen to students and some educators talk about subjects they describe as not preparing students for the kind of work they will be doing as adults. “Why do I have to take Biology if I am never going to use it?” That is a fair question. Yet, my experience with taking a subject I might not have to use or need to use taught me several important lessons about the intrinsic value of a good education beyond the mere mastery of any particular subject matter.

First, when I made a solid “B” as my final grade for Biology, I knew I had earned it. No one—and I certainly did not—really wants to go back to school on Saturdays. I went back and stayed long hours and it paid off. Second, because I was often the only student in the lab on those Saturdays I was free to speak with my professor without interruption. Technically, I got free tutoring lessons simply by showing up and availing myself of his expertise. Third, my professor witnessed me making an extra effort in a difficult subject. While professors do not grade for “effort” (nor should they), it does not hurt for an instructor to see a student put in extra time in order to master a difficult subject. Fourth, I learned that I could conquer that which was difficult.

I also finally understood lessons that my mom and my uncle, both educators, often emphasized throughout my childhood and adolescence: Education is as much about endurance as it is anything else. And as my mom often stated: You cannot expect a student to become the next Einstein if he or she cannot get along with other students (teamwork) and also willingly and creatively work on difficult subject matter. Importantly, both Mom and my uncle insisted that one of the keys to a good education was the “social” skill of learning how to navigate difficulties and put in extra time without resorting to short cuts or cheating or other forms of skulduggery. Tackling a subject that one is not good at forces a certain level of creativity—that is creativity often born of unorthodox or unconventional ways to retain and master the subject matter, and pass the class.

It is right about now that the folks that know me well would assume that I would go into one of my soapbox sessions about the necessity of arts education in schools, and how the arts make students more creative and help with spatial reasoning and a host of other skills, including enhanced skills in Mathematics and Sciences. Well, I am not going to do that, exactly.

Exposure to the arts certainly enriches and develops creativity; and I have never met an artist that was not creative at something. Yet, creativity is not the exclusive domain of the arts or artists. I have met many individuals who did not have an artistic bone in their bodies, but who were highly creative people. If students are to develop into productive individuals who can think their way through and out of complex problems, regardless of academic discipline, then education needs to not only expose students to the arts, but it should also advocate that creativity—artistic or otherwise—is an essential skill for all academic disciplines. Furthermore, arts education advocacy need not exist on, nor should it lay sole claim to, some creative island minus its other academic counterparts. Perhaps, this is where the real debate about education needs to begin. More to come later…

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

The Persistence of Old Models / Old Beliefs

Posted on April 21, 2012 by Leslye "JOY" Allen

by Leslye Joy Allen Historian, Educator, Theatre & Jazz Advocate, Doctoral Student

Last month, I had the good fortune to sit down with, break bread with, and drink good wine a couple of times with award-winning playwright, Black Theatre expert, and educator Paul Carter Harrison. I have to thank fellow scholar R. Candy Tate for turning what was supposed to be our first meeting (to trade academic notes and talk shop) into a meeting where we added yet another spirited scholar to the mix. This was one of those rare opportunities we graduate students receive where we can converse with someone who is, arguably, one of the first artists to seriously study Black Theatre and create a scholarly canon that tells us what Black Theatre is and what it is not.

However, I deliberately did not ask Paul about his many books (The Drama of Nommo or Black Theatre: Ritual Performance in the African Diaspora). Among the many things we discussed was his frustration and anger about what he considered to be some younger playwrights, actors, and directors’ pandering to the tastes of White audiences; and an unfortunate dumbing-down of theatre, television and film in an effort to appeal to audiences of all races for the sole benefit of entertainment just for entertainment’s sake. He was not ambiguous at all; he was livid. He saw a disturbing trend where some Black performers decided to cater to what White producers and audiences—even well-meaning White folks—wanted them to appear to be on stage. No more martyred Black folks, he said. Exactly how many times must everything WE do be a response to some other group of people? Exactly how many times must we be characterized as long-suffering and stoic or, for that matter, be the super baadaass Black man who always manages to rush in and save the day? He made his point.

He saw this pandering as something that, while it might be quite commercially satisfying, stifled Black creativity and stunted artistic risk-taking while it simultaneously applauded and rewarded the mundane, the ordinary. He noted that this lack of vision, this lack of adventurousness, would eventually cause a lot of artists to hit a commercial brick wall. He did not bite his tongue about the fact that certain Black stereotypes and certain Black archetypes had become the norm in film, on TV, and on the stage. While Paul is a part of my larger ongoing research, which will not be discussed here, he did make me think about not only why artistic and scholarly risk-taking is necessary for growth, but also why stereotypes are particularly dangerous.

After our two marathon conversations, I thought about how people on both sides of the political and racial aisle, so to speak, hold onto and cling to certain images and ideas about Black people. I have to honestly wonder whether, WE Black folks have any real friends who actually know US; that is, friends outside of our own racial/ethnic group. I am not kidding; I mean this. Aside from the racist who assumes that at any given moment I will be spitting out watermelon seeds or that I have bred babies like rabbits, there are also those White folks that go to other extremes. They are so hell bent on proving that they are not racist that they see beauty and goodness in everything and everybody that is Black—and that is a fallacy as well. Blackness and Black people become a fetish. One of the first things that makes us, Black folks, human is our ability to be great or weak, right or wrong, smart or dumb, honest or dishonest. Any belief, sentiment, or romanticism that strips us of the full range of human expression denies us our humanity, no matter how flattering those beliefs and sentiments might be. It is dangerous to hold onto those kinds of extremes and expectations.

Only a few days after my meeting and hanging out with Paul, one of my History students, a young White male, told me about this funny video he saw. According to this student, someone filmed security personnel in a department store. In the video, all of the security personnel were following all the Black customers assuming that the Black customers would be the customers who would shoplift. However, while security was following all the Black customers, White shoplifters were stealing everything they could get their hands on. Both my student and I laughed, but the humor quickly faded when we began to consider what really happens when someone makes assumptions based solely and purely on race, or I should say, on racism. Now, anyone with half a brain knows that people of all races and ethnicities steal for a variety of reasons. Nevertheless, this video—that I have never seen, by the way—said something else about misconceptions based solely on race.

When people buy into any stereotype it does something more than degrade and devalue the victim of the stereotype, it tells everyone else exactly who they need to victimize or who they need to “not look like” or “not behave like” in order to get away with whatever they are attempting to get away with. I am not going to say anything about Trayvon Martin, this time. However, for all of those frightened and paranoid White folks (and Black folks) who live in gated communities in Florida and elsewhere, I have only one thing to say: Beware of respectable looking young White males who may be walking through your neighborhoods.

While I am sure most of these young White men will not be planning to commit any crime or do anyone any harm, one of them might have decided that since he did not look a certain way that he could get away with certain things. When you buy into and believe those old models and old beliefs, eventually, someone figures out that all they have to do is make sure they do not fit the model. After that, they can get away with anything! And for those folks who might be feeling guilty for believing the worst stereotypes about Black people, the last thing you need to do is stop for some poor Black guy on the side of the road at midnight, just to prove a point.

The majority of us Black people work hard, pay our bills, take care of our homes and lawns, and never ever hurt anyone, but that does not mean that all Black people are saints. If we could just let these old models and old beliefs go, we could proceed in this world based just on facts rather than assumptions. Now, I have a Black elder statesman of Theatre and a young White male student to thank for raising the level of the discussion.

Leslye Joy Allen is proud to support Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

12 Lessons…

Posted on March 15, 2012 by Leslye "JOY" Allen

…I Learned from My Parents and a Few Great Teachers (Some old advice worth repeating)

by Leslye “Joy” Allen Historian, Educator, Theatre & Jazz Advocate, Doctoral Student

BE PREPARED TO BURN THE MIDNIGHT OIL. If you rush and get something done in ten minutes, there are probably ten errors in it. Take your time and do it right the first time.
DO NOT BE AN ADULT WHO IS ALSO A SPOILED BRAT. Temper tantrums and crazy demands are bad enough in children, but completely intolerable in adults. In fact, tantrums and crazy demands will not likely be tolerated by anyone other than an idiot who is a glutton for punishment. No one owes you anything. Get over the idea that because you are sad, financially broke, angry, or frustrated that the world must accommodate your bad mood or your rudeness. Go somewhere alone and be quiet and think about how you got to this point.
DO NOT EXPECT YOUR FAMILY (or SPOUSE) TO CHANGE. Enough said.
TAKE RESPONSIBILITY FOR THE BAD STUFF. Remember that there are some memories of bad or traumatic events that will bother you from time to time. Call a good friend who will let you vent, or seek counseling. If necessary, shed a few tears. Yet, do not cry over five minutes. Get back to your work. Do not get into the habit of believing that because you have big problems that you bare no responsibility for your life.
BE DEPENDABLE. No one needs a friend that barely returns a phone call and no employer needs an employee that is chronically late or who does lousy work.
BE INDEPENDENT and take responsibility for your personal and financial life—You are not an adult until you do. Avoid people that do not encourage your independence. People who support your dreams are not supposed to continuously pay your way, but they should be encouraging you to do so.
CHOOSE YOUR ASSOCIATES AND FRIENDS AND MATES, CAREFULLY. Suppose your associates or friends or mates can be defined as any of the following: unreliable, lazy, bigoted, racist, narrow-minded, sexist, uncouth, ill-mannered, elitist, promiscuous, untrustworthy, and/or just plain dumb (you can add your own negatives, if you like). All you need to ask yourself is whether you would want your son or daughter to acquire about half of these characteristics. If your answer is no, then you have no business hanging out with, dating, marrying or mating with any of these folks.
DEAL WITH WHAT IS REAL. Avoiding reality will never change reality. Daydreaming and talking about what you want to do has its limitations. Dream big, but stop daydreaming and get to work.
FINISH WHAT YOU START. So what if what you are working on is going to take five years or more to complete? Work toward that goal with concrete and practical steps everyday, and avoid taking detours. It is not what you say you want to do, but what you actually do that matters.
PARTICIPATE IN THE ARTS (music, theatre, paintings, sculpture, dance, writing) in some capacity. The arts help you remain creative whether you have any artistic talent or not. Creativity, put to good use, will help you solve problems. Occasionally, it will help you forget about your problems when necessary.
This is an old adage, but NEVER STOP LEARNING. Make education a lifelong journey. Always be ready to discover something new.
MAKE SMILING A HABIT. Frowning always turns people off. Smiling helps your appearance and your attitude.

Peace.

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

A Little Girl and “The Nativity”

Posted on March 10, 2012 by Leslye "JOY" Allen

by Leslye “Joy” Allen Historian, Educator, Theatre & Jazz Advocate, Doctoral Student

For the record, I am a historian and contrary to popular belief, historians are not social scientists. History belongs in the category of the Humanities, as in the phrase “Arts and Humanities.” Art and artists tell stories and so do historians. We just do it in different ways.

Historians analyze and interpret the past. We ask “why” something happened and we ask “how” something happened.

There are as many different angles and answers to those “how” and “why” questions as there are historians. Performance art also does this because no two performances are ever the same; and audience members often see and interpret the same story or song in a hundred different ways.

Yet, I digress.

What I really want to share is a particular story, a story about a little girl who sat in an audience and gave me the best lesson about what the arts, particularly theatre, does for an audience.

I have always been fond of Langston Hughes’ Black Nativity. Many theatre companies in Atlanta have performed this holiday classic over many decades.

I recall seeing many performances of it by Jomandi Productions and many other local Black theatre companies. In recent years, many directors and playwrights have produced their own version of the “Nativity.”

There was yet another re-imagining of this annual story conceived, written, and choreographed by Patdro Harris as part of Kenny Leon’s True Colors Theatre Company’s annual Christmas offering that played in December of 2011 at the beautiful Southwest Arts Center.

Yet, a couple of years ago, I witnessed Black Nativity for perhaps the eighth or ninth time. This time, however, I sat behind a little girl who could not have been any older than five or six years old. I watched her and nostalgically recalled that my first theatre experience occurred on a visit to New York when I was four and a half years old—I saw Sammy Davis, Jr. in Golden Boy. However, the little girl watching Black Nativity did more than bring up fond childhood memories for me.

Sitting in the dark at the Southwest Arts Center, preparing myself for True Colors Theatre Company’s version of Black Nativity, I watched this child’s face break out in a wide—missing-tooth—grin as the music, dance, and dialogue began.

She watched the show with wonder, that kind of childhood wonder where everything is brand new. After the show was over, while I chatted with some folks in the lobby, I watched and heard this child make a dozen comments and ask nearly as many questions:

“Mama, I sure did have a good time.”

“Mama, was the baby Jesus a real baby or was it a doll?”

“Mama what do actors do to make themselves look old?” “

What does “nativity” mean?

How can the same person pretend to be two different people?

The questions and comments from this child kept coming. Yet that is what the arts do—art always triggers the imagination. So I often wonder why some legislators do not realize that part of the reason why schools have difficulty raising students’ Math and Science scores is partially due to the fact that there has been a systematic de-emphasis and de-funding of the Arts and the Humanities.

Being able to memorize and regurgitate information is not a clear example of scholastic aptitude; being able to creatively think one’s way through or out of a problem is an explicit illustration of genuine intelligence. If you think Albert Einstein created his theory of relativity based only on what his science and math teachers taught him, you are dead wrong.

“I am enough of an artist to draw freely upon my imagination,” Einstein said.

If you think George Washington Carver did not understand the importance of creativity, think again. Carver emphasized that, “Since new developments are the products of a creative mind, we must therefore stimulate and encourage that type of mind in every way possible.” It is not likely Einstein or Carver would have become the geniuses that they were without a genuine respect for the arts.

That little girl I listened to asking questions in the lobby of the Southwest Arts Center would never have asked the kind of questions she asked her mother had her mother decided not to take her to see a play or a musical.

Black Nativity had stoked her young imagination. When you stoke children’s imaginations, they ask intelligent questions; and when this kind of inquisitiveness is encouraged, they tend to grow up to be adults who ask intelligent questions. When you have adults who know the right questions to ask, you tend to get a community that will demand and possibly get better public policy on everything from city services to health care to education.

So, do your community, yourself, and your children one favor. Take yourself, your children or a child to see a play, a Jazz concert, a ballet, and/or an art exhibit. Now there is no guarantee that you or any child that you expose to the arts will become the next Einstein or Carver, or even a great performance artist. Yet, why not give them a shot at being any or all of the above.

Peace.

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

Soldiers, Scholars, and “Black Redtail Angels” in Southwest Atlanta

Posted on March 9, 2012 by Leslye "JOY" Allen

“White American bomber crews reverently referred to them as “The Black Redtail Angels” because of the identifying red paint on their tail assemblies and because of their reputation for not losing bombers to enemy fighters as they provided fighter escort to bombing missions over strategic targets in Europe.” –Lieutenant Colonel Charles W. Dryden (1920-2008) from A-Train: Memoirs of a Tuskegee Airman

Back in early December 2011, I received an email from a cousin that contained a trailer from the movie Red Tails, a film about the Tuskegee Airmen directed by Anthony Hamilton, produced and largely funded by George Lucas. Not long after I received the email with the trailer, I was thinking about my one and only meeting with the late Lieutenant Colonel Charles W. “Chuck” Dryden.

I had called Dryden when I briefly served as an intern for a World War II Oral History project. When I called him, he looked at his Caller ID and determined that I was calling from a phone in Southwest Atlanta. He told me to hang up the phone and come on over. With no hesitation, I drove to his home, which was about six minutes from my own.

Dryden was a decorated Tuskegee Airman, and one of many Tuskegee Airmen that lived in Atlanta, which is home to more Tuskegee Airmen than any other city in the nation. A member of the famous 99th Pursuit Squadron, and later the 332nd Fighter Group, it was Dryden who led a group of six Black fighter pilots in aerial combat in Italy in 1943—This was the first time in aviation history that Black pilots in the U. S. Army Air Corps engaged an enemy in aerial combat.

I spent an afternoon at his home in Southwest Atlanta back in the summer of 2007 where he told me how he had to be perfect as a fighter pilot if we were going to stop Hitler’s Third Reich and if he and others were going to prove that Black men made excellent fighter pilots.

That afternoon I learned that he was much, much more than a fighter pilot. I had owned his memoir A Train: Memoirs of a Tuskegee Airman for years, but at that time, I had not yet had an opportunity to read it in its entirety. However, from what I had read and from my conversation with him, it was apparent that he was very much a scholar.

We discussed history, politics, art, World War II, U. S. military intervention in Iraq and Afghanistan, the upcoming “Democratic Presidential nomination” of Barack Obama, and of all things: my Master’s thesis. He insisted that I tell him more about my research on the White politicians that made up the Georgia Know-Nothing Party, a group that did not want Georgia to secede from the Union as the South reeled from the election of Abraham Lincoln.

I should add that we also talked some mess! I noticed a picture of Dryden and his beautiful and brilliant wife Marymal Dryden. She was not there when I visited, but I remember reading one of her essays. The handsome couple stood there in the photo with the Arizona sunset as their background.

“You remember that scene in the movie Waiting to Exhale where Angela Bassett burns up all of her ex-husband’s stuff in the car,” he asked. “Yeah,” I answered. “Well, we are standing right there in that same spot where she burned up everything.” We both burst into laughter.

He could not stand upright, as he had been afflicted with a severe stroke. Yet, his mind was razor sharp. He thought U. S. involvement in Iraq and Afghanistan was dangerous. Moreover, of more than a dozen WWII vets that I spoke with, ALL of them thought this way. In less than a year after my wonderful visit, Lt. Col. Dryden passed on to the ancestors.

Not long after his death, a young woman in one of my history classes informed me that she would be attending the United States Air Force Academy. In one of our conversations where we talked about everything from the fact that the Air Force had fewer Blacks than any other part of the armed services, she told me that she met Lt. Col. Dryden before his death.

When I asked her about their conversation, she looked me straight in the eye and said that Dryden’s face lit up when she introduced herself and told him she was planning to go the United States Air Force Academy.

He told her, “When you get to the Air Force Academy, you give THEM HELL!” We both laughed because we knew what he meant, and we offered no apologies for his pointed audacity-filled instructions to her to kick some you-know-what at the Air Force Academy.

Nearly four generations her senior, Dryden let this young sister know that his expectations of her were high. He also knew that his vote of confidence in her abilities would buttress her against any doubts she might develop should she encounter those individuals who thought the United States Air Force had no need of Black female officers and pilots. Like every other Tuskegee Airman I know of, Dryden never lost his swagger, his sense of possibility. Like many other men and women of his era, he expected much from himself and from all of us who were born after him.

Dryden and my parents were contemporaries. I am a late born child—my mom turns 91 years young this year. If my father were living, he would be turning the age of 92. The men and women of Dryden and my parents’ era not only lived long enough to see the world change, but they were largely responsible for changing it.

Folks my age and younger often complain about what needs to be done to create racial and economic justice. Many of us have been vocal critics of our elders, and often our analyses of what did or did not work in the past have been correct. However, if there is any lesson to learn from the “Black Redtail Angels,” and our elders from the World War II era and beyond is their dedication to education and their examples of extreme sacrifice.

These men and women—Black and White— those in the military and those keeping the home front, were in their twenties when Adolph Hitler threatened to destroy any semblance of racial or ethnic equality in Europe and elsewhere. I shudder to think of how different the world might have been had he and his minions been successful.

We often forget that the Third Reich did not just target Jews for extermination. It exterminated and planned the extermination of Poles, and all Slavic peoples, persons with mental and physical disabilities, Gays and Lesbians, and yes, Afro-Germans.

We owe folks like Lt. Col. Dryden and Lt. Col. Hap Chandler, a White fighter pilot from Toccoa, Georgia. Not long after I met Chandler, I learned that he had shown up at a meeting of Georgia’s Tuskegee Airmen to thank them for keeping him alive and to apologize for the awful way that “members of my race treated you.”

Chandler also had that same swagger, intellectualism, and expectation that I noticed about Dryden. In the late 1940s, he also belonged to that small but growing number of White veterans who had to reassess their erroneous beliefs about alleged “Black inferiority” that remained endemic to every aspect of American life and was the very basis of the social and economic order of the American South. I should add that Chandler was cool. He drove a Jaguar and arrived for his interview wearing a suit and tie and holding hands with his seventy-year-old girlfriend.

The Tuskegee Airmen, and other Black World War II veterans came back home to the United States and demanded equality from a country that denied them the very thing they had fought for abroad. The modern-day Civil Rights movement began with the efforts and work of all of these men and women.

They went to college (or back to college) in record numbers under the G. I. Bill. They sought advanced degrees, pursued well-paying skilled jobs in new industries, started businesses, and swelled the numbers of the Black middle class so that you and I could do much of what we are able to do now. They bought homes and sent kids to college.

They registered and voted in every election. They marched with and sometimes paid to get civil rights activists, students and radicals out of jail. They set examples for us to follow and repeat, and made some mistakes for us to study and avoid, but they never stopped moving and searching for new ways to create a more just and equitable nation for their children and grandchildren.

They did all of these things without computers, cable television, the Internet, email, blogs, social media or cell phones. We should do no less. Peace.

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

James Baldwin’s Soul is Still on Fire!

Posted on March 5, 2012 by Leslye "JOY" Allen

by Leslye “Joy” Allen Historian, Educator, Theatre & Jazz Advocate, Doctoral Student

On Thursday, May 23, 1963, writer and activist James Baldwin met privately with Robert F. Kennedy at Kennedy’s home in McLean, Virginia. Baldwin was infuriated by the virulence meted out on peaceful civil rights protestors by Birmingham, Alabama police. Robert Kennedy got an earful.

A second meeting was hastily held the next day, this time at Robert Kennedy’s New York City apartment. However, on that Friday, May 24, Baldwin brought along a group that can best be described as a “civil rights arsenal”!

Harry Belafonte, Lena Horne, playwright Lorraine Hansberry, Rip Torn, Dr. Kenneth Clark, freedom rider Jerome Smith, attorney Clarence B. Jones, Edwin C. Berry of Chicago’s Urban League, and Franklin Delano Roosevelt’s former Secretary of the Treasury Henry Morganthau arrived at this meeting at Baldwin’s request.

Baldwin’s group came to discuss and complain to Robert Kennedy and Burke Marshall (head of the Justice Department’s Civil Rights wing) about President John F. Kennedy’s failure to use the power of the presidency to stem the police violence that continued to plague peaceful civil rights protesters.

The meeting of this group of individuals was not particularly successful. Yet, Baldwin’s outspokenness, audacity, and literary genius was—and remains—a source of both political and artistic inspiration.

My good friend, actor-writer-curator-activist, and now editor, Charles Reese is but one of many keepers of Baldwin’s legacy.

Reese—who stays in Southwest Atlanta whenever he is in town—is pulling double duty in the legacy preservation department. I learned about his plans when he and I had one of our long breakfast sessions at “The Beautiful Restaurant” on Cascade Road.

Back in the year 2000, Reese, a Morehouse College alumnus, had a daunting task. He had to figure out a way to preserve, protect, and promote the work of his good friend, fellow Morehouse alumnus and playwright Howard B. Simon who died that year of complications brought on by streptococcus meningitis—He was only 37 years old. Even more tragic, Simon never got a chance to read the great reviews theatre critics wrote about his seminal play James Baldwin: A Soul on Fire.

A Soul on Fire is not an account of what happened in Bobby Kennedy’s apartment that Friday in 1963. It is, rather, Simon’s vision of what Baldwin did, said, and imagined the day before.

Via the dramatic genius of Simon and the bravura performance of Reese in the title role, the play captured the essence of Baldwin and the spirit of the 1960s. With both Simon and Baldwin gone, Reese has not waivered in his determination to preserve the legacies of both men.

With a lot of tenacity (and a little help from his friends), Charles Reese has edited and published the play James Baldwin: A Soul on Fire by Howard B. Simon.*

Reese kicked off a book/play-signing tour on January 29, 2012 in Los Angeles with plans to go from city to city hosting book signings and reading salons, inviting the public to take part in the drama and the discussion.

I urge you to join the celebration of James Baldwin and Morehouse alums Howard B. Simon and Charles Reese. The play James Baldwin: A Soul on Fire is available at: Amazon.com.

For more information about hosting a book-signing and play-reading event; and to keep up with Charles Reese’s many multimedia projects (The James Baldwin Project, the Howard B. Simon Literary Canon and The Charles Reese Experience), go to: The Charles Reese Experience.

For additional historical information about James Baldwin and Howard B. Simon; and to keep up with the plans to develop a film version of the play, visit: James Baldwin: A Soul on Fire.

*Finishing the last edits and details in late December 2011, Charles Reese chose 2012 as the target year to promote the publication of Simon’s play because this year marks the 25th anniversary of Baldwin’s death. Baldwin’s body departed us on December 1, 1987 in Saint-Paul-De-Vence, France. His Soul, however, is Still On Fire! Peace.

Leslye Joy Allen is proud to support the good work of Clean Green Nation. Visit the website to learn more about it: Gregory at Clean Green Nation!

Leslye Joy Allen

History, Social Commentary, Theatre and the Arts

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